Rockwell Antiques Furniture

PRESENTING a LOVELY Pair of 19C J Saile Scottish Highland Watercolors. Both watercolors feature a Scottish Highland scene with mountain in the background, mist, rock outcrops, heath...

Presenting a stunning early 19th century English Regency sofa table. Made from flamed mahogany, circa 1810-20. Drop leaves on either s...

Presenting an absolutely stunning and original 18C english chippendale shepherds crook armchair. Made in England circa 1780-1800 of walnut, this ‘period’ chair is simply Gorgeous in it’s Originality! It is still covered in it’s original needlepoint/tapestry upholstery with neo-classical elements of a Greek or Roman Goddess sitting holding a staff on the back splat and floral motiff’s elsewhere. What makes this piece Truly Original is the fact that the needlepoint appears to have been signed by the original owner/maker of the tapestry and it appears to be the family name of “Tancret”. The arm rests have the most glorious ‘shepherd’s crook’ twists and turns. The central base section has what appears to be heavily carved Prince of Wales Plumes, signifying the Regency Era. The knees of the 2 front legs have the most amazingly carved acanthus relief decoration and the 2 front legs end in the best example of ball and claw feet you are ever likely to see. The back legs also have some interesting detail as the feet are platformed or hooved. Overall, the piece is in great condition for it’s age and use. There are no major tears or holes in the original tapestry. There is some discoloration but that is to be expected with a piece this old. There is a very small piece of the central front medallion (bottom left as you look) missing, but it is not noticeable and does not detract from the piece. One small stain on the back. Gorgeous natural patina to the wood. Provenance: From a Wealthy Estate in Kentucky/Tennessee Condition: Very good. See full description. Dimensions: 44? tall, 28? wide and 27? deep Seat height of 18.5? with seat depth of 17.5? and interior seat width of 22.5? Armrests are 26.25? Tall The vast movement of people that followed the Norman Conquest of England in 1066 brought the Tancret family name to the British Isles. Tancret comes from the ancient Norman given name Tancred. The Tanksley variant is indeed rare. However, this name traces its origin to Roger Tankerlayman who was listed in Yorkshire in 1387. Because of this political and religious unrest within English society, many people decided to immigrate to the colonies. Families left for Ireland, North America, and Australia in enormous numbers, traveling at high cost in extremely inhospitable conditions. The New World in particular was a desirable destination, but the long voyage caused many to arrive sick and starving. Those who made it, though, were welcomed by opportunities far greater than they had known at home in England. Many of these families went on to make important contributions to the emerging nations of Canada and the United States. Analysis of immigration records indicates that some of the first North American immigrants...

Presenting an important piece of English furniture, namely, a late 18c English regency corner wall cabinet. What makes this corner wall cabinet so important is the inlaid marquetry medallion in the center of the front door. The medallion is the ‘Prince of Wales Plumes’ which signifies that this piece was made during the reign of the Prince Regent...

Presenting a gloriously rare book …. Jungle Tales of Tarzan First Edition by Edgar Rice Burroughs Grosset & Dunlap 1st Edition. Good +, square ...

Presenting a gloriously rare book …. The Return of Tarzan First Edition by Edgar Rice Burroughs Grosset & Dunlap 1st Edition. Very good +, squa...

Presenting a gloriously rare book …. Tarzan and The Ant Men First Edition by Edgar Rice Burroughs Grosset & Dunlap 1st Edition. Mixed edition...

Presenting a gloriously rare book …. Tarzan and The Lost Empire First Edition by Edgar Rice Burroughs, Metropolitan 1929 1st Edition. Octavo, pp. [1-6] [1-2] 3-313 [314: blank], i...

Presenting a gloriously rare book …. The Return of Tarzan First Edition by Edgar Rice Burroughs Grosset & Dunlap 1st Edition. First edition. Il...

Presenting a gloriously rare book …. Tarzan and the Jewels of Opar First Edition by Edgar Rice Burroughs Grosset & Dunlap 1st Edition. First Thus. Illustrated by J. Allen St. John...

Presenting a gloriously rare book…. Tarzan and The Golden Lion by Edgar Rice Burroughs McClurg 1st Edition. First edition. Illustrated by...

Presenting a beautiful 19C French gilt bronze 18 branch chandelier. Made in France circa 1880/90. 18 Branches and 18 bulbs. Rococo Revival (Third Republic) heavily influence...

PRESENTING A GORGEOUS 19C Gustav Becker Vienna Wall Clock. Made by the famous clockmaker, Gustav Becker circa 1880 in Germany. Th...

Presenting a beautiful Steven Correia art glass perfume bottle, American, circa 1980. Luminescent yellow/orange/gold bulbous base with r...

Presenting a beautiful Steven Correia bulbous art glass perfume bottle. American, circa 1980. Luminescent yellow/orange/gold bulbous bas...

Presenting a stunningly gorgeous and outstanding early 18th century English George I Secretary. This is one of the finest old English Secretary’s...

PRESENTING a LOVELY Large Vintage Chinese Ceramic Guanyin Statue. Made in China circa 1950-60 of salt glazed pottery, bisque porcelain for face, chest, hands and feet, with hand pai...

PRESENTING a LOVELY Early 19C Oil on Canvas Portrait of a ‘Distinguished Gentleman’ In the Style of Jacob Eichholtz. Nice sized portrait of a Gentleman of high social status, from circa 1820. He has brown hair with a period collar and bowed white silk cravat and a black period tunic or coat. Oil on Canvas mounted on a wooden fame with nails and glue. Unsigned, but most definitely in the style and manner of Jacob Eichholtz who was a renowned Pennsylvanian artist known for his portraits of families of status and wealth in and around Pennsylvania in the early 19th Century. Jacob Eichholtz (1776–1842) was an early American painter...

PRESENTING a LOVELY Early 19C Oil on Canvas ‘Portrait of a Distinguished Lady’ In the Style of Jacob Eichholtz. Nice sized portrait of an older lady of high social status, from circa 1820. She has brown curly hair (suggesting that she may not have been as old as she appears) with a beautiful lace bonnet, with intricate lace collar and black period dress which is suggestive of a ‘mourning’ period. Oil on Canvas mounted on a wooden fame with nails and glue. Unsigned, but most definitely in the style and manner of Jacob Eichholtz, who was a renowned Pennsylvanian artist, known for his portraits of families of status and wealth, in and around Pennsylvania in the early 19th Century. Jacob Eichholtz (1776–1842) was an early American painter...

PRESENTING AN ABSOLUTELY STUNNING Large ‘Huntsman/Valet with his Hounds’ Bronze Sculpture by PJ Mene – 1869. This is a LARGE sculpture, weighing over 175 lbs....

Presenting a stunning belgian Art Deco Charles Catteau BFK ice skater sculpture. Made circa 1925-1930 by Charles Catteau for the famous Belgian cer...

Presenting an absolutely stunning and exceptional 18th century Dutch Marquetry silver table. Made in the Netherlands circa 1780, the silver table is made of walnut and rosewood wi...

PRESENTING A LOVELY Vintage Japanese Temple Style Box. Made of rosewood, this box has a cover featuring ‘Buddhist Swastikas’ on the front. The cover lifts off to reveal a tabernacle with 2 carved dragons on wither side. Probably made in the first quarter of the 20th Century, circa 1920-30. Rectangular shaped for the storage of deities statues...

Presenting a lovely early 20th century Cambodian polychrome female figurine. From circa 1900-1920 and from South Eastern Asia, most likely Cambodia...

Presenting a lovely early 20th century Cambodian polychrome male figurine. From circa 1900-1920 and from South Eastern Asia, most likely Cambodia bas...

Presenting a unique pair of contemporary art painted fiberglass boy sculptures signed… by the artist … we think “Laqi”. These sculptures are a pair of the ‘cutest’ pieces of contemporary sculpture that we have seen for a while. We really wish we could identify and learn more about the artist, but what we do know is that these belonged to a former artist and art and collectibles dealer in New Orleans. She treasured these and they came with her to Dallas. She was very active in the New Orleans art scene in the early 1990s. The sculptures appear to also have a practical function as planters. One features a boy’s denim jeans and waistcoat in a standing position and the other a boy’s denim overalls in a seated position. Both are made of fiberglass which has been painted and textured. Exceptional detail to the outfit. Right down to the buttons and clasps and the sneakers and shoelaces. Mottled green and black in color. We cannot find anything quite like these anywhere!! Specific provenance: These sculptures were acquired by Ms. Naomi Baggett in or circa 1990-1999. Originally from North Carolina, an Air Force Veteran and JAG Advocate, Ms. Baggett after her service moved to New Orleans and worked as a paralegal until setting up and operating an Art & Curiosities Store in the famous New Orleans Hotel Montleone between 1990 and 1995. Her store was called ‘Baggetelle’. It was featured in various industry magazines and hotel documentation. The store specialized in selling miniature French Quarter Houses which were used as jewelry boxes. Ms. Baggett was an artist herself and handmade and hand painted these houses along with a partner. She received orders for these miniature houses...

Presenting a fabulous original Art Deco fortune magazine cover, September 1930. The cover of Fortune Magazine for September 1930, fr...

Presenting a fabulous original Art Deco Fortune magazine cover October 1936. The cover of Fortune Magazine for October 1936, framed ...

Presenting a fabulous original Art Deco Fortune Magazine cover May, 1938. The cover of Fortune Magazine for May 1938, framed and mat...

Presenting a fabulous original Art Deco Fortune Magazine Cover, December 1938. The cover of Fortune Magazine for December 1938, fram...

Presenting a fabulous original Art Deco Fortune Magazine Cover, August 1936. The cover of Fortune Magazine for August 1936, framed a...

Presenting a fabulous original Art Deco Fortune Magazine Cover, February 1938. The cover of Fortune Magazine for February 1938, framed and matted. This is an original cover, no...

PRESENTING a GORGEOUS, VERY HIGH QUALITY and EXTREMELY RARE piece of Japanese Meiji Period Sterling Silver 2 Handled Basket by Katsu Miyamoto. EXQUISITE, EXCEPTIONAL, RARE & IMPORTANT! This is definitely a Meiji Period piece due to the fact that it is marked with the sterling silver mark “jungin”. The Meiji period was from 1868 to 1912 and in 1928 a law was introduced in Japan compelling the use of decimal marks for silver. This pre-dates that decimalization law. We are of the opinion that it is from circa 1900. Miyamoto Shoko was founded in 1880 as the first silverware specialty shop. In 1899, Miyamoto Shoko’s silverwares were ordered by the family members of the Emperor of Japan, and to this day, they are making fine and graceful handicrafts with skillful craftsmen. Loved by numerous customers since the Meiji era, Miyamoto Shoko’s products have also been given to Princess Mako and Princess Kako of Akishino, as well as Princess Aiko Toshinomiya, on their birthdays. Katsu Miyamoto (宮本勝), in 1880, in order to increase the sales of tobacco and cigarettes to foreigners founded the Moyamoto Shoko company, which produced different silverwares in general and particularly silver cigarette cases. Miyamoto’s first name, Katsu (勝) in some sources is written as “Masaru”, since 勝 kanji can be pronounced in both ways. This basket is of the HIGHEST QUALITY imaginable! The top of the basket has the MOST GORGEOUS repousse work of flowers, probably lotus flowers, with leaves and foliage. It has an underlying chevron effect chasing, reflecting parquetry. The 2 handles are cast in the form of bamboo handles. The rim of the top likewise is cast as bamboo. The base is equally stunning in a different way! It is chased with a chevron effect, like parquetry flooring and the four feet simulate pieces of sliced bamboo with an interlinking gallery of support columns, likewise, simulating bamboo. The QUALITY of WORKMANSHIP is OUTSTANDING! The pieces weighs exactly 525 grams. This piece takes my breath away! This is one for the SERIOUS COLLECTOR of EXQUISITE AND RARE Japanese silver. You will not find another like it, for sale ANYWHERE ELSE IN THE WORLD …… I know as I have searched! Provenance: Acquired from a Dallas Private Collector. Dimensions: 9.6 inches wide, 7.6 inches deep and 2.75 inches tall ( 7.25 inches tall with handles up) Condition: Very good. It looks like the base 4 legged gallery, has been repaired/re-attached to the base, but otherwise it is excellent and of Museum quality. The Meiji period (明治時代 Meiji-jidai?), also known as the Meiji era, is a Japanese era which extended from October 23, 1868 through July 30, 1912.[1] This period represents the first half of the Empire of Japan during which Japanese society moved from being an isolated feudal society to its modern form. Fundamental changes affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded with the reign of Emperor Meiji after 1868, and lasted until his death in 1912. It was succeeded by the Taishō period upon the accession of Emperor Taishō to the throne. Solid silver pieces...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

Presenting a lovely 19th century pair of Polish/German stoneware figures. Quite rare! Not a matching pair but similarly themed, with the little girl holding a basket of kittens with one kitten climbing up her front and the other of a little boy climbing a tree stump with a snail at the base. The ‘Little Girl’ is painted stoneware or earthenware and we are of the opinion is Polish in origin (or possibly Russian). It does not have any identifiable markings but it was originally with another similar style figurine (not included in this sale) which had markings that we were of the opinion were Polish markings. The ‘Little Boy’ is painted pottery and we are of the opinion that it is either Polish or German in origin. It is slightly different in style an texture to the girl and has a more ‘bisque’ finish. The facial features are more defined and remind me of German bisque dolls...

Presenting a gorgeous early 20th century carved and gilded wall light sconce by Thorvald Strom. Hand carved by Thorvald Strom. Thorvald Strom w...

Presenting an absolutely stunning and historic 19th century American walnut childs chair belonging to Lida Calvert Hall 1867. This Chair has impeccable provenance: It is part o...

Presenting a beautiful piece of American and Texan Art by the highly regarded Texas Artist, Manuel Garza. This is an oil on canvas from 1968 A very early example of Garza's work. It features 'Birds in Flight' in a rustic Texan setting. Very nice signed on the bottom left by 'Manual Garza'. Also signed on the back and marked 'A-68'. It is in its' original frame.' It is extremely well painted, has 'plenty' of detail and has real quality !! In an square Mexican (Baja) Frame. It features birds in flight (probably Quail) with pasture, trees, cactus, etc. It has a loose leaflet all about the Artist, Manual Garza attached to the rear of the frame. It also has its original price tag from the 1960's of $170.00. What makes this painting all the more interesting and important is that Garza was only 28 years old when he painted this. It is a very early painting by him and does not feature a small red bird...

Presenting a set of 9 volumes, leather bound John Bull yearly annuals. All the weekly newspaper publications of John Bull for the years 1820-1829 (Inclusi...

Presenting a fabulous late 20th century piece of original Irish Art by the Late Reverend J.H. Flack of Athy, Co. Kildare, a renowned, listed, exhibited and respected Irish watercolorist. circa 2000. “Snow on the Bog” – depicts a winter scene in the Irish Midlands, famous for the largest Bog in Europe, The Bog of Allen. Framed, matted and under glass. The painting is signed but the signature is just under the matte. It beautifully captures a blanket of snow over the wet flat and sparsely vegetated boglands, with the reeds and rushes protruding from the snow and the bog holes still visible in the blanket of snow. It has a beautiful blurriness to it, the more you look at it the more you get captivated by the serenity and white haze !! Perfect for Texas summers: feel yourself cool down just looking at it !!!!! James H. Flack (1941 – 2018) was a contemporary Irish watercolour...

Handmade in the Tribal North of Afghanistan, the 2 figures on the borders indicate the tribe that made this prayer rug. Early 20th century, circa 1920. Made of wool. Square shape. Very tight weaving and knotting. In great condition. Near Mint. Browns, blues, burgundies and coffee colors. Provenance: Bought at a specialist rug Auction...

Figurine by Porcelanas Miguel Requena of Gentleman with candlestick jardinière. Miquel Requena is the sculptor, based in Valencia, Spain. Nice Lla...

PRESENTING a FABULOUS Original Art Deco Fortune Cover – October 1938. The cover of ‘Fortune Magazine’ for October 1938, framed and matted. This is an ORIGINAL COVER, not a re-print or copy. It is the cover of an actual 1938 Fortune Magazine and we can 100% certify it’s authenticity. We have attached a COA on the back of the frame. The frame is modern. It is a silver, industrial style frame with black and white beveled matting. The frame and matting are perfect for the style of the era. The cover print is an Art Deco depiction of an ethnic Hispanic Village and Lady carrying a basket of fruit on her head with industrialization in the background in CLASSIC ART DECO STYLE. The cover is in near mint condition as can be seen from the photos. This is one of the more iconic covers of Fortune. Pained by ‘Covarrubias’ as noted and signed on the bottom left. Miguel Covarrubias also known as José Miguel Covarrubias Duclaud (22 November 1904 — 4 February 1957) was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Miguel’s artwork and celebrity caricatures have been featured in The New Yorker and Vanity Fair magazines. The linear nature of his drawing style was highly influential to other caricaturists such as Al Hirschfeld. Miguel’s first book of caricatures The Prince of Wales and Other Famous Americans was a hit, though not all his subjects were thrilled that his sharp, pointed wit was aimed at them. He immediately fell in love with the Harlem jazz scene, which he frequented with Rosa and friends including Eugene O’Neill and Nickolas Muray. He counted many notables among his friends including Zora Neale Hurston, Langston Hughes and W.C. Handy for whom he also illustrated books. Miguel’s caricatures of the jazz clubs were the first of their kind printed in Vanity Fair. He managed to capture the spirit of the Harlem Renaissance in much of his work as well as in his book, Negro Drawings. He did not consider these caricatures, but serious drawings of people, music and a culture he loved. Covarrubias also did illustrations for George Macy, the publisher of The Limited Editions Club, including Uncle Tom’s Cabin, Green...

PRESENTING an EXTREMELY UNIQUE and RARE 19C British Tunbridgeware Hair Pin/Bobbin or Slide. This slide is unlike any of it’s kind we have seen before, it is a VERY RARE survivor. From circa 1860 – 80 and made in Tunbridge Wells, England. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a VERY ELEGANT LADY in the mid to late 19th Century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface. Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.

PRESENTING A GLORIOUS French Art Deco Chandelier by Charles Schneider. Fully Signed – ” Schneider France II06″, on each of the larger bowls. Made circa 1925, this pendant chandelie...

PRESENTING AN EXTREMELY RARE EDITION hardback copy of De Conjugio Episcoporum et Diaconorum ad uenerandum Doctorem VVolfgangum Reissenbush monasterii Lichtenbergensis Prae ceptorem ...

PRESENTING a STUNNING 19C Large Irish Georgian Style Secretary Bookcase. From circa 1850-60 and most definitely, “IRISH”. Made of gorgeous flamed Cuban mahogany which would have been imported from the British Colonies at the end of the 18th Century and early 19th Century. This piece of is of IMPRESSIVE PROPORTIONS. It is a real STATEMENT piece and of EXTREMELY HIGH QUALITY. It has a very ‘Regency Style’ pelmet or crown with egg and dart moldings under a very straight line crown. The top section consists of a 4 door bookcase, each with 3 shelving areas. It appears to retain it’s original glass, but it could likewise have been replaced at some time during it’s long life, as it is very rare to find pieces that have not suffered breakages over 150+ years. Each bookcase door still retains the original moldings to the front with a star shape above and below a central circular viewing panel. Each section is separated by a carved and fluted roman column/pillar. The bookcase section rests on top of the base, which consists of a beautiful central secretaire desk accessed by drop down front with working lock and key and rests on 2 pull out rests on either side. The secretary portion has a central tabernacle, with an inlaid oval satinwood medallion above another scallop shell drawer. It has 6 smaller drawers and 8 cubbies. The 2 pillars on either side of the central tabernacle are secret drawers and pull out. The curved crowns above the cubbies on either side are likewise secret drawers and pull out. Either side of the secretary there are 2 drawers (4 total) with a press or cupboard underneath. Under the secretary there are 4 large central drawers. The brasses and hardware are all original to the piece (save 2 extra hinges that have been attached to the drop down secretary to give it more support and stability. Again, each section is separated by a turned and fluted column/pillar which replicates the 2 side pillars to the central tabernacle of the secretary. The piece sits on 8 curved feet. This was an extremely high quality piece when made. This is also supported by the fact that the secondary woods are also mahogany and not pine or oak for slightly lesser quality pieces of the era. This piece is specifically identifiable as an Irish Georgian Style piece by virtue of the scallop shell moldings on the base side presses (see photos). Irish Georgian furniture...

PRESENTING a BEAUTIFUL and ELEGANT 19C Louis XV Style Boudoir Display Vitrine . From circa 1890 and made in France. This is a tall legged vitrine and has beautiful ormolu mounts an...

PRESENTING A GORGEOUS Early 20C Thai Goddess of Love Polychrome Statue. Made in Thailand in the early 20th Century, circa 1920. Hand carved wooden statu...

PRESENTING A GORGEOUS Early 20C Thai Seated Boy Emperor Rama VIII Polychrome Statue. Made in Thailand in the early 20th Century, circa 1935 – 40. Hand carved wooden statue which ha...

PRESENTING a BEAUTIFUL and VERY HIGH QUALITY Large Oriental Champleve Urn on Stand. Early 20th Century, circa 1910 – 20. Probably Japanese. Marked, but we cannot decipher the mark...

Presenting a stunning piece of original and highly desirable fine art, namely Remo Mario Trentini reverse oil on glass of a Parisienne picnic and rivers...

PRESENTING an OUTSTANDING, IMPORTANT and UNIQUE 19C French Empire Style Buffet/Vitrine by AME Fournier. Pieces by A.M.E. Fournier are EXTREMELY RARE and ...

PRESENTING A STUNNING and RARE 19C Portois & Fix Viennese Cabinet. Made by the famous and highly desirable maker, ‘Portois & Fix’ in Vienna, Austria ...

Presenting an absolutely gorgeous early 19th century English chiffonier or breakfast buffet, most likely, from the renowned maker of Gillows of Lancas...

Presenting a gloriously rare book Tarzan and the Lion Man by Edgar Rice Burroughs 1st Edition. An attractive first edition/first printing, gray decorated cloth with black letterin...

PRESENTING AN EXTREMELY RARE EDITION hardback copy of ‘Bibliomania or Book Madness; A Bibliographical Romance. Illustrated with Cuts’, by Thomas Frognall Dibdin, D.D. New and Improve...

Presenting a beautiful 19th century French white alabaster bust of lady in Bonnet. From circa 1880, this bust is gorgeous in it’s detail and subject matter. Made in probably, Franc...

Presenting a gorgeous 20th century original large oil on canvas by Jack Lanze. This is a beautiful Expressionist landscape painting in the style of the Dutch or French School. The...

Late 19th century English drop-leaf table from the Mid-Victorian Era. Made of gorgeous yellowish-brown walnut with a fantastic burl walnut table top. The patina on the top is simply glorious!! The table was made circa 1850-60. It sits on beautifully turned fluted legs with the porcelain and brass casters. Two of the legs swing inwards and outwards to extend the 2 leaves of the table. Fully extended the table has a fabulous curved and indented edge, in an oval shape on both ends. The center column is beautifully turned and fluted. The 2 side columns are again beautifully turned and fluted and end with 2 extending scrolling supports that end in turned bulbous twin feet. This is a high quality item and highly desirable! Antique Sutherland Tables...