R.A.Comer Abstract Sculptures
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Vintage Venini Egg Designed by Tapio Wirkkala
By Tapio Wirkkala
Located in Doraville, GA
A vintage transparent glass egg with a gold leaf yoke. Tapio Wirkkala was well know by Venini since the 1950s due to Wirkkala's inclusion in the Venice Biennale's, Wirkkala joined Venini in 1964, the egg was designed in 1968 and manufactured until sometime after this date. The egg was illustrated in the 1969 Venini catalog, page 16...
Category
Vintage 1960s Italian Mid-Century Modern Abstract Sculptures
Materials
Gold Leaf
Two Signed Vintage Venini Hourglasses Designed By Paolo Venini For Venini
By Paolo Venini
Located in Doraville, GA
A pair of vintage Venini "Clessidre" or hourglasses designed by Paolo Venini in the 1950's. The green / blue hourglass measures approximately 9 3/8 inches tall and 3 1/4 inches wide,...
Category
Mid-20th Century Italian Mid-Century Modern Abstract Sculptures
Materials
Blown Glass
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Tapio Wirkkala (1915-1985) can be described as one of the icons of Finnish design and a symbol of the international success of post-war Finnish design. Tapio Wirkkala studied sculpture at the Helsinki Central School of Industrial Design from 1933 until 1936, but he was also a self-studied artist in many areas, including glass design. His success as a glass artist began in 1946 when he designed one of his most famous works, the Kantarelli vase, for Iittala. Wirkkala gained worldwide success in 1951 at the Milan Triennial, where he received three Grand Prix awards: for the exhibition architecture, glass design and wooden sculptures. Tapio Wirkkala felt a deep relationship with nature and his absolute favourite spot was located in Finland's deepest forests. From the beautiful landscape, Tapio Wirkkala could find inspiration for his works, often characterised by organic shapes. Leaves, birds, ice and water are recurring themes in his design.
Tapio Wirkkala was also a furniture designer and a sculptor. He started his career as a sculptor in the 1930s but abandoned the traditional sculpture in the post-war years – in the early 1950s, alongside with other works, he started to develop an entirely new relationship with sculpture and a new technique to be used. The result was a series of unique plywood sculptures which combined form and movement in the vibrant, densely lineated surface of plywood. Wirkkala’s sculptures represented exceptional abstractism and gave Finnish sculpture...
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