Ottocento Paintings

Roger Smith (British, 1932 – 2004) Abstracted female nude Signed and dated ‘Roger Smith 89’ (on the reverse) Oil on board 23 x 13 in. (58.4 x 33 cm.)

Roger Smith (British, 1932 – 2004) “Eight” 1b Signed and titled ‘Roger Smith “Eight” 1b’ Mixed media on board 17.3/4 x 23.7/8 in. (45.5 x 61 cm.)

Roy Bizley (British, 1930-1999) Autumnal forms Oil on board 24.3/4 x 19.3/4 in. (63 x 50 cm.) Provenance: From the artist’s studio

Roy Bizley (British, 1930-1999) Glacier with cone Oil on canvas Signed and titled ‘Glacier with cone R. Bizley’ (on the reverse) 27 .7/8 x 35.3/4 in. (70.3 x 90.7 cm.) Provenance: F...

Roy Bizley (British, 1930-1999) Abstracted landscape Oil on board 24 x 24 in. (61 x 61cm.) Provenance: From the artist’s studio Born in Swindon in 1930, Bizley studied painting and l...

Serra (French, 20th Century) Homage au violin Oil on canvas laid down on board Signed ‘SERRA’ (lower right) 16.7/8 x 20.7/8 in. (43 x 53 cm.)

Leon Davies (British, b.1947) Still life with Cornish harbour Oil on board Signed with monogram and dated ‘LD 2020’ (lower left) Further inscribed on the r...

Jean Gabriel Domergue (French, 1889 – 1962) ‘Scene Gallante’ Oil on canvas 25 x 29in. (63.5 x 74cm.) (Octagonal shape) Executed circa 1925 Provenance: Gallerie du Carlton, Cannes Th...

Attributed to Rowland Wheelwright, 20th Century 'Bather's on the shore' and 'Sunbathing by the Cliffs' Oil on canvas board 9 X 10. 1/4in. (22.8 X 2...

Francois Charles Baude (French, 1880-1953) 'Ligurian Peasants Crossing A Bridge’ Signed And Dated ‘Francois C. Baude 1934’ (Lower Right) And Inscribed ‘En Ligurie.’ (On The Reverse) ...

Attributed to Pierre Paul Prud’hon (French, 1758-1823) 'La belle musicienne' Oil on canvas, oval Signed ‘P. P. Prudon’ (lower left) 28.3/4 x 23.1/2 in. (73 x 59.5 cm.) Pierre Paul Prud'hon is considered a prime example of early French Romanticism. He was born as the seventh and last child of a master tailor. At the age of 16 he was a pupil of the painter and sculptor Francois Devosge. After finishing his studies he moved to Paris, where he first worked for an engraver and became friends with the Baron of Joursanvault, who became his patron. He also made a friendship with the "incorruptible", the politician and revolutionary Maximilien de Robespierre. Despite important friendships and the care of some cardinals, Prud'hon plunges into loneliness and melancholy. He has a good reputation and produces allegorical paintings, but his attachment to Robespierre forces him to leave the French capital. He now lives in the Free County of Burgundy, where he makes portraits and illustrations for Pierre Didot, the owner of the printing house. After a few years he moved back to Paris and his career received a new impetus. In the Louvre, Prud'hon is provided with a studio in which he paints "La sagesse et la vérité descendant sur la terre" (Wisdom and Truth descend to earth) for one year, as well as some ceilings of the Louvre. The government assigns him a studio in the Sorbonne, where his wife Jeanne, whom he married at the age of 19, comes looking for him. To escape her, he asks the museum director for protection. In 1808 he wrote "La justice et la vengeance divine poursuivant le crime" (Justice and divine revenge pursue the crime). In the same year he is also named Knight of the Legion of Honour and is able to break with his grumpy wife once and for all. He soon reconnects with his student and painter of neoclassicism Constance Mayer. Pierre is commissioned to paint a portrait of the Empress and wife of Napoleon, Joséphine de Beauharnais, which can still be seen today in the Louvre. He also paints the small "Roi de Rome" (King of Rome). In 1816 the Academy of Fine Arts elected him a member, where he took over the armchair in the painting section of François-André Vincent. A few years later his depressed wife commits suicide, and full of pain Prud'hon finishes her last work "Une famille malheureuse" (Engl. An Unhappy Family) and exhibits it. He himself dies soon afterwards and is buried in Paris. Many renowned artists admire Prud'hon for his "clair-obscur", the chiaroscuro painting...

Amerino Cagnoni (Italian, 1855-1923) Luci della sera (Evening Lights), Milan oil on panel signed `ACagnoni/1916’ (lower right) 16.1/8 x 27.1/2 in. (41 x 70 cm.) He initially studied classical education, but abandoned studies to take a job as director of a textile mill in Brianza, then moved to Asti as secretary of a wealthy family. At age 19 he enrolled as a student of Brera Academy, where he stayed for seven years. He painted The daughter of Curzio Pichena, a subject from the novel by Guerazzi. His Episode of the War of Italian Independence...

Victor Noel (Belgian, 1916 – 2006) Curved forms Oil on canvas Signed and dated ‘V. Noel 93’ (on the reverse) 23.3/4 x 23.3/4 in. (60 x 60 cm.)

Jean Maurice Lasnier (French, 1922 – 2006) Deux grandes nues cubisantes Oil on board Signed on the reverse under the backboard 38.1/4 x 25.5/8 in....

A beautiful and bold composition of La Cad'oro in Venice with clear blue skies above and a cubist reflections of the buildings below in different shades of blues and turquoises. H...

George Weissbort (Belgian / British, 1928 – 2013) A glass of wine in a classical study Signed ‘G Weissbort 62’ (lower right) Oil on board 13 x 21 in. (33 x 53.4 cm.) George Weissbort painted in a figurative classical style going against the grain of the modern abstract living and painting in the Wye...

THOMAS SAUNDERS NASH (1891-1968) The promised land Oil on board 28 x 20 in. (71 x 50.8 cm.) Painter of figure compositions, religious subjects, l...

Marcel Louis Baugniet (Belgian, 1896 – 1995) Sigale de Mer (Cicada of the sea) Oil on board with scraffito Signed ‘M L BAUGNIET / 47’ (upper right) 17.3/4 x 13.1/2 in. (45 x 34.3 cm.) Marcel-Louis Baugniet was born in Liege on the 18th March 1896. Painter, theorist, furniture designer, creator of posters, costumes and stage sets, he was one of the main defenders of the notion of Pure Plastic Arts. Baugniet studied painting at the Royal Academy of Beaux-Arts in Brussels where he mixed with Paul Delvaux, René Magritte, Victor Servrancks and Pierre-Louis Flouquet. He spent some time in Paris and decided that he would become an iconoclastic and avant garde artist. He discovered abstract art with Kandinsky, Kupka, Mondrian and Delaunay and with wonder and stupeur he also learnt of the constructivist movement, which was born in Russia with Malevitch and Lissitsky. In 1922, Baugniet then 26 years old returned to Brussels and married the Russian danser Akarova for whom he designed costumes and stage sets. M-L Baugniet painted, designed and engraved some superb series of dansers and sportspersons (the « Kaloprosopies »), works entrenched with impeccable lines of constructed art. He painted with contemplation geometric compositions which mixed a grace of colours with the rigour of shapes. Baugniet wrote articles on esthetics and applicated arts in the magasine 7 Arts and edited, with the Dutch architect Van Tonderen, the manifesto of the movement that they called « Le beau, C’est l'utile » (beauty is useful) Towards the end of the 20s, he separated from Akarova and in 1927 he opened his own Home Decor shop. With regret Baugniet laid down his paint brushes and threw himself into interior design and the creation of tubular furniture, everyday objects and carpets. He remarried the Russian Olga Reich. He created a circle of ideas that included artists, writers, politicians and intellectuals of all kinds. Throughout his career, Baugniet participated in numerous international exhibitions of decorative art. In 1977 abstraction, constructivism and Marcel-Louis Baugniet were rediscovered. Decorated and lauded, Baugniet began to paint once more and co-founded the magasine Mesures with Jo Delahaut...

Maurice Potier (French, 1926 – 2002) Vase bleu et fruits (Blue vase and fruits) Oil on canvas Signed ‘M Potier’ (lower right) 27.1/2 x 23.5/8 in. (70 x 60 cm.)

Frederique Giusti (French, b. 1925) Femmes Africaines Oil on board Signed ‘Giusti’ (lower edge) 24 x 18.3/8 in. (61 x 46.7 cm.)

Frederique Giusti (French, b. 1925) Femmes Africaines II Oil on canvas laid down on board Signed ‘Giusti’ (lower right) 29 x 18.3/4 in. (73.8 x 47.3 ...

Frederique Giusti (French, b. 1925) Erosion II oil on canvas laid down on board signed ‘Giusti’ (lower right) 18 x 15 in. (45.7 x 38 cm.)

Ken Scott (American, 1918 – 1991) Dreamscape Pen and ink on paper Signed ‘Ken Scott’ (on the reverse) 10.7/8 x 7.3/8 in. (27.8 x 18.5 cm.) Ken Scott was a fashion designer known fo...

Ken Scott (American, 1918 – 1991) Fantasia Gouache on paper Signed ‘Ken Scott’ (on the reverse) 15 x 10.3/4 in. (38 x 28 cm.) Ken Scott was a fashion designer known for his fabric d...

R. Bazin (French, 20th Century) Still life with kettle, cup and jug Oil on canvas Signed ‘R BAZIN’ (lower left) 15 x 18 in. (38 x 46 cm.)

Louise-Jeanne Cottard-Fossey (French 1902-1983) Still life with apples and wine bottle Oil on canvas, Signed ‘L COTTARD-FOSSEY’ (lower right) 18.1/8 x 21.1/2 in. (46 x 54.7cm.) Exh...

Pierre Jourda (French, 1931 – 2007) Pine Trees oil on canvas 89 x 55 cm. Provenance: From the studio sale of the artist

Max Andrews (British, b. 1969) Along the beach Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/2 x 12.1/2 in. (32 x 32 cm.)

Max Andrews (British, b. 1969) Moonlit horses Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/5 x 12.1/5 in. (32 x 31.8 cm.)

Max Andrews (British, b. 1969) Booze bubbles Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/5 x 10.3/8 in. (32 x 26.5 cm.)

Max Andrews (British, b. 1969) Fruit and wine Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/2 x 12.1/2 in. (32 x 32 cm.)

Max Andrews (British, b. 1969) Eggs and pans I Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 11.3/4 x 11.3/4in. (30 x 30 cm.)

Albert Lynch (Peruvian 1851 – 1912) The maiden of spring Signed ‘A Lynch’ on reverse Oil on canvas laid down on board 26.5 x 11.5cm. Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann and the landscape painter Jules Nšel. He exhibited at the Salon from 1890 and was awarded a third class medal in that year, a first class medal in 1892, and a gold medal in 1900 at the Exposition Universelle. Lynch specialised in painting female subjects to which he brought a charming elegance and sophistication typical of such belle epoque paintings...

English school, 18th Century Figures at a mill Gouache on paper 4.5/8 x 7.1/2 in. (11.8 x 19 cm.)

A Brun (French, circa 1900) Raising a glass Pencil, watercolour and gouache on canvas Signed ‘A Brun’ (lower right) 20.1/2 x 15.3/4in. (52 x 40 cm.)