The Great Republic Wall Decorations

Frank Albert Rinehart (February 12, 1861- December 17,1928) was an American artist famous for his drawings, paintings, and photographs depicting Native American personalities and sce...

Presented is a color photogravure by James Michael Brown entitled “In the Sand”. The print depicts two golfers with their young caddies on the historic St. Andrews golf course. One p...

Presented is a vintage WWII War Bonds poster, printed in 1942. In the poster, a confident woman sets out with conviction to buy war bonds, her hand over her pocketbook. As the woman ...

Presented is a very rare and collectible 1918 Illinois Centennial poster by Willy Sesser. The poster is offered here in its largest issued size, printed in full color. The poster wa...

Presented is an original, hanging wall chart from the 1955 “History of Life on Earth” series by Austrian paleontologist Erich Thenius and illustrator Fritz Zerritsch. The series cons...

Presented is an original WWII U.S. Crop Corps recruitment poster. Designed by Douglas, this poster was issued by the Office of War Information in Washington DC, in 1943. In the compo...

This is an original "The Pony Express" Hermès silk scarf by the American artist Kermit Oliver. The scarf is shown in its white and burgundy colorway. The English and French titles "The Pony Express" “Le Cheval Express” are both displayed at the top in red lettering on an orange banner. The main composition shows a Pony Express rider in a brown fringed outfit...

Presented is a vintage Bellamy-style carved wooden eagle. This late 19th century to early 20th century wood eagle is bronze-brushed with a painted red, white, and blue shield and a b...

This is a stunning early to mid 20th century hand-carved bald eagle. The eagle is carved out of one large piece of wood, making the intricate detailing on the feathers and beak that ...

Presented is a photogravure by James Michael Brown entitled "Hoylake-Punch Bowl Hole." The print depicts a 1910 foursomes match on the course, annotated in the bottom border "Mr. John Graham, Jnr., Mr. C.E. Dick, Mr. John Ball Amateur Champion, 1910, Mr. H.H. Hilton." The photogravure was published in the Life Association of Scotland calendar for that year. James Michael Brown (1853-1947) was an accomplished Scottish water-colorist, famous for his golfing scenes of British and Scottish courses, competitions, and players. Brown often had famous golfers of the time sit for him during competitions and he used these studies to help him later reproduce accurate likenesses of the players in his paintings. A keen golfer himself, Brown was a founder member of Mortonhall Golf Club in Edinburgh, where he was introduced to fellow member Dr. J. Turnbull Smith, the manager of the Life Association of Scotland. The Life Association of Scotland was established in Edinburgh, in 1838. It later formed the Insurance and Banking Golf Club, which then became the Duddingston Golf Club. In 1898, to mark the opening of the extended Club House, Smith commissioned Brown to paint a scene from an exhibition golf match at the Club. Brown's painting was then printed as the centerpiece of the 1899 Life Association of Scotland calendar. Although expensive to commission and publish, The Life Association of Scotland board justified the expense of the calendar by stating, “it must surely be the aim and desire of a Life Assurance Association to prolong the lives of those who take out policies with them and what sport is there that can compare with golf as a cure for all the ills that flesh is heir to…” The calendar was a great marketing and advertising success. As a result, Brown was then commissioned to paint an annual golfing picture for the club. Prints were made of the originals and issued in the calendar for each year. Brown painted 26 paintings for the Life Association and these all adorned the walls of the Edinburgh head office for many years. The paintings portray not only Lloyd George, the former Prime Minister at Walton Heath, but also a host of famous golfing personalities like Old Tom Morris, Harry Vardon, James Braid...

Presented is a stunning original painting of a Golden Eagle by British natural history artist William Goodall. A beautiful and colorful combination of both watercolor and ink, this p...

Presented is a stunning original painting of a Ring Tail Eagle by British natural history artist William Goodall. A beautiful and colorful combination of both watercolor and ink, thi...

This color print of On The March to the Sea by Felix O.C. Darley, and engraved by A.H. Ritchie, is a stunning portrayal of William T. Sherman’s notorious Georgia Campaign. Originally...

This is an original World War II Marines recruitment poster, designed by Joe Richards. The poster, a color lithograph, was issued on November 28, 1941, less than 10 days before the a...

Presented is a vintage 1942 United States Marine Corps poster, celebrating the organization's 167th Anniversary. The poster features a dynamic illu...

Presented is “U.S. Flag Behind Capitol,” an original mixed-media painting by American artist Ron Sloan. The drawing shows an intricately detailed rendering of the front entrance to the United States Capitol building. Behind the Capitol is a large, waving American flag, set outside an orange-hued rounded rectangle. Sloan created this stunning artwork in February of 1985, for use on the Fleetwood First Day Cover of the 22 cent “Flag Over Capitol” stamp, issued in March of that same year. The painting depicts the iconic neoclassical building from the east orientation, with it’s dome towering overhead. Plans began in May of 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce signed off on the appropriation of $100,000 to build the dome. Construction began in September of that year with the removal of the first dome raised by Charles Bulfinch. Over the next 11 years, the dome rose over the nation's capital. By December of 1863, Walter was able to set the bronze sculpture “Statue of Freedom” atop the dome. Thomas Walter resigned in 1865 and his replacement, Edward Clark, assumed the role of finishing the last aspects of the dome. Just over a month later, in January 1866, Constantino Brumidi, who had been hired to paint a fresco above the interior dome's oculus, removed the scaffolding used...

Presented is “Statue of Freedom,” an original chalk drawing by American artist Tom Lydon. The drawing shows an intricately detailed rendering of the ...

Presented is an original oil-on-canvas painting of a football game by American artist Jay Cooper. In the composition, two football players, donned in red jerseys, run the ball agains...

Presented is a handsome photogravure of "A Difficult Bunker" by sporting artist Douglas Adams. "A Difficult Bunker" is one in a famous trio of three paintings depicting the links at ...

This original WWI poster encourages onlookers to "Fight or Buy Bonds" and dates to 1917. Issued as part of the Third Liberty Loan run, the poster w...

This is a vintage Fort Worth travel poster for Delta Airlines, issued in the 1950s. A very collectible poster, the composition shows a man in a cowboy hat, set against a bright yellow background. The poster was designed by John Hardy. Delta Air Lines was founded in 1925 as a fleet of crop-dusting planes in the Mississippi River Delta, which is how it earned its name. Passenger flights began in 1929 across the Louisiana, Mississippi, and Texas area and grew over time, with offered flights across the country and eventually to international destinations. In 1959, Delta was the first airline to fly the Douglas DC-8 and it was also the first to fly the Convair 880 jet in 1960; two large moments in aviation history. A major airline in the United States, Delta has always invested in promotional print advertising, hiring numerous artists for magazines and poster work. In the 1950s and 60s, Delta hired artist John Hardy to create a series of hand-pulled silkscreen posters, highlighting some of their top destinations. These portrait-oriented posters...

Offered is a vintage travel poster for United Airlines from the 1970s. This advertisement poster shows Colorado as one of United Airlines' alluring travel destinations. The design fe...

This is a vintage Arizona travel poster for the Santa Fe Southern Railway, issued in the 1940s. A very collectible poster, the compositi...

This is a vintage Grand Canyon travel poster for the Santa Fe Southern Railway, issued in 1949. The poster promotes railroad travel...

This is an original American Airlines travel poster from the 1960s advertising Philadelphia as one of their alluring destinati...

Offered is an original World War II poster by Newell Convers Wyeth (1882-1945). The poster features bold lettering at bottom reading "Buy War Bonds," with a dynamic depiction of Uncl...

This is an original World War II Marines recruitment poster, issued in 1942. The poster depicts a uniformed Marine, standing strong and proud at attention. The persuasive text reads ...

This is an original World War II Marines recruitment poster, issued in 1940. The poster depicts a no-nonsense Marine drill instructor, pointing directly at the viewer, in front of a ...

This is an original World War II Marines recruitment poster, by Dickson and issued in 1941. The poster depicts a uniformed Marine beckoning at the viewer to follow him. The persuasive text "Let’s Go!” is printed in large red italics at top. At center, the text “on LAND, at SEA, in the AIR” is a reference to the first stanza of the Marines Hymn, the oldest official song in the U.S. Armed Forces. At the bottom of the poster are two overprinted addresses for local recruitment offices, "356 U.S. Court House, 225 South Clark Street...

This is a stunning 1818 engraving of the Declaration of Independence, the first engraved broadside of our nation’s founding document. The year 1815 saw the conclusion of the United S...

Presented is a vintage poster, titled “Meeting of the Chiefs.” This poster was designed in 1949 by Hernando Gonzalo Villa for the Atchinson, Topeka, and Santa Fe Railway. The poster depicts a Native American chief on horseback, raising his spear to the passing train, drawn so as to align the Santa Fe railroad with a romanticized version of America's old west. The Santa Fe Southern Railway named several of their train models "Chief," including the San Francisco Chief, Texan Chief, Kansas City Chief...

Presented is a vintage WWII recruitment poster by the artist team Dan V. Smith and Albrow F. Downe. The poster features three Boeing B-17 Flying Fortresses...

Presented is a vintage U.S. Army Air Forces recruitment poster from WWII. The poster was published in August of 1943 by the Recruiting Publicity Bureau....

Presented is a vintage WWII U.S. Army poster of a Martin B-26 Marauder bomber plane. The poster was published by the Recruiting Publicity Bureau in 1943. The poster depicts a B-26 fr...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This 45-star United States flag celebrates the statehood of Utah. 45-star flags served as the official American flag from 1896-1908. This particular flag was flown as a parade flag, ...

Presented is a fine photogravure portrait of Bear’s Teeth of the Arikara tribe by Edward Curtis. The image is Plate 154 from Supplementary Portfolio 5 of Edward Curtis' epic project ...

Presented is a fine photogravure portrait of an Atsina man named Horse Capture by Edward Curtis. The image is Plate 170 from Supplementary Portfolio 5 of Edward Curtis' epic project ...

Presented is a fine photogravure portrait of a Piegan man named New Chest by Edward Curtis. The image is Plate 200 from Supplementary Portfolio 6 of Edward Curtis' epic project The N...

Presented is a fine photogravure portrait of an Ogalala woman by Edward Curtis. The image is Plate 94 from Supplementary Portfolio 3 of Edward Curtis' epic project The North American...

Presented is a fine photogravure portrait of a Cheyenne man with cottonwood leave headdress by Edward Curtis. The image is Plate 216 from Supplementary Portfolio 6 of Edward Curtis' ...

Presented is a much sought-after, limited edition lithograph entitled Moonwalkers by Ron Lewis. This piece of space history contains the original signatures of eleven of the twelve A...

Presented is an original autographed poster from a 1973 issue of National Geographic magazine, celebrating the historic Apollo missions from the fir...

This is a chromolithograph of "The Emigrants" by Frederic Remington. The print includes Remington's printed signature in the bottom right. The compositio...

Presented is a collage of three vintage cabinet card photographs of the Manitou and Pikes Peak Railway, in Colorado dating to the 1890s. The sepia...

Presented is a collage of three vintage cabinet card photographs of the Garden of the Gods, in Colorado dating to the 1890s. The sepia toned photo...

Presented is a collage of six vintage cabinet card photographs of Colorado Springs and its surrounding areas, dating to the 1890s. The sepia toned...

This original wood engraving is titled “The Lobby of the House of Representatives at Washington During the Passage of the Civil Rights Bill.” ...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented is an original George Washington signature, presented framed with an oval chromolithographed portrait of George Washington printed by E. C....

This dramatic Revolutionary War engraving of the Battle of Bunker Hill is after the famous 1785 oil-on-canvas by John Trumbull. Capturing the intensity of the battle, the engraving centers on Major John Small restraining a “lobster-back” from bayoneting Major General Joseph Warren. Warren lies mortally wounded in the midst of chaos around him. In the background, British forces are seen cresting the last defenses of the brave, yet green army of Colonial soldiers. The Battle of Bunker Hill was fought on June 17, 1775, in the early stages of the American Revolutionary War. The battle is named after Bunker Hill in Charlestown, Massachusetts. Although it was the original objective of both the Colonial and British troops, the area was only peripherally involved in the battle. Rather, the majority of the combat took place on the adjacent Breed’s Hill. The battle pitted a more organized British force against a young and inexperienced American militia. Although considered a tactical victory for the British, it came at the cost of considerable casualties, including a large number of officers. The battle demonstrated that the inexperienced American militia was able to stand up to the British army troops in battle. The battle results discouraged the British from any further frontal attacks against well-defended front lines. American casualties were comparatively fewer, although their losses included Gen. Joseph Warren. During the battle, the patriot-turned-painter John Trumbull (1756-1843) was stationed in Roxbury on the far side of Boston, where he could hear the sounds of fighting. In late 1785, Trumbull decided to devote himself to the depiction of Revolutionary War scenes, a series of eight epic pictures. From the beginning, Trumbull intended for the paintings to be later engraved for sale. Trumbull began the oil-on-canvas of The Death of General Warren at the Battle of Bunker’s Hill and The Death of General Montgomery in the Attack of Quebec, in the studio of Benjamin West in London. Bunker’s Hill was completed in March 1786; Trumbull started Attack of Quebec in February 1785 and finished it before he brought it to Paris in 1786. He then started The Declaration of Independence at Thomas Jefferson's house in Paris. As soon as Bunker’s Hill was completed, Trumbull searched for a suitable engraver in London. He was unsuccessful, as many British engravers were nervous about engraving an American battle...

Presented is an Apollo 16 mission photograph, signed and inscribed by Apollo 16 moonwalker Charlie Duke. The photograph shows Duke collecting lunar samples n...

Presented is a patriotic silk scarf, celebrating the Declaration of Independence. At center of the silk scarf design is artistic rendering of the Declaration of Independence. The famous text and signatures are printed in black ink on white silk. A border of bright red encloses the text, with a five-pointed white star set against a blue square appearing at each corner. This is a newly made silk scarf, printed to celebrate our Nation's foundational text. The United States Declaration of Independence...

Evans, C.S. (editor). Rackham, Arthur (illustrator). The Sleeping Beauty. London and Philadelphia: William Heinemann & J.B. Lippincott Co., 1920. F...

This is a coveted, patriotic silk scarf, issued by American designer Ann Hand. The silk scarf was issued in a deep navy and gold colorway. At center is an art...

Presented is a photograph of the Phoenix Lander on Mars, signed and inscribed by Apollo 16 moonwalker Charlie Duke. In the inscription, Duke shares his thoug...

Presented is a vintage U.S. Army recruitment poster, dating to World War I. The poster depicts an Army officer conferring with a soldier. They stand next to an artillery battery, manned by two soldiers. Their fort looks over a cliff, with water and clouds completing the background. The text "Men Wanted for the Army" is printed in bold red letters at the top of the poster. The bottom margin of the poster includes a cartouche where the name of the recruiting station can be filled in. The color lithograph was illustrated by Michael P...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

This is a vintage savings bond poster from WWII, dating to 1941. The poster reads "For Defense. Buy United States Savings Bonds and Stamps. Ask About Our Pay Roll Allotment Plan" in dark green, teal, and red lettering. The poster was published in Washington, D.C. by the U. S. Government Printing Office. It depicts the Concord Minute Man...

This is an original World War II poster, dating to 1943. The poster reads "Let 'Em Have It" and “Buy Extra Bonds” in bold yellow and white block letters. The poster's composition features a soldier throwing a grenade on the battlefield. Black and blue smoked filled skies and barbed wire are seen behind him. The 4th War Loan Shield is illustrated prominently at center left. The poster was illustrated by Bernard Perlin...