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Alexandria
By Buckley MacGurrin
Located in Los Angeles, CA
BUCKLEY MACGURRIN
"ALEXANDRIA"
OIL ON CANVAS, SIGNED, TITLED
AMERICAN, DATED 1949
EXHIBITED: DALZELL-HATFIELD GALLERY
14 X 20 INCHES
Buckley MacGurrin
1896 –1971
Buckley MacG...
Category
1940s Art Deco Figurative Paintings
Materials
Oil, Canvas
BLONDE WITH ART DECO NECKLACE
Located in Los Angeles, CA
Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate.
Max Turner
1925 - 2019
Max Lamar Turner Painter, Sculptor, Teacher and Author.
Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II.
There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California.
Painter, Sculptor, Teacher and Author:
Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events.
Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class.
During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas.
Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it.
Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios.
Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90.
Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin.
In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces".
In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression.
Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018.
Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after.
When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...
Category
1990s Modern Figurative Paintings
Materials
Canvas, Oil
LADY WITH PICK FAN
Located in Los Angeles, CA
Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate.
Max Turner
1925 - 2019
Max Lamar Turner Painter, Sculptor, Teacher and Author.
Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II.
There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California.
Painter, Sculptor, Teacher and Author:
Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events.
Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class.
During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas.
Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it.
Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios.
Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90.
Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin.
In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces".
In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression.
Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018.
Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after.
When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...
Category
1990s Modern Figurative Paintings
Materials
Canvas, Oil
Man with Yellow Tie
Located in Los Angeles, CA
ALEXANDER KREISEL
"MAN WITH YELLOW TIE"
OIL ON CANVAS BOARD, SIGNED
RUSSIAN-AMERICAN, C.1935
26 X 19.5 INCHES
FRAMED 29.5 X 23.5 INCHES
Alexander Krei...
Category
1930s Expressionist Figurative Paintings
Materials
Canvas, Oil
White Mantilla
By Richard Kirk
Located in Los Angeles, CA
RICHARD KIRK
"WHITE MANTILLA"
OIL ON CANVAS, SIGNED, TITLED
AMERICAN, C.1960
36 X 23 INCHES
Original Frame
Richard Kirk
Born 1932
Kirk was born in West Virginia in 1932.
He ...
Category
1960s Surrealist Figurative Paintings
Materials
Oil, Canvas
Man Portrait
By Ann Singer
Located in Los Angeles, CA
ANN SINGER
"MAN PORTRAIT"
ACRYLIS ON CANVAS, SIGNED
CZECH, DATED 1983
35 X 29 INCHES Plus frame
Category
1980s Expressionist Figurative Paintings
Materials
Canvas, Acrylic
Relaxing
By Richard Geiger
Located in Los Angeles, CA
RICHARD GEIGER
"RELAXING"
OIL ON CANVAS, SIGNED
HUNGARIAN, C.1930
28 X 39 INCHES
FRAMED 36.5 X 46 INCHES
Richard Geiger
1870-1945
Richard Geiger was born in Vienna and first studied at the Vienna Art Institute with the academic painter Christian Ludwig Von Griepenkerl and, subsequently, in Paris with Francois Flameng...
Category
1930s Art Deco Portrait Paintings
Materials
Canvas, Oil
Home Fire
By Yuri Martinez Ramos
Located in Los Angeles, CA
YURI MARTINEZ RAMOS
"HOME FIRE
OIL ON CANVAS, SIGNED
CUBAN-AMERICAN, C.2006
20 X 16 INCHES
Home Fire" brings me back to my childhood home when my grandpa visited us every day smoking his pipe and conversing good moments.
Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964.
He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983.
Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma.
Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas.
Papillon Gallery...
Category
Early 2000s Surrealist Figurative Paintings
Materials
Canvas, Oil
LOVE AT FIRST PIPE
By Yuri Martinez Ramos
Located in Los Angeles, CA
YURI MARTINEZ RAMOS
"LOVE FIRST PIPE"
OIL ON CANVAS, SIGNED
CUBAN-AMERICAN, C.2006
20 X 16 INCHES
Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964.
He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983.
Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma.
Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas.
Papillon Gallery...
Category
Early 2000s Surrealist Figurative Paintings
Materials
Canvas, Oil
Woman with Dog
By Reza Afrookhteh
Located in Los Angeles, CA
Size with frame: 34 x 28 Inches
Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors.
He also studied...
Category
Early 2000s Realist Figurative Paintings
Materials
Canvas, Oil
OVERLOOKING FLORENCE
Located in Los Angeles, CA
LEONARDO BAZZARO
"OVERLOOKING FLORENCE"
OIL ON CANVAS, SIGNED
ITALY, C.1920
23.5 X 19.75
Born in Milan in 1853, Leonardo Bazzaro trained with Gae...
Category
1920s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Lady in the Paris Park
Located in Los Angeles, CA
Beautiful young lady in a Paris Park, signed, Original Frame, listed size includes the frame.
Category
1950s Impressionist Figurative Paintings
Materials
Panel, Oil
SUENO PROFUNDO
By Sofia Ruiz
Located in Los Angeles, CA
SUENO PROFUNDO
OIL AND ACRILIC ON CANVAS
SIGNED, 2013
EXHIBITED MUSEO DEL BANCO CENTRAL
DE COSTA RICA
43.25 X 35.5 INCHES
Sofía Ruiz was born in 1982....
Category
2010s Surrealist Figurative Paintings
Materials
Acrylic, Canvas, Oil
MEJOR SOLAS
By Sofia Ruiz
Located in Los Angeles, CA
"MEJOR SOLAS"
OIL AND ACRILIC ON CANVAS
SIGNED AND DATED 2010
EXHIBITED MUSEO DEL BANCO CENTRAL
DE COSTA RICA
47.5 X 59 INCHES
Sofía Ruiz was born in ...
Category
2010s Surrealist Figurative Paintings
Materials
Canvas, Oil, Acrylic
UNTITLED
By Sofia Ruiz
Located in Los Angeles, CA
"UNTITLED"
OIL AND ACRILIC ON CANVAS
SIGNED
35.5 X 27.5 INCHES
Sofía Ruiz was born in 1982.
What she expresses through her paintings has to do with whe...
Category
2010s Surrealist Figurative Paintings
Materials
Canvas, Oil, Acrylic
PROFILE OF A WOMAN
By Morton Dimondstein
Located in Los Angeles, CA
"PROFILE OF A WOMAN"
OIL ON PANEL
C.1960
PAINTED IN ITALY
16 X 12 INCHES
Morton Dimondstein
1920-2000
At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides.
After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores.
His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City.
In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular.
After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him.
He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...
Category
1960s Figurative Paintings
Materials
Oil, Rag Paper
PORTRAIT OF ANHALT PORTRAIOT
By Morton Dimondstein
Located in Los Angeles, CA
"PORTRAIT OF ANHALT PORTRAIOT"
FILM MAKER
OIL ON PAPER
C.1970
17.5 X 22.5 INCHES
Morton Dimondstein
1920-2000
At the age of seventeen Morton Dimondstein enrolled in ...
Category
1970s Figurative Paintings
Materials
Oil, Rag Paper
PORTRAIT OF CHARLIE KELLER
By Morton Dimondstein
Located in Los Angeles, CA
"PORTRAIT OF CHARLIE KELLER"
ARTIST
OIL ON PAPER
C.1970
23 X 17.5 INCHES
Morton Dimondstein
1920-2000
At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides.
After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores.
His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City.
In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular.
After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him.
He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...
Category
1970s Figurative Paintings
Materials
Oil, Rag Paper
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"The Face" Modern Abstract Blue Toned Figurative Portrait Painting of a Bust
Located in Houston, TX
Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features a central close up of a figure set against a light blue background and a painted t...
Category
20th Century Modern Portrait Paintings
Materials
Canvas, Oil
French 1930s Art Deco Society Portrait, Lady with a Diamond Earring
Located in Cotignac, FR
French Art Deco, oil on canvas, society female portrait by Dembinkski (probably Anton J.) Signed, dated and located (Paris) bottom left. In later wood and gilt frame.
A charming and...
Category
1930s Art Deco Portrait Paintings
Materials
Canvas, Oil
H 19.75 in W 16.75 in D 1 in
Equestrienne, Large Art Deco Painting by Erik Freyman
By Erik Freyman
Located in Long Island City, NY
"Equestrienne" is an original painting on canvas measuring 40 x 30 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art Deco and Cubism.
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Category
1980s Art Deco Figurative Paintings
Materials
Canvas, Acrylic
Hispanic woman with jewels Latin female Art Deco
By Federico Beltran Masses
Located in Miami, FL
Long-necked , elegant slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...
Category
1930s Art Deco Portrait Paintings
Materials
Oil
Ewa (Beauty)
Located in Ibadan, Oyo
"Ewa (Beauty)" portrays a lady who exudes a captivating aura, drawing viewers into her world of enigmatic charm. The artist skillfully crafts the lady's features, conveying a sense o...
Category
21st Century and Contemporary Expressionist Figurative Paintings
Materials
Canvas, Acrylic