Susanna Gold Gallery Still-life Prints
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Larkspur Blue: framed one-of-a kind ink botanical monoprint, abstract flower
By Deirdre Murphy
Located in Bryn Mawr, PA
This is a framed, one-of-a-kind monoprint in colbalt blue on archival paper from Deirdre Murphy's "Contemporary Herbarium" series based on Lehigh University’s Tremblay Herbarium coll...
Category
2010s Abstract Still-life Prints
Materials
Ink, Archival Paper, Monoprint
Karl Lagerfeld vintage 100% silk scarf
By Karl Lagerfeld
Located in Bryn Mawr, PA
Vibrant Karl Lagerfeld vintage 100% silk designer scarf, floral patterning with "KL" monogram in center and printed "Karl Lagerfeld" signature along ...
Category
1980s Contemporary Still-life Prints
Materials
Silk
$160 Sale Price
20% Off
Leonard Paris vintage 100% silk scarf, floral on red ground. Excellent condition
Located in Bryn Mawr, PA
Vintage Leonard of Paris 100% silk scarf, warm-toned flowers on vivid red ground. "Leonard" designer printed along lower edge and also within the floral design itself. 27" x 27", ca....
Category
1980s Modern Still-life Prints
Materials
Silk
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Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the School of Sculpture and Ceramics in Mendoza, he studied under the Italian-Argentinean sculptor Libero Badii whom he credits with putting him on the right path. “He taught me principals, not only related to sculpture, but human and philosophic principals. Shemi also carefully studied the work of such masters as Pablo Picasso, Caravaggio, Frank Stella and Henri Matisse. “From each one of these great artists I learned something from observing them,” he says.
In 1961, at the age of 20, Shemi immigrated to Israel and joined Kibbutz Carmia of which he was a member for twenty years. There he worked in agriculture and also as a sculptor working with wood and clay. Several of his large-scale fiberglass and polyester sculpture projects are situated in public buildings. He was a student of German-Israeli sculptor Rudi Lehmann, a pioneer of the artistic movement known as “Canaanism.”
Canaanite art was an effort to create a direct relationship with the land, bypassing historic Jewish connotations—hence the land’s primordial name is used. Canaanite works, with an emphasis on the inter-action of simple shapes, bear a deliberate resemblance to the sculpture and ritual art of early civilizations of the Middle East prior to Judaism, always with an eye to the fusion of man and the land itself.
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