Peter Schlächter Furniture

Cabinet, Empire around 1800, solid mahogany, 2-door, can be dismantled, original fittings, head and base with surrounding dentil frieze, lisettes with carved capitals, shellac wax po...

Biedermeier single chair, around 1820, solid walnut, newly upholstered and covered, wax polish, curved backrest with bracing with fan and rose...

Half cupboard Biedermeier, Rhineland around 1815/20, cherry veneered on softwood, concealed drawer, ebonized profile, shellac hand polish Dimensions: height 77 cm; width 64 cm; dep...

Side table Biedermeier sewing table from around 1820, birch veneer, two drawers, the upper one with the original interior and pincushion, shellac hand polish Dimensions: Height ...

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Eduard Bargheer (1901-1979) “Southern Landscape”, 1972 Watercolour on laid paper, signed and dated by hand Image size: 42.5 x 55.5 cm Frame size: 59.5 x 72 cm Eduard Bargheer ...

Gerhard Uhlig (1926-2015) Drawing with graphite pencil, unique “untitled”, signed and dated by hand, created 1990, framed behind glass Dimensions: Sheet size 15 x 21 cm Frame siz...

Sam Francis (1923 San Mateo - 1994 Santa Monica) "Jubilee" color lithograph, created 1964, edition of 50 copies, signed, numbered and dated, Ex.: e.a. Dimensions: 50.5 x 65.5 cm Sam Francis was an American painter and graphic artist. His work is classified as Abstract Expressionism or Color Field Painting Sam Francis is one of the most important American artists, born in San Mateo (California) in 1923, died in Santa Monica in 1994. After a plane crash during his service in the US Air Force, he began painting in 1944 during his convalescence and then studied under David Park at the California School of Fine Arts in San Francisco. His early abstractions, which are still reminiscent of Clyfford Still and Jackson Pollock, show spontaneous painterly gestures that led to the typically American "all over" structure: the canvas is completely covered with dots, spots, marks and other traces of the painter's brush. When Francis was in Paris from 1950 to 1957, he abandoned color and broke new ground with works such as "White Painting" (1950). But as early as the summer of 1951 in the south of France, he used pink and red again, only to return to the full palette later on. Sometimes he used all the colors and their variations in tone, sometimes he let one color dominate, as in "Blue Balls" (1960). Although Francis has been associated with Color Field painting, this must be seen as an aid to classification, to help one come to terms with a highly original visual language. When "fields" appear in Francis' work, they are almost never (if ever) color fields. Instead, they have an interplay of foreground and background. They often create depth, which makes the canvas more of a "color space". It is typical of Sam Francis' pictorial strategies that he often leaves the center of the picture free...

Eames lounge chair "LAR Armchair" Fiberglass seat shell of the first generation with hemp cord incorporated into the outer line for reinforcement, 1950s, design Charles & Ray Eames,...

Gerhard Uhlig (1926-2015) Screenprint "untitled", signed and numbered by hand, Ex. 47/65, created in 1966, framed behind glass Dimensions: Sheet size 63.5 x 58.5 cm Frame size 90...

Marburg finch chest Biedermeier around 1800/10, cherry wood and other precious woods richly veneered and marquetry on an oak body, hunting motif, 2 small drawers in the base area, or...

Karl Otto Götz color lithograph 1.450,00 € incl. VAT Karl Otto Götz (1914 Aachen - 2017 Wolfenacker) Color lithograph "untitled", signed and dated, created 1967, framed behind glass ...

Pair of candlesticks, silver 925/-, maker Walker & Hall, Sheffield 1902, square stand, removable spouts, organic shaped shaft and spout Height 12 cm, diameter base 8 x 8 cm Walker...

Hans-Henrik Husemann (*1943 Celle), "face to face", sepia on paper, created in 2021, signed and dated, framed behind glass 30 x 40 cm Born in 1943, grew up in Hamburg and Berlin,...

Hans-Henrik Husemann (*1943 Celle), "face to face", sepia on paper, created in 2021, signed and dated, framed behind glass 30 x 40 cm Born in 1943, grew up in Hamburg and Berlin,...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Eduard Bargheer (1901-1979) "Village in the desert", 1973 Color lithograph on laid paper, signed and dated by hand Ex.: 54/75 Dimensions: 42 x 59 cm Eduard Bargheer (1901 - 1979...

Hans-Henrik Husemann (*1943 Celle), "TERRA ARBORETUM", acrylic on canvas, signed and dated "HUS 19", framed 80 x 80 cm Born in 1943, grew up in Hamburg and Berlin, studied at the H...

Hans-Henrik Husemann (*1943 Celle), „TERRA MAGENTA III“, Öl auf Leinwand, Entstehung 2019, signiert und datiert „HUS 19“, 100 x 140 cm Born in 1943, grew up in Hamburg and Berlin,...

Hans-Henrik Husemann (*1943 Celle), "Dante Zyklus II", acrylic on canvas, titled and signed on verso 150 cm x 160 cm Born in 1943, grew up in Hamburg and Berlin, studied at the ...

"from afar" from the series Terra Created in 2023, acrylic on canvas, signed and dated bottom right Format: 100×120 Born in 1943, grew up in Hamburg and Berlin, studied at the Hoc...

"over there" from the series "Terra", acrylic on canvas, created in 2023 signed and dated bottom right 120 cm x 100 cm Born in 1943, grew up in Hamburg and Berlin, studied at the...

Pedestal, 2nd half 19th century, walnut, dark stained, carved, partially gilded, finished with marble top, restored condition, shellac wax polish Height: 149 cm, width 50.5 cm, dept...

Thonet children's chair Children's chair with folding mechanism, Gebrüder Thonet, Vienna, around 1910, original condition, adhesive label and stamp "Thonet", backrest and seat made ...

Günther Uecker (*1930), lithograph, created 1993, Ed. 45/100, numbered and signed, framed 90 x 63 cm

Pillar mirror, Biedermeier, around 1820/30, walnut veneer, Schinkel roof, flanked by half columns, restored condition, shellac polish Height: 120 cm, width: 67 cm, depth: 8 cm

Johann Georg Müller (1913 - 1986) "Still Life" Created in 1981 Felt-tip pen on paper Framed with museum glass, dimensions: Sheet: 51 x 64 cm Frame 60 x 76.5 cm

Pair of bergères Rhineland around 1830 Cherrywood, gondola shape frames with floral carvings Upholstered backrest shellac polish Dimensions: Height 93 cm width 63 cm D...

Demi Lune console table / salon table Biedermeier c. 1810/20, cherry veneered, top with original oilcloth / fabric overlay, folds up to form a round sal...

convertible console rococo around 1750 Richly inlaid rectangular top on delicate walnut base with carved buck hooves. Elaborate frame construction with reversible top with interned ...

Writing box, mahogany, England, around 1830, writing surface with leather overlay, nice interior division Large writing box / travel writing desk E...

Armchair, so called "Fauteuil à la reine", France, rococo around 1760, dark stained beech, carvings with rocaille motifs, upholstered armrests, new upholstery, height: 91 cm, width: ...

Miniature cabinet around 1870 ash, lower part with three drawers, showcase top with small pediment, original glass and fittings Dimensions: height 104 cm - width 50.5 cm - depth...

Folding console table Biedermeier around 1820/25 Mahogany veneered, top swivels and opens, rounded edges, restored condition, shellac hand polish ...

Armchair, so called Fauteuil à la Reine, rococo around 1750, walnut carved, foliage and rocaille motifs, cover with petit point embroidery, this from the 1st half of the 19th century...

Large casket, rosewood solid and veneered, France circa 1860/70, brass handle embedded in the lid, brass inlays, nice division inside (originally for tokens and cards), restored cond...

Ornamental lady's secretary, France around 1770, rosewood veneered, leather overlay, brass edging and metal appliques, 3 drawers, shellac-wax polish height: 75 cm, width: 94,5 cm, d...

Biedermeier side table, walnut veneered, 1 hidden drawer with interior partition and fold-out pincushion, restored condition, shellac polish height: 77 cm, width 55,5 cm, depth 39 cm

Biedermeier Demi Lune console Large Demi Lune console, Biedermeier c. 1830, mahogany veneered, top with deep frame supported by three fully plastic col...

Cylinder bureau, Westphalia circa 1800, walnut and other fine woods veneered on oak, marquetry work, partly fire shaded, fluting and meander frieze, on the cylinder closure depiction...

Secretary à deux corps Baroque around 1760 Walnut and plum veneered on softwood, lower part with concave corrus and three drawers, two-door top with symmetrically arranged compart...

Tea core, set of tea and mocha pot, milk and sugar, Grachev brothers St. Petersburg, court jewelers of the tsar, date of origin 1899 - 1908, silver, total weight 1.215 grams, hallmar...