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Tu es matinale aujourd’hui by Lélia Pissarro, Acrylic on Canvas Painting
By Lelia Pissarro
Located in London, GB
Tu es matinale aujourd’hui by Lélia Pissarro (B. 1963)
Blue and gold acrylic and glitter on canvas
80 x 59.5 cm (31 ½ x 23 ⅜ inches)
Signed lower right, Lélia Pissarro P.C.
Inscribed...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Canvas, Acrylic, Glitter
Femme à la mandoline by Georges Manzana Pissarro - Mixed media on paper
By Georges Henri Manzana Pissarro
Located in London, GB
Femme à la mandoline by Georges Manzana Pissarro (1871-1961)
Mixed media on paper
48 x 31 cm (18 ⁷/₈ x 12 ¹/₄ inches)
Signed lower right, manzana.
Executed circa 1910
This work is a...
Category
1910s Post-Impressionist Mixed Media
Materials
Paper, Mixed Media
Evasion by Yvon Pissarro - Contemporary work on paper
By Yvon Pissarro
Located in London, GB
Evasion by Yvon Pissarro (b. 1937)
Conté chalk, crayon, pastel pencil on paper
65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches)
Signed twice y. vey
Provenance: Studio of the artist, Montpellier
...
Category
21st Century and Contemporary Figurative Drawings and Watercolors
Materials
Chalk, Paper, Conté, Crayon, Pastel, Pencil
Un Chien une Chaise et les Gamins-Terrasse by Hugues Pissarro - Oil Painting
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Un Chien une Chaise et les Gamins-Terrasse by Hugues Pissarro dit Pomié (B. 1935)
Oil on...
Category
1990s Contemporary Landscape Paintings
Materials
Canvas, Oil
Jardin de la Villa à Brantôme by Paulémile Pissarro - Etching Print
Located in London, GB
Jardin de la Villa à Brantôme by Paulémile Pissarro (1884 - 1972)
Etching
20.5 x 28.5 cm (8 ⅛ x 11 ¼ inches)
Signed lower right, Paulémile Pissarro and numbered lower left, 6e etat N...
Category
20th Century Landscape Prints
Materials
Etching
Odette aux seins nus by Georges Manzana Pissarro - Mixed Media Print
By Georges Manzana Pissarro
Located in London, GB
Odette aux seins nus by Georges Manzana Pissarro (1871 - 1961)
Mixed media and gold on paper
31.5 x 42.3 cm (12 ³/₈ x 16 ⁵/₈ inches)
Signed lower right, Manzana.
Executed circa 1910...
Category
1910s Nude Drawings and Watercolors
Materials
Gold
Les arbres by Paulémile Pissarro, 1930 - Oil on Canvas Painting
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Les arbres by Paulémile Pissarro (1884 - 1972)
Oil on canvas
60 x 72 cm (23 ⁵/₈ x 28 ³/₈ inches)
Signed and dated...
Category
1930s Landscape Paintings
Materials
Canvas, Oil
Dimanche à Robinson by H. Claude Pissarro - Pastel, Post-Impressionist
By Hughes Claude Pissarro
Located in London, GB
Dimanche à Robinson by H. Claude Pissarro (b. 1935)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro
This work is accompanied by a certificat...
Category
21st Century and Contemporary Post-Impressionist Figurative Drawings and...
Materials
Pastel
Le Can Can by Ludovic-Rodo Pissarro - Lithrograph
By Ludovic-Rodo Pissarro
Located in London, GB
Le Can Can by Ludovic-Rodo Pissarro (1878 - 1952)
Lithograph
21.8 x 26.8 cm (8 ⁵/₈ x 10 ¹/₂ inches)
Studio stamped and inscribed 4th state number 8
Artist's Biography
Ludovic-Rodolp...
Category
20th Century Figurative Prints
Materials
Lithograph
Series - Monet's House by Lélia Pissarro - Screenprint
By Lelia Pissarro
Located in London, GB
Series - Monet's House by Lélia Pissarro (B. 1963)
Serigraph
38 x 48 cm (15 x 18 ⁷/₈ inches)
Signed and numbered
Printed in an edition of 300
Artist's Biography:
Born in Paris in 19...
Category
21st Century and Contemporary Post-Impressionist More Prints
Materials
Screen
Les Autobus du Boulevard Bonne-Nouvelle by H. Claude Pissarro - Pastel
By Hughes Claude Pissarro
Located in London, GB
Les Autobus du Boulevard Bonne-Nouvelle by H. Claude Pissarro (b. 1935)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro
This work is accompa...
Category
21st Century and Contemporary Post-Impressionist Figurative Drawings and...
Materials
Pastel
Phenomenon East of the River, Acrylic on Canvas Painting by Paul Jenkins
By Paul Jenkins
Located in London, GB
Phenomenon East of the River by Paul Jenkins (1923 - 2012)
Acrylic on canvas
97.2 x 130.2 cm (38 ¹/₄ x 51 ¹/₄ inches)
Signed lower right, Paul Jenkins
Signed, titled and dated 1993 on the reverse
Provenance
Private collection, New York, acquired directly from the artist
Artist's Biography
Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan.
The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...
Category
1990s Abstract Abstract Paintings
Materials
Canvas, Acrylic
Midi Piccadilly (Londres Royaume Uni) by H. Claude Pissarro - London city scene
By Hughes Claude Pissarro
Located in London, GB
Midi Piccadilly (Londres Royaume Uni) by H. Claude Pissarro (b. 1935)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro
This work is accompani...
Category
21st Century and Contemporary Post-Impressionist Figurative Drawings and...
Materials
Pastel
Voisinage by Yvon Pissarro - Contemporary work on paper
By Yvon Pissarro
Located in London, GB
Voisinage by Yvon Pissarro (b. 1937)
Conté chalk and pastel pencil on paper
48.8 x 64 cm (19 ¹/₄ x 25 ¹/₄ inches)
Signed lower right, y. vey
Provenance: Studio of the artist, Montpe...
Category
21st Century and Contemporary Figurative Drawings and Watercolors
Materials
Paper, Chalk, Conté, Pastel, Pencil
Large landscape oil painting titled 'Celtic Furniture' by Hugues Claude Pissarro
By Hughes Claude Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
'Celtic Furniture' by Hugues Claude Pissarro (b. 1935)
Oil on canvas
92 x ...
Category
Early 2000s Contemporary Figurative Paintings
Materials
Canvas, Oil
A Study of Human Head and Tiger by Orovida Pissarro - Sketch
By Orovida Pissarro
Located in London, GB
A Study of Human Head and Tiger by Orovida Pissarro (1893-1968)
Pencil on paper
25.5 x 20 cm (10 x 7⁷/₈ inches)
Executed circa 1917
Artist biography:
Orovida Camille Pissarro, Lucie...
Category
1910s Post-Impressionist Animal Drawings and Watercolors
Materials
Paper, Pencil
Inflation by David Breuer-Weil - Contemporary art
Located in London, GB
Inflation by David Breuer-Weil (b. 1965)
Pencil and gold leaf on paper
43 x 66 cm (16 ⁷/₈ x 26 inches)
Signed and dated twice in the centre
Executed in 2022
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Gold Leaf
Untitled by Anish Kapoor - 2 part painting, Abstract, Contemporary
By Anish Kapoor
Located in London, GB
Untitled by Anish Kapoor (b. 1954)
Oil on canvas
Overall dimensions: 122 cm (48 inches)
composed of 2 parts of 61 x 61 cm (24 x 24 inches) each
Signed and dated on the stretcher, An...
Category
Early 2000s Abstract Abstract Paintings
Materials
Canvas, Oil
Indifference by Yvon Pissarro - Contemporary artwork
By Yvon Pissarro
Located in London, GB
Indifference by Yvon Pissarro (b. 1937)
Conté chalk and pastel pencil on paper
50.3 x 64 cm (19 ³/₄ x 25 ¹/₄ inches)
Signed lower right, y. vey
Provenance: Studio of the artist, Mon...
Category
21st Century and Contemporary Figurative Drawings and Watercolors
Materials
Paper, Chalk, Conté, Pastel, Pencil
Abandon by Yvon Pissarro - Contemporary work on paper
By Yvon Pissarro
Located in London, GB
Abandon by Yvon Pissarro (b. 1937)
Conté chalk on paper
50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches)
Signed centre right, y. vey
Provenance: Studio of the artist, Montpellier
Artist biogr...
Category
21st Century and Contemporary Modern Figurative Drawings and Watercolors
Materials
Paper, Chalk, Conté
Phenomena Entreat the Caves by Paul Jenkins - Abstract Expressionist painting
By Paul Jenkins
Located in London, GB
Phenomena Entreat the Caves by Paul Jenkins (1923-2012)
Acrylic on canvas
61 x 50 cm (24 x 19 ³/₄ inches)
Signed lower left, Paul Jenkins
Executed in 1998-2001
Provenance: Private collection, Italy
Literature: Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated)
Artist biography:
Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan.
The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...
Category
Late 20th Century Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Village in Normandy, Watercolour on Paper by Paulémile Pissarro, 1920
Located in London, GB
Village in Normandy by Paulémile Pissarro (1884 - 1972)
Watercolour, ink and charcoal on paper
40 x 31.2 cm (15 ³/₄ x 12 ¹/₄ inches)
Signed lower left, Paulémile Pissarro
Executed ...
Category
1920s Post-Impressionist Figurative Drawings and Watercolors
Materials
Watercolor, Charcoal, Ink
Marée Basse - Arromanches by Hugues Pissarro dit Pomié - Landscape painting
By Hughes Claude Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Marée Basse - Arromanches by Hugues Pissarro dit Pomié (b. 1935)
Oil on canvas
65 x 54 cm (2 5⅝ x 21 ¼ inches)
Si...
Category
Early 2000s Contemporary Figurative Paintings
Materials
Canvas, Oil
Gold Monet by Lélia Pissarro - Tempera
By Lelia Pissarro
Located in London, GB
Sold directly on behalf of the artist
Gold Monet by Lélia Pissarro (B. 1963)
Tempera and gold on paper
21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches)
Signed lower right, Lélia Pissarro
Execute...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Gold
Monet Blue by Lélia Pissarro - Tempera
By Lelia Pissarro
Located in London, GB
Monet Blue by Lélia Pissarro (b. 1963)
Tempera and gold on paper
21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches)
Signed lower right, Lélia Pissarro
Executed in 2023
This work is accompanied by ...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Gold
City View by Ludovic-Rodo Pissarro - Landscape painting
By Ludovic-Rodo Pissarro
Located in London, GB
SOLD UNFRAMED
City View by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and ink on paper
17.8 x 22.9 cm (7 x 9 inches)
Signed with Estate stamp
Executed circa 1904
Provenance
Priv...
Category
Early 1900s Fauvist Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Nylons and Bric-a-Brac by Orovida Pissarro - Oil painting
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Nylons and Bric-a-Brac by Orovida Pissarro (1893-1968)
Oil on canvas
73 x 60 cm (28 ³/₄ x 23 ⁵/₈ inches)
Signed and dated upper right Orovida 1951
Provenance
Estate of the artist
With John Bensusan-Butt, cousin of the artist
G Hassell, 25th November 1988
With John Noott, 10th June 1992
Literature
K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 141 (illustrated)
Exhibition
London, Redfern Gallery, Recent Paintings: Orovida, 3rd-26th January 1952, no. 51
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category
1950s Modern Figurative Paintings
Materials
Canvas, Oil
Le Pain de Sucre (Clécy-Normandie) by H. Claude Pissarro - Post-Impressionist
By Hughes Claude Pissarro
Located in London, GB
Le Pain de Sucre (Clécy-Normandie) by H. Claude Pissarro (b. 1935)
Oil on canvas
46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches)
Signed lower right, H.Claude Pissarro
Th...
Category
21st Century and Contemporary Post-Impressionist Landscape Paintings
Materials
Oil
The Hunting Prince by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968)
Etching
15 x 20 cm (5 ⅞ x 7 ⅞ inches)
Signed and dated lower right Orovida 1926
Inscribed lower left Trial proof no.14 and titled lower middle
Provenance: Private collection, Europe
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category
1920s Animal Prints
Materials
Etching
Tenterden by Lucien Pissarro - Watercolour
By Lucien Pissarro
Located in London, GB
Tenterden by Lucien Pissarro (1863-1944)
Watercolour, ink, pen and coloured crayon
16.5 x 24 cm (6 ¹/₂ x 9 ¹/₂ inches)
Signed with monogram and titled lower right
Provenance: The Redfern Gallery...
Category
20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Ink, Pen, Watercolor, Crayon
Brave - Vigorous - Manful by Lélia Pissarro - Abstract Contemporary painting
By Lelia Pissarro
Located in London, GB
Brave - Vigorous - Manful by Lélia Pissarro (b. 1963)
Black and red acrylic, red glitter
121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches)
Signed, titled and dated on the reverse
Executed in 2007
Literature
Lélia Pissarro, Abstraction, London, 2008, p. 3 (illustrated)
This work is accompanied by a certificate of authenticity from the artist.
Artist biography
Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy.
From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age.
When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié.
With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London.
In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint.
To coincide with a major exhibition at Stern Pissarro...
Category
Early 2000s Abstract Abstract Paintings
Materials
Canvas, Glitter, Acrylic
Abstract Composition by Lélia Pissarro - Tempera, abstraction
By Lelia Pissarro
Located in London, GB
Abstract Composition by Lélia Pissarro (b. 1963)
Tempera on paper
7.5 x 21 cm (3 x 8 ¹/₄ inches)
Signed lower right, Lélia Pissarro
This work is accompanied by a certificate of authenticity from the artist.
Artist biography:
From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age.
When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié.
With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London.
In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint.
To coincide with a major exhibition at Stern Pissarro...
Category
21st Century and Contemporary Modern Abstract Drawings and Watercolors
Materials
Paper, Tempera
Coquillage et réveil en rouge by Henri Hayden - Still Life Painting
By Henri Hayden
Located in London, GB
Coquillage et réveil en rouge by Henri Hayden (1883-1970)
Oil on paper laid down on isorel
33.5 x 46 cm (13 ¹/₄ x 18 ¹/₈ inches)
Signed and dated lower le...
Category
1960s Modern Figurative Paintings
Materials
Masonite, Oil, Laid Paper
Man & Beast by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower right, orovida 1924
Inscribed lower left, Final state no 12/40 and titled lower centre
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Animal Prints
Materials
Etching
Nu Assise by Ludovic-Rodo Pissarro - Nude drawing
By Ludovic-Rodo Pissarro
Located in London, GB
Nu Assise by Ludovic-Rodo Pissarro (1878-1952)
Charcoal on paper
31.3 x 24.2 cm (12 ⅜ x 9 ½ inches)
Signed lower right, L.Rodo
This work of art is accompanied by a certificate of authenticity signed and dated by Lélia Pissarro.
Artist biography:
Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo".
The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period.
In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there.
Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father.
By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris.
In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana.
Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings...
Category
Early 1900s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Woman with Black Swans by Georges Manzana Pissarro - Monotype
By Georges Henri Manzana Pissarro
Located in London, GB
Woman with Black Swans by Georges Manzana Pissarro (1871-1961)
Monotype
26.4 x 19.5 cm (10 ³/₈ x 7 ⁵/₈ inches)
Signed lower right, Manzana
Executed circa 1908
Artist biography:
Like...
Category
Early 1900s Post-Impressionist Animal Prints
Materials
Monotype
Chatter by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
Chatter by Orovida Pissarro (1893-1968)
Etching
26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches)
Signed and dated lower right Orovida 1927
Inscribed lower left Trial proof no. 18/25 and titled lower middle
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Figurative Prints
Materials
Etching
Landscape with Gate by Orovida Pissarro - Drawing
By Orovida Pissarro
Located in London, GB
Landscape with Gate by Orovida Pissarro (1893-1968)
Pencil on paper
25.7 x 20.4 cm (10 ¹/₈ x 8 inches)
Executed circa 1917
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Pencil
Undressing by Georges Manzana Pissarro - Nude drawing
By Georges Henri Manzana Pissarro
Located in London, GB
Undressing by Georges Manzana Pissarro (1871-1961)
Pencil on paper
13.6 x 10.6 cm (5 ³/₈ x 4 ¹/₈ inches)
Signed with Estate stamp lower right, manzana- Pissarro
This work is accompa...
Category
20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Pencil
La Falaise de Sainte-Honorine by Hugues dit Pomié Pissarro - oil painting
By Hughes Claude Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
La Falaise de Sainte-Honorine by Hugues dit Pomié Pissarro (1935)
Oil on canvas
100 x 81 cm (39 ¼ x 31 inches)
Si...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil, Canvas
Nu au canapé bleu by Ludovic-Rodo Pissarro - Nude painting
By Ludovic-Rodo Pissarro
Located in London, GB
Nu au canapé bleu y Ludovic-Rodo Pissarro (1878-1952)
Oil on canvas
46 x 38 cm (18 ¹/₈ x 15 inches)
Signed lower left, Ludovic Rodo
Executed circa 1910
This work is accompanied by a certificate of authenticity from Lélia Pissarro.
Provenance: Private collection, France
Artist biography:
Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...
Category
1910s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Le Petit Cheval by Georges Manzana Pissarro - Animal charcoal drawing
By Georges Henri Manzana Pissarro
Located in London, GB
SOLD UNFRAMED
Le Petit Cheval by Georges Manzana Pissarro
Charcoal and gold on paper
31 x 31 cm (12 ¼ x 12 ¼ inches)
Signed lower right, Manzana Pissarro
Executed circa 1920
Proven...
Category
1920s Post-Impressionist Animal Drawings and Watercolors
Materials
Gold
Siamese Cat with Kittens by Orovida Pissarro - Egg tempura painting
By Orovida Pissarro
Located in London, GB
Siamese Cat with Kittens by Orovida Pissarro (1893-1968)
Egg tempera on linen
39 x 48 cm (15³/₈ x 18⁷/₈ inches)
Signed lower right Orovida and dated lower left 1934
Provenance
J Ankri, 8th October 1967
Literature
K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated)
Exhibition
London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6
Women’s International Art Club, 20th February - 13th March 1937, no. 273
London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7
London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching)
London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1930s Modern Animal Paintings
Materials
Linen, Egg Tempera
The Diggers in Ashford by Ludovic-Rodo Pissarro - Ink on paper
By Ludovic-Rodo Pissarro
Located in London, GB
SOLD UNFRAMED
The Diggers in Ashford by Ludovic-Rodo Pissarro (1878-1952)
Ink on paper
22.6 x 17.3 cm (8 ⅞ x 6 ¾ inches)
Signed with Estate stamp lower left
Inscribed and dated 191...
Category
1910s Figurative Drawings and Watercolors
Materials
Paper, Ink
Le Pont du Vey by Paulémile Pissarro - Charcoal drawing
By Paul Emile Pissarro
Located in London, GB
Le Pont du Vey by Paulémile Pissarro (1884-1972)
Charcoal on paper
24.5 x 31.5 cm (9 ⁵/₈ x 12 ³/₈ inches)
Signed with Estate stamp lower centre and upper right
Executed circa 1940s
...
Category
1940s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Rotten Row (Hyde Park) by Ludovic-Rodo Pissarro - Wood engraving
By Ludovic-Rodo Pissarro
Located in London, GB
SOLD UNFRAMED
Rotten Row (Hyde Park) by Ludovic-Rodo Pissarro (1878-1952)
Wood engraving
13.5 x 12.5 cm (5 ¼ x 4 ⅞ inches)
Initialed and titled in the plate
Executed circa 1917
Artist biography
Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...
Category
1910s Figurative Prints
Materials
Woodcut, Engraving
Leicester Square, London by Ludovic-Rodo Pissarro - Wood engraving
By Ludovic-Rodo Pissarro
Located in London, GB
SOLD UNFRAMED
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Leicester Square, London by Ludovic-Rodo Pissarro (1878-1952)
Wood engraving
14.2 x 11.5 cm (5 ⅝ x...
Category
1910s Figurative Prints
Materials
Engraving, Woodcut
Bank Holiday by Ludovic-Rodo Pissarro - Wood engraving
By Ludovic-Rodo Pissarro
Located in London, GB
SOLD UNFRAMED
Holiday by Ludovic-Rodo Pissarro (1878-1952)
Wood engraving
15.2 x 11.5 cm (6 x 4 ½ inches)
Initialed and titled in the plate
Signed lower right, Ludovic Rodo and nu...
Category
1910s Figurative Prints
Materials
Engraving, Woodcut
La Plage d'Arromanches, Oil on Canvas by H. Claude Pissarro - seascape
Located in London, GB
La Plage d'Arromanches, Oil on canvas by H. Claude Pissarro
Oil on canvas
130 x 195 cm (51 ¹/₈ x 76 ³/₄ inches)
Signed, titled and dated on the reverse
Executed in May 1992
This work is accompanied by a certificate of authenticity from the artist.
Artist biography
Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-sur-Seine and enveloped in an artistic environment, he inevitably spent his childhood and youth with brushes in hand. Carrying on the family tradition established by Camille Pissarro, H. Claude’s father frequently took his son on painting excursions, often accompanied by his numerous artistic friends which proved formative for him.
Initially taught by his father, Hugues first exhibited his work at the age of fourteen. He subsequently studied art in Paris at prestigious establishments, in particular the École Normale Supérieure, a unique French institution dedicated to the pursuit of achievement and excellence to which only the academic elite have access. He also studied art restoration under Henri Linard, head of the laboratory at the Musée du Louvre. It was inevitable that this educational background would lead him to become a professor of art for much of his professional life and in 1963 he accepted an official invitation to teach art in Monaco.
Throughout his teaching career he remained a prolific artist, exhibiting on several occasions in Paris and London. As with many of his family predecessors the scope of his work and talent is wide-ranging: from engraver, lithographer, publisher and landscape painter to portraitist. He was even commissioned in 1959 to paint a portrait of President...
Category
1990s Contemporary Landscape Paintings
Materials
Canvas, Oil
Untitled 65 by IGAEL TUMARKIN - Mixed media, large artwork, abstract art
Located in London, GB
Untitled 65 by IGAEL TUMARKIN (1933-2021)
Mixed media on board
152 x 63 cm (59 ⅞ x 24 ¾ inches)
Signed and dated lower left, Tumarkin 65 Numbered 'No6' on the reverse
This work is from the most important period of Israeli artist Tumarkin during his time in Paris.
Artist biography
Peter Martin Gregor Heinrich Hellberg (later Yigal Tumarkin) was born in Dresden, Germany in 1933. His father, Martin Hellberg, was a German theatre actor and director. With his mother, Berta Gurevitch, and his stepfather, Herzl Tumarkin, Tumarkin immigrated to Mandate Palestine when he was two. He served in the Israeli Sea Corps and, after completing his military service, studied sculpture with Rudi Lehman in Ein Hod, a village of artists near Mount Carmel.
In 1955, Tumarkin went to Berlin to work as a scenographer for Bertolt Brecht...
Category
1960s Abstract Mixed Media
Materials
Mixed Media
Beau Temps à Clécy by H. Claude Pissarro - Post-Impressionist style painting
By Hughes Claude Pissarro
Located in London, GB
Beau Temps à Clécy by H. Claude Pissarro (b. 1935)
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower right, H. Claude Pissarro
This work is accompanied by a certificate of ...
Category
21st Century and Contemporary Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Three Hens by Georges Manzana Pissarro - Animal stencil
By Georges Henri Manzana Pissarro
Located in London, GB
Three Hens by Georges Manzana Pissarro (1871-1961)
Pochoir
31.8 x 48.3 cm (12 ½ x 19 inches)
Signed with Estate stamp and épreuve d'état
Provenance
Private Collection, London
Artis...
Category
19th Century Post-Impressionist Animal Prints
Materials
Stencil
Paysage en Normandie by Georges Manzana Pissarro - Charcoal landscape
By Georges Henri Manzana Pissarro
Located in London, GB
Paysage en Normandie by Georges Manzana Pissarro (1871-1961)
Charcoal on paper
32 x 39 cm (12 ⅝ x 15 ⅜ inches)
Stamped lower right, Manzana Pissarro
Executed circa 1930
Artist biogr...
Category
1930s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Charcoal
Fleet Street by Ludovic-Rodo Pissarro - Woodcut
By Ludovic-Rodo Pissarro
Located in London, GB
Fleet Street by Ludovic-Rodo Pissarro (1878-1952)
Wood engraving
11.2 x 11.2 cm (4 ³/₈ x 4 ³/₈ inches)
Initialled, titled and dated on the plate
Signed lo...
Category
1910s Figurative Prints
Materials
Woodcut
La Poursuite by Orovida Pissarro - Animal etching
By Orovida Pissarro
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968)
Etching with aquatint
17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches)
Signed and dated lower right Orovida 1917
Inscribed lower left Final State Trial proof no. 1
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Animal Prints
Materials
Etching, Aquatint
Carte de l'Europe by Paulémile Pissarro, 1972 - Graphite on paper
Located in London, GB
THIS WORK IS SOLD UNFRAMED
Carte de l'Europe by Paulémile Pissarro (1884 - 1972)
Graphite on paper
12.9 x 20 cm (5 ¹/₈ x 7 ⁷/₈ inches)
Provenance
Estate of the Artist
Yvonne Pissa...
Category
1970s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper
Les Jardins de Monte-Carlo by H. Claude Pissarro - Pastel, Post-Impressionist
By Hughes Claude Pissarro
Located in London, GB
Les Jardins de Monte-Carlo by H. Claude Pissarro (b. 1935)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro
This work is accompanied by a ce...
Category
21st Century and Contemporary Post-Impressionist Figurative Drawings and...
Materials
Pastel
Landscape painting by Paulémile Pissarro - 'Les Deux Arbres...'
By Paul Emile Pissarro
Located in London, GB
Les deux arbres au bord de la rivière dans la forêt de Lyons by Paulémile Pissarro (1884-1972)
Oil on canvas
65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches)
Signed lower left, Paulémile-Pissarro...
Category
1950s Post-Impressionist Figurative Paintings
Materials
Oil, Canvas
Moroccan Dancer by Georges Manzana Pissarro - Nude drawing
By Georges Henri Manzana Pissarro
Located in London, GB
Moroccan Dancer by Georges Manzana Pissarro (1871-1961)
Watercolour, coloured crayon and pencil
26.3 x 20.2 cm ( 10 ⅜ x 8 inches)
Signed lower right, Manzana - Pissarro.
Executed c...
Category
1940s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Crayon, Watercolor, Pencil
Traditional nude drawings by Paulémile Pissarro - Nude drawing
By Paul Emile Pissarro
Located in London, GB
SOLD UNFRAMED
Traditional nude drawings by Paulémile Pissarro (1884-1972)
Pencil on paper
34.1 x 26.5 cm (13 ³/₈ x 10 ³/₈ inches)
Signed lower left, Paulémile-Pissarro-
This work ...
Category
20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Pencil, Paper
