Art

Oil painting of a Lion attacking an antelope. Lançon was a French painter, sculptor and engraver who studied a the École des Beaux-Arts in Lyon...

Erle Loran was an artist and art professor at the University of California (Berkeley) from 1937-1981. He studied under Hans Hoffman and wrote a book on the works of Paul Cézanne. ...

WILLIAM (GUILLERMO/GUIYERMO) MCDONALD was born in Peru in 1928 but was of American and Scottish descent. He signed his paintings with the Spanish version of his name "Guiyermo" and sometimes "Guillermo". The rear of this painting gives the title "The Mandolin Player...

For more than a half-century, Mary Mito (b. 1944, Hartford, CT; lives and works in New Mexico and New York) has rendered permeable interfaces between constructed and natural environments with a singular continuity of attention. While her rarely exhibited paintings are most often compelled by a relentless descriptive force conveying vast tracts of visual information, the terms of their format, structure, and medium are uncompromising, rule-bound, and precisely delimited. Painted over the span of six years, the ten spare, individual 28 x 42-inch oil on panel works comprising the exhibition’s titular series Sifts, restores (all works 2013-2019), draw from the artist’s 1966 activity and photographic archive of compositing a single mound of soil – terminating a closed loop between performative, photographic, and painterly operations. While Mito’s paintings thus enfold multiple strata of physicality and concomitant appearance, her immaculate pictorial and iconographic precision, furthered by a durational relationship to process, approaches a null value of embellishment such that her work suggests a state of unalloyed stylistic anonymity. Crucially, it does so without laying claim to a position of post-historical or post-ideological fatigue. Although Mito has continually avoided alliances with movements or groups of artists, the origin and execution of her works reflects a nuanced and manifold discourse that ranges across the studied austerity of the New Topographics compositions of Lewis Baltz, the intimately scaled meditations on mark-making and photographic verisimilitude resident in the drawings of Vija Celmins, Ed Ruscha’s parodic extremes of deadpan typological recursion, self-determined rites of burial and exposure as evidence of artistic and bodily being in the work of Ana Mendieta...

Antonio Máro (Peruvian b. 1928) "Untitled" ca. 1960 Oil on Canvas Signed Lower Left Side 79.3" x 71.3" inches framed 79" x 71" inches unframed Antonio Máro, was born in Catacaos,...

Sidney Gross (American, 1921-1969) Untitled ca. 1966 Oil on Canvas Signed Lower Right 25" x 19" x 2" inches framed 24" x 18" inches unframed Biography from Leonard Davenport Fi...

Dan Christensen (American, 1942-2007) "Steelhead II" 1972 Oil on Canvas Signed Dated Verso 89.5" x 63.8" inches framed 88.5" x 63" inches unframed Among America's leading abstrac...

Lee Krasner (American 1908-1984) "Refractions" 1962 ed. 19/70 Lithograph Signed & Dated Lower Right Titled & Edition Lower Left 28.3" x 32.8" x 1" inches framed 18" x 22.5" inches ...

"Approach" Signed, titled on reverse with exhibition/gallery label. Acrylic on canvas. Provenance: Staempfli Gallery, Inc NY. Purchased in West Palm Beach, FL. Stephen Greene ...

Acrylic and resin on wood panel. Thierry Despont is world famous architect who recently completed renovations on the historic Ritz Hotel in Paris. His...

Thomas Downing (American 1928-1985) Untitled 1968 Acrylic on Canvas Signed & Dated Verso 77" x 78" inches unframed Thomas Downing was born in Suffolk, Virginia. He studied at Randolph-Macon College, Ashland, Virginia, where he received his Bachelor of Arts degree in 1948. He then studied at the Pratt Institute, a well-known art school in Brooklyn, New York, until 1950. That year he received a grant from the Virginia Museum of Fine Arts, enabling him to travel to Europe, where he studied briefly at the Académie Julian in Paris. In 1951 he returned to the United States, and after serving in the U.S. Army, settled in Washington, D.C., where he began to teach, in 1953. The following summer, he enrolled in a summer institute at Catholic University, studying under Kenneth Noland. He became a friend of Noland, who became a significant influence on Downing's art and who was one of the founders of the Washington Color Field...

Manabu Mabe (Brazilian 1924-1997) Untitled 1961 Acrylic on Canvas Signed & Dated Lower Right 22" x 21" inches framed 12" x 11" inches unframed The cele...