ODETTA

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

This series of paintings portrays the ardent women involved in the American Suffrage Movement which led up to the 19th Amendment which passed in 1920. ...

These new paintings and works on paper are the outgrowth of experimentation that seeks to bring the work to a newer outpost of Baker’s search for an honest self-revelation. The new s...

These new paintings and works on paper are the outgrowth of experimentation that seeks to bring the work to a newer outpost of Baker’s search for an honest self-revelation. The new s...

Photography always has occupied a central place in Debra Pearlman's work. Her subjects are typically children caught unawares in action, revealing an array of ambiguous emotions. The...

Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...

Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...

Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...

Jane Sangerman lives and works in Brooklyn, New York. She has a BFA from the University of New Mexico and an MFA from SUNY Buffalo. She has had one and two person shows in many citi...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Born: Decatur, IL. Lives & Works in Brooklyn, NY. Her work has been widely exhibited nationally and internationally, including several solo exhibitions in Germany in Munich, Cologne and Berlin with Galerie Kaysser, in NYC and San Francisco with Jenkins Johnson Gallery and Tokyo and Osaka, Japan and NYC with HPGRP Gallery. Additional NYC solos include Bond Gallery, 490 Gallery, BOE, and MBM Gallery, and a large scale public art piece at One Main Window in Dumbo, Brooklyn. She has also presented major works at Kenise Barnes Fine Art, DFN Gallery, Lesley Heller Workspace, many years at “Take Home a Nude” for The New York Academy at Sotheby’s and numerous art fairs, and university galleries. Recent museum exhibitions include a solo at Kunstlade Museum, Zittau, Germany, The Hunterdon Museum in Clifton, NJ twice. as a featured artist in Munich at the Haus der Kunst Contemporary Art Institute. PS1 Museum of Modern Art, NYC, The Kotonah Museum of Art, NY, The Virginia Museum of Fine Art, and Shore Institute of Contemporary Art, Long Branch, NJ. She currently has a painting in the exhibition Beyond Suffrage at The Museum of the City of New York. Lynch’s work has been featured and written about in numerous publications including The New York Times, The Boston Globe, Art and Antiques magazine, American Art Collector magazine, German Bunte magazine, Oxford American magazine, and NY Arts magazine among many other publications. Rene Lynch has had several catalogues published about her work. Her art is featured on the cover of Boulevard Magazine Spring 2018. Her paintings were recently featured in scenes with Richard Gere in the film Norman. Her work can be found in numerous private and public collections throughout the United States, Germany, France, Switzerland, Italy, Austria, Turkey, Russia and Japan. Rene Lynch studied painting and art history at Virginia Commonwealth University, The Business of Art, Curatorial Studies Program, New York University, and Printmaking, Manhattan Graphics Center. Lynch has been awarded several fellowships, including; two fellowships from P.S.1 Museum of Modern Art, NYC, four fellowships from The Virginia Center for the Creative Arts, and two fellowships from Oberpfalzer Kunstlerhaus, Germany, and AIR Ruhpolding, Germany, also The Manhattan Graphic Center for printmaking, and the Millay Colony, NY and twice from Soaring Gardens, PA, and Palenville InterArts, NY among others. She has been invited to give Artists Talks at the Brooklyn Museum, NY, the Aldrich Museum, CT, the Hunterdon Museum, NJ, the Kunstlade Museum, Germany, Sotheby's Auction House, NY, Chelsea Art Museum, NY, Abrons Art Center, NY, New York Foundation for the Arts, New York Academy of Art, NY, Lumine, Tokyo, Japan, Umeda Gallery, Osaka, Japan, Jenkins Johnson Gallery, NYC, Kenise Barnes Gallery, NY, Pratt Institute, NY, Red Dot Art Fair, NY, Metaphor Contemporary Art , NY, Tribeca Arts Center, Manhattan Community College, Marymount Manhattan College, Kutztown University, PA, Simmons College, MA, LIU, Brooklyn, NY Lynch is co-founder/director/curator of Metaphor Contemporary Art with Julian Jackson. Since 2001, they have presented over 90 solo and group exhibitions of new works by hundreds of artists at their Brooklyn, NY gallery, and at several international art fairs, placed numerous works in private and public collections including US Embassies, banks, hotels and hospitals, published several exhibition catalogs, and presented numerous artists’ and critics’ talks and panel discussions. In 2017 Lynch & Jackson co-curated with HPGRP the NY Art Lab with 35 artists in Osaka, Japan and curated and produced recent art auction benefits, involving hundreds of artist: ArtHillary art auction at Kathryn Markel Fine Arts, NYC, 2016, White Hawk...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. Thes...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The pain...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publications such as The New York Times, Artforum, The New Yorker and Art in America, among others. Images of her commission for the New York MTA, stained glass windows at the Rockaway Beach...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Europe and in his native Georgia, Levan continued postgraduate studies at The National University of Art of Buenos Aires (Argentina). While in Buenos Aires, he had curated several shows at The Laguanacazul Art Gallery and was a performer of the experimental theater company Ensamble Caustico. Among his awards are “Emerging Artist of 2011, Movistar Arte Joven” (Buenos Aires, Argentina) and FABLES Commission Grant for Public Art Projects (Fourth Arts Block, New York, 2014). Recent solo exhibitions include “Studies For Unintended Archeology”, The Vazquez Building, (Brooklyn, 2015), “Borderlines” The Lodge Gallery (New York, 2014), “Urban Identities” Kunstraub99 (Cologne, 2013). Current curatorial project include “Heritage” at The Georgian National Museum (Tbilisi, 2013) and at The RichMix Arts Center (London, 2015). Upcoming shows include “Kiosk”, ODETTA gallery...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Europe and in his native Georgia, Levan continued postgraduate studies at The National University of Art of Buenos Aires (Argentina). While in Buenos Aires, he had curated several shows at The Laguanacazul Art Gallery and was a performer of the experimental theater company Ensamble Caustico. Among his awards are “Emerging Artist of 2011, Movistar Arte Joven” (Buenos Aires, Argentina) and FABLES Commission Grant for Public Art Projects (Fourth Arts Block, New York, 2014). Recent solo exhibitions include “Studies For Unintended Archeology”, The Vazquez Building, (Brooklyn, 2015), “Borderlines” The Lodge Gallery (New York, 2014), “Urban Identities” Kunstraub99 (Cologne, 2013). Current curatorial project include “Heritage” at The Georgian National Museum (Tbilisi, 2013) and at The RichMix Arts Center (London, 2015). Upcoming shows include “Kiosk”, ODETTA gallery...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

ColorSoundGrammar Ellen Hackl Fagan There is a long history of sound/color synaesthesia work, from Isaac Newton’s color organ to Alexander Scriabin’s “Prometheus,” but not much ...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

This is an early 20th c. Central Anatolian Kayseri handmade kilim from Central Turkey. This kilim is in a very good condition. Nice colors and patterning with overstiching. This kili...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...