Satyricon Ceramics

SOLD INDIVIDUALLY: A collection of antique stoneware dipping baskets once used by plating factories to contain tarnished metal articles as they were submerged in acids in order to be...

Title: Perianth 06 Year: 2021 Freeform ceramic sculpture made from a blend of high-iron stoneware clays hand-collected by the artist in Minnesota. Its surface is hand-polished with ...

Large scale, handthrown ceramic table lamp from the 3300 Series designed by Lee Rosen for Design Technics with a matte, neutral beige body and hand-applied, organic design finished i...

Arts and Crafts movement, petite ceramic bowl by Fannie Levine for Saturday Evening Girls. This early modernist design was created using the cuerda se...

Title: Perianth 05 Year: 2021 Freeform ceramic sculpture made from a blend of porcelaneous and stoneware clays hand-collected by the artist in Minnesota. Its surface is hand-polished with diamond sandpaper to render a matte finish. Signed with the artist’s mark along the interior rim. Each piece is original and one of a kind. The forms in this collection are influenced by botanical morphology - specifically, the ‘perianth’ or floral envelope, whose petals serve to protect the most sensitive part of the plant before the eventual dispersal of the fruit’s seed. Powell’s sculptures seek to evoke a similar feeling of comfort and protection, serving as reminders of another time, both past and future, when one's family is close and the world feels safe, offering an escape from the ephemerality of the present which can leave one feeling vulnerable and exposed. The Perianth series functions both as a personal etiology for the artist and as a broader exploration of the universal themes of nostalgia, sentimentality, and familial memory In terms of process, Powell is interested in manipulating material into something it essentially is not - shaping crude, raw clay, still studded with naturally occurring sands and stones, into incredibly delicate forms. The resulting pieces are light and elegant — impossibly thin and balanced in surprising ways. Each sculpture’s surface, riddled with scrapes and craters, is astonishingly soft and sensuous to the touch and each piece feels precious in such a finessed and attenuated state. This concept of defied expectations extends beyond the physical properties of the work in that Powell is also investigating the mutability of perception, specifically in terms of Perianth’s overarching nostalgia and memory themes - - the present is intimidating in its authenticity, with no space for embellishment or fantasy, while memories of, and the subsequent yearning for, an era, place or person can become nebulous and fictionalized with distance and time. In this way, the works in this series act as physical manifestations of the unanticipated and misremembered. - - - - - - - - - - - - ABOUT THE ARTIST: Zoë Powell...

Title: Perianth 07 Year: 2021 Freeform ceramic sculpture made from a blend of porcelaneous and stoneware clays hand-collected by the artist in Minnesota. Its surface is hand-polished with diamond sandpaper to render a matte finish. Signed with the artist’s mark along the interior rim. Each piece is original and one of a kind. The forms in this collection are influenced by botanical morphology - specifically, the ‘perianth’ or floral envelope, whose petals serve to protect the most sensitive part of the plant before the eventual dispersal of the fruit’s seed. Powell’s sculptures seek to evoke a similar feeling of comfort and protection, serving as reminders of another time, both past and future, when one's family is close and the world feels safe, offering an escape from the ephemerality of the present which can leave one feeling vulnerable and exposed. The Perianth series functions both as a personal etiology for the artist and as a broader exploration of the universal themes of nostalgia, sentimentality, and familial memory In terms of process, Powell is interested in manipulating material into something it essentially is not - shaping crude, raw clay, still studded with naturally occurring sands and stones, into incredibly delicate forms. The resulting pieces are light and elegant — impossibly thin and balanced in surprising ways. Each sculpture’s surface, riddled with scrapes and craters, is astonishingly soft and sensuous to the touch and each piece feels precious in such a finessed and attenuated state. This concept of defied expectations extends beyond the physical properties of the work in that Powell is also investigating the mutability of perception, specifically in terms of Perianth’s overarching nostalgia and memory themes - - the present is intimidating in its authenticity, with no space for embellishment or fantasy, while memories of, and the subsequent yearning for, an era, place or person can become nebulous and fictionalized with distance and time. In this way, the works in this series act as physical manifestations of the unanticipated and misremembered. - - - - - - - - - - - - ABOUT THE ARTIST: Zoë Powell...

An intriguing slipcast ceramic vase resembling a pitcher or decanter with a faux spout and two openings at top that create a handle. Such a pleasing and well-proportioned modernist design, finished in a matte white glaze (interior glaze is black). A scarce design by Beit HaYotser...

An understated pottery lamp by Design Technics with rippled layers in chocolate brown and off-white/cream and finished with a faint (nearly-matte) glaze. *height of ceramic body: 1...