Otto Binx Furniture

Cassina Blox Ebonized Oak Rectangular Coffee Table, Jehs + Laub, Italy, c. 2000. Blox, is a play on the addition and subtraction of geometric modules, co...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

Large panel swatch Design 105 dating to Frank Lloyd Wright’s original 1955 collection for Schumacher. Extremely rare original large scale fabric, with surged edges to facilitate long...

Panel swatch dating to frank Lloyd wright’s original 1955 collection for Schumacher. "Design 102" Extremely rare original large scale fabric swatch. This swatch is also in the collec...

Finn Juhl FD 112 Armchair Lounge, Rosewood, Cado, France & Søn, 1960s, Denmark. Arms are removable. You can use as armless lounge as well. (See final pho...

Rose and Erni Cabat glazed porcelain Feelie vase citron chartreuse yellow green, USA, 1970-1985 Incised signature to underside 'Cabat' and numbered. This li...

Paul McCobb for Directional, two piece sectional sofa, c 1958. Cream on cream minimal Jacobean floral textile and solid brass. Two parts can be used together as one long sofa or as separate pieces. Gorgeous lines and minimal modern design. Single cushions for seat and back delineate each part but come together to form a sleek, neatly symmetrical (yet one-armed) sofa, comprised of a armless. Vintage Scalamandre pillows in main photo are for display only and NOT included with sofa. Settee and one arm loveseat...

Multi-color, pink, gold, green, grey/blue. Flush fixture is made of many blossoms in precious Murano glass with gold inclusions. Gorgeous work that can be totally midcentury and vint...

Vintage Sherle Wagner Handprinted Water Lillies Wallpaper, 1960s. Gorgeous, rare hand-print from Sherle Wagner in their iconic Water Lillies pattern. No longer in production. Amazing...

Schumacher x Wedgewood Wild Strawberry Wallpaper, Wedgewood Collection, 1972. Iconic Wedgewood design from 1964 printed by house of Schumacher as...

Custom Tom Dixon Linear pendant chandelier Set of 5, Copper and Blue. All pendants new in box. Ceiling pendant also new in box. 1 Blue Copper...

Baker Furniture Verre églomisé gilt ebonized antique coffee table, labelled. Baker marking dates to 1940 according to my research. Extremely rare piece.

French Mid-century Birdcage Étagère Hanging Shelf, Brass, Steel. Can hang from the ceiling or sit on the floor. Gorgeous, substantial piece. Meas...

Custom Modern White Lacquer Double Daybed, 1990s, UK. Lacquered wood with stainless steel foot, curved plate. Will ship without mattress/cushion as they need to reupholstery. IF yo...

Pierre Cardin modern red porcelain vase Franco Pozzi Ceramica, 1970s, Italy. Gorgeous modern piece. A red rainbow or rising sun, signed. Franco Po...

Dornbracht Point Collection Postmodern Flush Light Fixture, White & Teal, Germany. 1980’s. Rare.

Vladimir Kagan Mohair 100BF Barrel Ottoman, Polished Nickel, Holly Hunt. Gorgeous Whiskey Mohair Custom piece. Rare metal polished nickel legs. ...

Poul Kjærholm PK61 dark granite coffee table, Fritz Hansen, Denmark. Designed 1956. Manufactured 2008. The PK61™ coffee table is as minimalistic as it gets from the hand of Poul Kj...

Frank Lloyd Wright for Schumacher Tokyo Imperial Hotel Geometric Textile Frank Lloyd Wright for Schumacher Imperial Peacock Textile. 54" x 80". Wright...

Italian modern 'Taccia' table lamp designed by Achille Castiglioni for Flos in the 1960s. The aluminum and polished steel metal base is topped with an inverted glass...

Este Ceramiche for Tiffany & Co. Hand painted floral sweetheart porcelain vase and lid, urn or perhaps even a cookie jar. Lovely, rare piece...

Vintage Scalamandre trompe L’Oeil Normandy blue ribbon, French wallpaper, 1986. Equivalent to 10+ single rolls at 5 yards each. Totals more than 50...

Matchless Wonder Star Single-Row Multicolor Crystal C-6 Set of Bulbs, USA, 1930s. Bulbs all working at this time. All in tact. Czech Crystal. Set includes light blue/cobalt, green/gr...

Sculptural Stained Glass Tri-Partite Screen, Room Divider, Blue, Joseph Ferguson USA There is no surface for stained glass color to flow onto. Like a ...

Dornbracht Supernova Three-Hole Deck-Mount Lavatory Faucet Fitting, 2009, Italy. Supernova by Dornbracht: a striking, progressive range of bathroom fittings. Rare/No longer in produc...

Herzog & De Meuron Jingzi Pendant Light, Lantern, Belux, Switzerland, 2005. Originally created for the Café Kunsthalle in Munich and later made availa...

Frank Lloyd Wright for Schumacher Imperial Tokyo Textile, 3 yards, 1950’s USA. 3 continuous yards

Vetri Rio Lamp Giusto Toso Murano Art Glass opaline 1960s Venini. Murano Vetri blown milk glass lamp with attached clear glass chamber and attached opalesce...

Stunning lifetime signed dye transfer print by Arthur Siegel. Although color photography was available to the public in the late 1930s, most respected "p...

Frank Lloyd Wright for Schumacher liberty triangles geometric amethyst textile. 6 yards. From the 1988 rendition of FLW 1955 collection for Schumach...

Sophie Buhai black onyx coquille handcrafted stone box, USA. Black Coquille Box. Handcrafted graphic onyx box in black. Measures: H1 x D4.5 in Made in United States. Discover the studio Founded in 2015, the Sophie Buhai brand offers heirloom-quality modernist jewelry and accessories, designed for everyday wear, that transcend generations and trends. The collections express a distinct visual language, melding elements of minimalism and surrealism with a thoughtful sense of proportion and scale. The brand debuted with an emphasis on contemporary interpretations of the modernist sterling silver jewelry...

Mid-Century Modern Lucite Large-scale Handle Set of 3, Clear Acrylic, 10”, USA. Lovely thick sculptural pieces. 1” diameter. Gorgeous gentle curved form. Approximately 10” center to...

Mid-Century Modern Lucite Large-scale Handle Set of 3, Clear Acrylic, 12”, USA. Lovely thick sculptural pieces. 1” diameter. Gorgeous gentle curved form. Approx 12” Center to cente...

Vintage Palaset Palanox modular storage box set of 9, White and Brown, Finland, 1972. Palaset Palanox, multicolored stackable boxes that allow you to build your own shelf, only prod...

Braunschwig and Fils Bombay, Dove, Handprinted Wallpaper Double Roll, USA. Gorgeous off-white, light beige, light grey colorway. Geometric pattern inspired by traditional Indian ti...

Estelle and Erwine Laverne for Laverne originals - Tulip base rosewood lamp table floor lamp. Maker’s mark on underside. Extremely rare example of a piece by E & E Laverne that includes wood of any sort (rosewood) alongside the non-traditional materials for which they are most known. I cannot underscore how exceptionally rare this piece is within the Estelle and Erwine’s oeuvre. It most probably dates from the between the years 1960-1961, as the weighted tulip base is reminiscent of their Champagne chair and the central table evocative of their cafe table that was a part of the Lily collection of the late 1950’s. Dimensions: H 43.5 inches, W 11.75 inches, D 11.75 inches. ‘The Invisibles” by Elaine M. Salkaln (from the April 18, 2004 New York Times) On the surface, this is a simple design story of a husband-and-wife team, Estelle and Erwine Laverne, who produced exceptionally beautiful, innovative midcentury-modern wallpapers, fabrics and furniture -- designs that are rare today, yet coveted by a few specialized dealers and aficionados. But the story goes deeper -- to a convergence of culture, class, art and love. Sadly, though, the love gets caught up in the grittier details, transforming what would have been a grand romance into a modern American tragedy. Were this a docudrama, it would begin with a scene from the filming of the sci-fi fantasy ''Men in Black II'': in the center of a glass-walled, ultramodern, living room swarming with cameramen, lighting and booms, a little dog jumps up and down on the seat of a tall, sensuously sculptured clear acrylic chair...

Versace original Vanitas gilt dining chair set of 4, Gianni Versace, 1994. The shape ' of the Vanitas took inspiration from a Louis XV chair bought ...

Supreme x hoto red tool set, 5-piece, Spring 2023. Made exclusively for Supreme (Spring 2023), limited edition. Red, Supreme-printed case. Includes 3.6V 3-level torque adjustable scr...

Warren platner grey leather easy chair and ottoman set of three, Knoll, 1966. Knoll Models 1705L and 1705Y. Please see last image for proper dimensions. Warren Platner for Knoll gr...

Warren platner gray leather easy chair and ottoman set of two, Knoll, 1966. Knoll Models 1705L and 1705Y. See final two images for proper dimensions...

Sergio Rodrigues for Oca, Jacarandá Dining Chair Set of 4, Brasil, 1950s. Exceedingly rare set of 4. Appear to be all original. Original textile is faded and has some wear. Each chair with original label. Brazilian Rosewood (Jacaranda). Museum quality pieces by the father of Brazilian Modernism, Sergio Rodrigues. Stunning woodgrain. Original upholstery. Each chair Labelled with original Oca leather tag and paper label. See photos. Sergio Rodrigues is credited as the father of modern design in Brazil for having introduced a uniquely Brazilian formal vocabulary with his unique mix of thick and sturdy, “earthy” modernist style. Internationally recognized as one of Brazil's most influential modern designers, Rodrigues' most famous project is undoubtedly the Mole chair...

Brunschwig and Fils Boscobel Restoration Medford Inn 1804 hand-printed wallpaper. Very unusual paper - it is marked as custom hand-printed for the Bo...

Brunschwig & Fils hand-printed Cherubin et Lapins, wallpaper, angels and rabbits, 2000. Vintage, rare, out of print design featuring alternating scenes of rabbits and cherubs surroun...

Vintage custom French mini subway tiles, Cerafrance Normandie, 32 x 100 biscuit. Custom made for a project that never came to fruition. Rare mini subway tiles by Cerafrance Ceramiques, Normandy, which was founded in 1804 and responsible, for the iconic tile work throughout the Paris metro system. I believe these are the 1.25 x 4 field tile...

Dornbracht Princesse Collection 2-Tier Swivel Towel Bar, Gold-plated, Germany. Rare. Open box, never installed from iconic 1970-80s Princesse collection (see last photos for faucets ...

Silk Charmeuse Diamond Quilted Standard Pillow sham with flange, Cognac, Amber. New, never used. Does not come with insert. 26 x 20” inch. Can fit standard or queen pillows. Stur...

Wayne Carlson Handprinted Gold and White Wallpaper, Trompe L’oeiul Neo-Classical Revival. One opened vintage roll of gold on white hand-printed wallpa...

Frank Lloyd Wright for Schumacher Design 103: Wood Brown and Brick Red extended curtain panel or drape. Fully lined. Can be used as-is or repurposed for a number of projects. Extr...

Rocky Mountain White Bronze Maddox Entry Set Lever Door Knobs & Lock, 2023, USA. Rocky Mountain White Bronze Maddox Entry Set Lever Door Knobs & Lock, 2023, USA. Elegant beading trims the distinguished curves of our Maddox Collection. Inspired by the ornate character of Colonial style architecture, these pieces feature tiered oval silhouettes and gracefully beveled edges. The fine details of our Maddox Collection are achieved through the art of lost-wax casting, an Old-World technique perfected by our master craftsmen. Maddox Lever Exterior Escutcheon (E589): 3 1/8" x 3 1/8" Interior Escutcheon (E589): 3 1/8" x 3 1/8" Dead Bolt (DB580) -EXTERIOR ONLY - 2 3/8" x 3 5/16" Set does NOT include turn piece (interior lock escutcheon). You should be able to order a replacement turn piece & escutcheon directly from Rocky Mountain Hardware...

Midcentury Sculptural Dorothy Thorpe frosted Lucite wreathed pretzel candela bra 1950s. Gorgeous, substantial piece.

Matchless Wonder Star #910 Double Row Amber & Blue Crystal C-9 Holiday Bulb, 1936. Extremely rare early crystal production in the rarely seen Amber points with blue sapphire center. On May 2, 1935 Paul C. Dittman of Chicago filed an application for a patent for what he called simply "Decorative Lighting Device". In the patent he described it as "an ornamental device embodying a multiplicity of of prismatic light diffusing bodies with a light source..." He related that while he was aware that others had patented lighted stars, his offering was different in that the light would enter the rays of the star radially, effectively refracting the light within the ray and producing a "pleasing effect." His description of the refracted light produced by the stars was a bit of an understatement, as anyone who has seen them illuminated can attest: a lighted Matchless Wonder Star is stunningly beautiful. His patent was granted on December 8, 1936. Paul Dittman, a German immigrant who passed through the gates of Ellis Island in New York City, worked for a time for George Westinghouse, where he got an education in the manufacturing of electric light bulbs. In 1912, Paul and his partners started the Matchless Electric Company, which was later incorporated (in 1918) "to manufacture, buy, sell and deal in electric supplies, light bulbs and radio tubes..." By 1930, the direction of the Company had changed a bit, and it was re-named The Century Lamp and Tube Company to reflect the fact that it was by this time the largest single licensee for the manufacture of RCA radio...

On May 2, 1935 Paul C. Dittman of Chicago filed an application for a patent for what he called simply "Decorative Lighting Device". In the patent he described it as "an ornamental device embodying a multiplicity of of prismatic light diffusing bodies with a light source..." He related that while he was aware that others had patented lighted stars, his offering was different in that the light would enter the rays of the star radially, effectively refracting the light within the ray and producing a "pleasing effect." His description of the refracted light produced by the stars was a bit of an understatement, as anyone who has seen them illuminated can attest: a lighted Matchless Wonder Star is stunningly beautiful. His patent was granted on December 8, 1936. Paul Dittman, a German immigrant who passed through the gates of Ellis Island in New York City, worked for a time for George Westinghouse, where he got an education in the manufacturing of electric light bulbs. In 1912, Paul and his partners started the Matchless Electric Company, which was later incorporated (in 1918) "to manufacture, buy, sell and deal in electric supplies, light bulbs and radio tubes..." By 1930, the direction of the Company had changed a bit, and it was re-named The Century Lamp and Tube Company to reflect the fact that it was by this time the largest single licensee for the manufacture of RCA radio...

Kartell x Laufen Shellfish Wall Shelf, Amber, Ludovica & Roberto Palomba, Italy. Thanks to its simplicity and formal purity, the shelf Shelfish adds a personal touch to any room, wit...

Steiff Germany Mother Pig and Piglets Soft Figural Sculptures, Mohair, Germany. 3pc set. Large 26" high pig with two baby pigs. Two have metal tag and label. Dimensions: Height: 26 i...

Frank Lloyd Wright for Schumacher Textile Woven Swatch Collection 1986 . Rare Frank Lloyd Wright fabric swatch books published and produced b...

Francesco Scavullo black & white photograph Jay & Jed Johnson, mounted on board. From Scavullo Studio. 1968-9. 18.25 x 12.25 inches. Minnesota twins, Jay and Jed Johnson moved to N...

Matchless Wonder Star #910 Double Row Green & Red Crystal C-9 Holiday Bulb, 1936. Extremely rare early crystal production in green points with red center. On May 2, 1935 Paul C. Dittman of Chicago filed an application for a patent for what he called simply "Decorative Lighting Device". In the patent he described it as "an ornamental device embodying a multiplicity of of prismatic light diffusing bodies with a light source..." He related that while he was aware that others had patented lighted stars, his offering was different in that the light would enter the rays of the star radially, effectively refracting the light within the ray and producing a "pleasing effect." His description of the refracted light produced by the stars was a bit of an understatement, as anyone who has seen them illuminated can attest: a lighted Matchless Wonder Star is stunningly beautiful. His patent was granted on December 8, 1936. Paul Dittman, a German immigrant who passed through the gates of Ellis Island in New York City, worked for a time for George Westinghouse, where he got an education in the manufacturing of electric light bulbs. In 1912, Paul and his partners started the Matchless Electric Company, which was later incorporated (in 1918) "to manufacture, buy, sell and deal in electric supplies, light bulbs and radio tubes..." By 1930, the direction of the Company had changed a bit, and it was re-named The Century Lamp and Tube Company to reflect the fact that it was by this time the largest single licensee for the manufacture of RCA radio...

Matchless Wonder Star #910 Double-Row Red Crystal Holiday C-9 Bulb, USA, 1930s. Extremely rare early crystal production with original box. On May 2, 1935 Paul C. Dittman of Chicago filed an application for a patent for what he called simply "Decorative Lighting Device". In the patent he described it as "an ornamental device embodying a multiplicity of of prismatic light diffusing bodies with a light source..." He related that while he was aware that others had patented lighted stars, his offering was different in that the light would enter the rays of the star radially, effectively refracting the light within the ray and producing a "pleasing effect." His description of the refracted light produced by the stars was a bit of an understatement, as anyone who has seen them illuminated can attest: a lighted Matchless Wonder Star is stunningly beautiful. His patent was granted on December 8, 1936. Paul Dittman, a German immigrant who passed through the gates of Ellis Island in New York City, worked for a time for George Westinghouse, where he got an education in the manufacturing of electric light bulbs. In 1912, Paul and his partners started the Matchless Electric Company, which was later incorporated (in 1918) "to manufacture, buy, sell and deal in electric supplies, light bulbs and radio tubes..." By 1930, the direction of the Company had changed a bit, and it was re-named The Century Lamp and Tube Company to reflect the fact that it was by this time the largest single licensee for the manufacture of RCA radio tubes. In addition to the tubes, the Company produced a large variety of small light bulbs, mainly miniature lamps that were used as indicators in telephone switch boards and various control panels, and automobile lamps as well. These lamps, an example of which is pictured below, are round, miniature based style with outside painted colors. These was even a Matchless brand set of Christmas lights available, which was a typical series string of eight cone shaped lamps. In 1929, Mr. Dittman was the principle stockholder of a company incorporated as the D-G Electric Company, whose business was "to deal in all kinds and descriptions of electrical devices..." By 1931, the Company was renamed The Matchless Electric Company, and in 1934 the Century Lamp and Tube Company was dissolved. The Matchless Electric Company of Chicago, Illinois made and sold these glass-prismed Christmas lights starting in about 1935, and continuing through the late 40s.The production of the Stars was a seasonal business for The Matchless Company, but Jim Dittman, inventor Paul's son, reports that the Stars were "my father's pride and joy." They were available in several sizes and many color combinations, and the glass points were made and hand cut in Czechoslovakia...

Hermés Cartes A Nouer, Scarf Knotting How-To Card Set, New in Box, France. Vintage set. Never opened.

Hermés Cartes A Nouer, Scarf Knotting How-To Card Set, New in Box, France. Vintage set. Please see photos. Multiple available.