TISHU Asian Art and Furniture
to
8
671
730
630
41
56
9
2
1
121
276
233
41
128
39
24
22
3
7
8
7
5
2
1
2
4
242
240
150
109
95
635
602
340
151
105
671
671
671
27
14
11
10
7
Item Ships From: Atlanta
Antique Korean Money Chest Ton-Kwe Joseon Dynasty
Located in Atlanta, GA
A Korean top-lid chest on elevated carved legs circa late 19th century of Joseon Dynasty. Known as coin chest (Ton-Kwe in Korean), this type of chest was originally used for storing ...
Category
Antique 19th Century Korean Other Furniture
Materials
Iron
Antique Korean Book Bandaji from Gyeongsang Do
Located in Atlanta, GA
An antique Korean wood Bandaji cabinet from Yecheon area in Gyeongsang Do (southern part of Korean Peninsular) circa late 19th century Joseon Dynasty. This particular Bandaji features a partial drop-down front door and extended top plank with upturned end. The relatively plain hardware indicates that its origin was likely from the Northern part of the Gyeongsang Do. The construction suggests that the use of the piece might be to store books or manuscript, known as Ch'aek Bandaji. The cabinet was made from stained pine wood and fitted with black iron hardware. It is supported on carved curvy legs...
Category
Antique Late 19th Century Korean Other Furniture
Materials
Iron
Antique Korean Bandaji Changhung Type from Jeolla Do
Located in Atlanta, GA
An antique Bandaji chest from Korea circa late 19th century Joseon Dynasty. The relatively small open-front cabinet was constructed from stained elm wood and fitted with thin hammere...
Category
Antique 19th Century Korean Other Furniture
Materials
Iron
Antique Korean Small Wood Box Joseon Dynasty
Located in Atlanta, GA
A small Korean antique box circa late 19th century of Joseon Dynasty. The square form box was constructed with thick hardwood planks on all side (appears to be elm) with a noticeable...
Category
Antique 19th Century Korean Other Furniture
Materials
Brass
Antique Korean Mirror and Cosmetic Box
Located in Atlanta, GA
A mirror and cosmetic box known as Gyeongdae from Korea circa early 20th century of late Joseon to Korean Empire to colonial period. This type of small and elegant cabinet belongs personally to a lady for her makeup need. The upper part opens to a folding mirror that stands to a total measurement of 12.5 inches. The lower part consists of a single drawer to store the small accessories. The surface of this box is covered with Zelkova wood veneer with an expressive and eye-catching grains, contrasting nicely with yellow brass hardware that includes corner plates, butterfly shape hinges, a drawer pull and a square lock plate that opens when the brass knob is pushed forward.
During Joseon Dynasty, this type of mirror box became popular, starting from the loyal families to the wealthy household.
For a similar mirror and cosmetic box in the collection of Weisman Art Musuem, see illustration 63 on page 72 of "Traditional Korean Furniture" by Edward Reynolds Wright and Man Sill Pai.
Another example in the collection of National Folk Musuem of Korea is illustrated on page 68 of "Korean Antique...
Category
20th Century Korean Other Furniture
Materials
Brass
Antique Japanese Tsubo Jar with High Relief Crab Design
Located in Atlanta, GA
A Japanese stoneware tsubo (storage jar) circa 19th century (Meiji period), likely made in one of the Shigaraki or Echizen kilns. The jar has a thick robust body, and a short-neck ri...
Category
Antique 19th Century Japanese Meiji Ceramics
Materials
Ceramic
Rare Japanese Porcelain Painted Footed Dish Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A rare footed dish in the form of an open scroll painting with literati landscape from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu wa...
Category
Antique Early 1900s Japanese Meiji Ceramics
Materials
Porcelain
Large Contemporary Japanese Bamboo Sculptural Basket Kawano Shoko
By Kawano Shoko
Located in Atlanta, GA
A beautiful bamboo sculpture in an Ikebana basket form by contemporary Japanese bamboo artist Kawano Shoko (born 1957-). The piece was made in 2005 and purchased from Tai Modern in 2...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo, Rattan
Pair of Korean Lacquer Wood Stacking Nong Cabinets with Striking Inlays
Located in Atlanta, GA
A fine pair of two-tier stacking cabinets, known as Nong in Korean, circa early 20th century (Korean Empire to Japanese Colonial Period). The square cabinet each is fitted with a pai...
Category
Early 20th Century Korean Other Furniture
Materials
Brass
Lacquered Korean Low Coffee Table with Elaborate Inlays
Located in Atlanta, GA
A Korean black lacquered wood low table with elaborate inlay works circa late Joseon dynasty (late 19th century to turn of 20th century). The low table, supported by slightly curved ...
Category
Antique Late 19th Century Korean Other Furniture
Materials
Brass
Framed Japanese Antique Embroidery Sennin Tapestry Meiji Period
Located in Atlanta, GA
A stunning Japanese embroidery tapestry circa 1880s-1900s from late Meiji period, presented with an original wood frame with inner gold trim. The tour-de-force embroidered tapestry s...
Category
Antique 1890s Japanese Meiji Textiles
Materials
Silk, Giltwood
Rare Korean Ceramic Brush Holder Joseon Dynasty
Located in Atlanta, GA
A rare Korean porcelain brush holder in Banana Leaves pattern from late Joseon dynasty circa 19th century. Cherished by the scholars, this brush...
Category
Antique 19th Century Korean Other Ceramics
Materials
Ceramic
Fine Japanese Satsuma Vase with Superb Decoration by Seikozan
Located in Atlanta, GA
A ceramic vase in tapered square form made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many artist studios that specialized in satsuma ware, Seikozan...
Category
Antique 1880s Japanese Meiji Ceramics
Materials
Ceramic
Japanese Glazed Ceramic Bowl by Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
Tri-pod ceramic bowl likely used as an incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji period. The signature indicates that it was produce...
Category
Antique 1880s Japanese Meiji Ceramics
Materials
Ceramic
Fine Japanese Satsuma Ceramic Jar with Gilt Decoration by Kinkozan
By Kinkozan
Located in Atlanta, GA
A large Japanese ceramic vase from end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is of a moon jar shape and finely decorated with kinran-de (gold paint) on a cream white background with even fine crackles. What sets this particular vase apart from many lower quality and mass-produced pieces is the meticulously renditioned surface decoration. Lavishly gilded with a continuous design, the carefully composed imagery depicts an elaborately decorated float cart in a festival parade. A group of people are seated within the float with a woman and a child standing in the front. Surrounding the float are streams of marchers dressed...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Japanese Woodblock Print Famous Views of the Sixty-Odd Provinces by Hiroshige
By Utagawa Hiroshige (Ando Hiroshige)
Located in Atlanta, GA
Artist: Utagawa Hiroshige (1797 - 1858)
Series: Pictures of Famous Places in the Sixty-odd Provinces
Number: 44 Oki Province: Takuhi Shrine
Medium: Woodblock Print
Date: 1853 (Kaei 6), 12th month
Number of Prints: 70/70 (inc. Title Page)
Format: Vertical Oban
Size (H x W): 14" x 9.25" print only.
Publisher: Koshimuraya Heisuke (Koshihei)
Blockcutter's mark: Hori Ko-Sen
Signature: Hiroshige hitsu
Additional marks: Censor's seals: aratame, Ox 12
Displayed with mat and gilt wood frame.
Reference: For an identical print, see the collection of MIA (Minneapolis Institute of Art) Accession Number P.75.51.398; MFA...
Category
Antique 1850s Japanese Edo Prints
Materials
Paper
Large Japanese Ceramic Oribe Sculptural Vessel by Shigemasa Higashida
Located in Atlanta, GA
A large ceramic lidded vessel with striking sculptural form by contemporary Japanese potter Shigemasa Higashida (1955-). Hand-built and with drasti...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Elaborately Carved Antique Beggar's Bowl Kashkul
Located in Atlanta, GA
A fine Kashkul carved from half of the giant nutshell of Coco-de-mer likely from Persian Qajar Dynasty circa 18-19th century. Kashkul is a container known as the beggar's bowl, carri...
Category
Antique Late 18th Century Persian Islamic Sculptures and Carvings
Materials
Wood
Japanese Silk Suijaku Scroll Nyorai-Kojin with Mixed Buddhism and Shinto Deities
Located in Atlanta, GA
A Japanese silk Suijaku hanging scroll beautifully presented in a custom wood shadow box frame from Edo period (circa 18-19th century). The scroll, surmounted on golden brocade was painted in fine details with gouache, ink and gold powder highlight, served as a Suijaku mandala for the worshippers. Honji Suijaku is a complicated religious concept uniquely developed in Japan. It mixed and hybrid the Buddism deities with native shinto spirits (known as Kami), which were seen as local manifestations (the suijaku, literally means a "trace") of Buddhist deities (the honji literally the original ground). The original idea may lie with the synergetic strategy to spread Buddism by making it more relatable to the local population who had already worshiped Shinto gods. The paradigm, adopted in the 10th century from an orignal Chinese concept, remained a defining feature of Japanese religious life up to the end of the Edo period (1868). Instead of being confined to deities, its application was often extended to historical figures as shown on this scroll.
This long hanging scroll depicts an arrangement of 21 figures including Buddhism and Shinto deities as well as two historical figures on the bottom. Each figure was name-tagged in Kanji for easy identification by the worshippers. It was used in the temple or shrine so that when the worshipper prayed in front the mandala, they prayed simultaneously to all the deities.
On the very top, sits Nyorai-Kojin, a hybrid deity of Nyorai Buddha and Kojin, the kaki for fire, stove and kitchen. From the top to bottom and left to right, here is the list of the deities: Kanon with Thousand Hands, Kanon with Willow Branch, Monju Bosatsu...
Category
Antique Early 19th Century Japanese Edo Paintings and Screens
Materials
Silk, Wood
Rare Large Japanese Porcelain Presentation Plate Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A large presentation plate with striking pictorial design from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916),...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Porcelain
Large Japanese Ceramic Vase by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A large Japanese ceramic vase by the celebrated Meiji imperial potter Makuzu Kozan (1842-1916) circa 1880-1890s. Dated to his underglaze phase post 1887 after he successfully mastered the new colors available from the west and used them to the best advantage in his work deeply rooted in Japanese aesthetics. The vase has an impressive size and was potted in the classic baluster form with an elegant proportion. The surface is decorated using a combination of techniques of low relief sculpturing...
Category
Antique Late 19th Century Japanese Meiji Ceramics
Materials
Ceramic
Chinese Altar Table with Rare Silver Wire Inlays
Located in Atlanta, GA
A Chinese wood altar table or console table circa late 19th to early 20th century (late Qing dynasty to the Republic era). The table was constructed with mixed wood types. The legs a...
Category
Antique Late 19th Century Chinese Qing Furniture
Materials
Silver
Japanese Lacquer Maki-E Scroll Box Fubako by Kansonsai Edo Period
Located in Atlanta, GA
A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold.
Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...
Category
Antique Late 18th Century Japanese Edo Lacquer
Materials
Wood, Lacquer
Contemporary Chinese Ink Wash Painting by Li Jin
Located in Atlanta, GA
A contemporary ink painting on paper by Chinese artist Li Jin (1958-) presented in a white shadowbox frame. Entitled in English "Morning Practice in California", this series of work was painted in 2017 when the artist resided in US. The Chinese title inscription is "Blossom Branch" with artist's name signed in both Chinese and English. The painting is considered "Expressionistic-abstract". Using only various shades of ink, the poetic work depicts a large lotus flower with the pistil in the center composed of clusters of mediating arhats, the beings who have gained nirvana through Buddhism practice (known as Luohans in Chinese). There is a strong association of lotus flower and purity in Buddhism. The wisdom one can possibly achieve may be considered omnipresent and morphogenetical quantum and be part of everything around us. The image size is 13.5" x 13.5".
Provenance: Purchased in 2017 from the Ink Studio at West Bund Art and Design Fair, Shanghai, China.
Li Jin (1958-, Tianjin, China) is an ink master who draws from the tradition of Chinese literati ink painting and creates contemporary works celebrating all aspects of everyday life. Having explored color washes for two decades, Li Jin has translated them into a masterful control of tonality-the "five colors of ink"-in a series of monochrome paintings in the expressionistic-abstract "Da Xie Yi" manner. Through the ink medium's inherent sensitivity and ambiguity, they evoke the nuances of human existence and raise profound questions about self-representation and subjectivity. Trained at Tianjin Academy of Fine Arts (graduated in 1983) and has been a leading figure in contemporary Chinese ink art...
Category
2010s Chinese Modern Paintings and Screens
Materials
Wood, Paper
Japanese Satsuma Ceramic Dish with Fine Decoration by Kinkozan
By Kinkozan
Located in Atlanta, GA
A satsuma ceramic dish made by Kinkozan studio circa 1980-1900s in the late Meiji Period. The dish with a thick robust wall is supported by a large ring base and features finely deta...
Category
Antique Late 19th Century Japanese Meiji Ceramics
Materials
Ceramic
Early Large Ceramic Vase with Sang-de-boeuf Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic long-neck vase with a brilliant copper red glaze by Benedictine monk potter Brother Thomas Bezanson (1929-2007). The minimalistic an...
Category
Vintage 1960s American Modern Vases
Materials
Ceramic
Fine Korean Iron Box with Silver Inlay Joseon Dynasty
Located in Atlanta, GA
A fine Korean iron box that was traditionally used to store tobacco leaves dated to the late Joseon Dynasty circa 19th century. The box is made from iron and has a heavy weight, although the wears along the edges of the lid and base exposes a bronze metal color underneath, indicating the iron metal may contains a high level of copper. The surface was beautifully decorated with elaborate silver inlay that covers the entire surface except the base. The extraordinary workmanship depicts a pair of deer within the circled square (shape of heaven and earth) and a lined background on the long sides and a crane with spread wings on the shorter sides. Both animals were associated with longevity. Their eyes were highlighted with copper inlay, adding a lively touch to the animation. The lid is centered with a Chinese character "Xi" (Paired-Hui in Korean), which means double happiness. (In Chinese culture, it is often used in a wedding ceremony). The large symbol was set on geometrical background of tightly scrolling diamond pattern surrounded by stylized Ruyi mushroom heads, another floral longevity symbol. Archaic fret cloud band borders the entire perimeters of the lid and the container.
Tobacco was introduced to Korean in the first half of the 17th century and gradually gained popularity. When the tobacco was started being smoked in shredded form instead of rolled leaves, there rose the production of the smoking accessories, with some in fine quality as luxury items for the elite. The accoutrement such as this box is a fine example made in late Joseon dynasty, using extensive silver inlay, a technique called "jjoeum-ipsa", in which the silver wires were hammered into the scorched iron surface to create the elaborate design.
Similar boxes with variation of shape and motifs are in the collection of several major museums. Compare the box with item Gu 754 in the National Museum of Korea; item 22.78 in MET NYC and M.240:1, 2-1926 in V& A Museum in London. The most closely related example we found is item C232 in the collection of the Museum of East Asian Art...
Category
Antique 19th Century Korean Other Metalwork
Materials
Silver, Copper, Iron
Large Ceramic Center Bowl Toshiko Takaezu
By Toshiko Takaezu
Located in Atlanta, GA
A large ceramic center bowl by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). Meant to be a bespoken center piece., the deep form bowl features a robust body of thick wall, supported by a short round foot ring. The surface showcases an expressive glaze pattern that is the signature style to the artist's work. Free-flowing abstract strokes...
Category
Late 20th Century American Modern Decorative Bowls
Materials
Ceramic
Fine Miniature Japanese Kodansu with Lacquer Inlays
Located in Atlanta, GA
A fine Japanese miniature kodansu constructed from Kaki wood (Persimmon) circa 19th century, late Meiji period. With its expressive exotic wood grains and exposed tenon construction,...
Category
Antique Late 19th Century Japanese Meiji Lacquer
Materials
Wood
Korean Celadon Ceramic Long Neck Bottle Vase with Slip Inlay Goryeo Dynasty
Located in Atlanta, GA
A Korean ceramic celadon bottle vase with inlay design from Goryeo Dynasty (918 to 1392AD) circa 12th century. With an elongated neck that continues dow...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Korean Ceramic Buncheong Ware Tea Bowl Early Joseon Dynasty
Located in Atlanta, GA
An antique Korean Buncheong stoneware tea bowl (chawan) from early Joseon Dynasty circa late 15th to early 16th century. The bowl with a short ring base is nearly entirely covered in a white slip except the base (known as sougusuri in Japanese, total glaze). Iron-colored scrolling vines were painted on with quick and deft brush strokes, rendering the bowl a vital and spontaneous appeal. It appears that the bowl was dipped in the white slip instead of being brushed on, observing from the slip pattern left on the rim of the bowl. The bowl shows significant age and evident of use for tea drinking. There are losses of glaze flakes throughout, along the rim and inside the bowl. The flake off the glaze left a dark spot on the rim, exposing the deep colored clay underneath. Inside the bowl, many of the glaze flakes appear more superficial and retains a yellowing color from the tea stains (known as amamori, rain leak). There is a historical crack line on the exterior (surface only) that result in associated small losses of glaze. It appears that the crack line was the result from the kiln firing and gradually the glaze around it started to reduce. The bowl comes with a later wrapping cloth and a wood tomobako box, but they are not original to the piece.
This particular type of Buncheong ware was associated with the Hakbong-ri kilns in the sacred Mount Gyeryong Mountains, west of Daejeon city in the Chungcheong province. During early Joseon Dynasty, the emperor decided to reject Buddhism to embrace the Confucianism. As a result, many monks were forced to abandon their religious life and returned to the secular society. The monks in Gyeryong mountains set up the kilns and started to produce this so called "Hakbong-ri" type of Buncheong ware. The production was shorted-lived for only a few decades from late 15th to early 16th century before it turned to porcelain, but the ware made during that period was noted for their fresh and enigmatic appeal with deft iron-paint decoration. Collectors cherish these rare pieces for their vitality and spontaneity often used them on important occasions of chado in Japan and passed down to generation.
For a similar bowl, see Catalog 52 illustrated on page 87 of the book "Korean Buncheong Ceramics...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Korean Glazed Ceramic Vase Buncheong Ware Early Joseon Dynasty
Located in Atlanta, GA
An antique Korean Buncheong stoneware vase from early Joseon Dynasty circa late 15th to early 16th century. The vase is of a classic pear form with a ...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Japanese Ko-Seto Stoneware Ewer with Carved Design
Located in Atlanta, GA
On offer is a rare Ko-seto (old seto) stoneware ewer from Kamakura period (12-14th century) Japan. The exceptionally heavily potted ewer is made of stoneware. The main body was likely hand-coiled with individually built handle, sprout and wheel-made neck and mouth assembled. It takes the basic form from the contemporary Chinese ewer...
Category
Antique 15th Century and Earlier Japanese Archaistic Ceramics
Materials
Stoneware
Antique Korean Mishma Tea Bowl Chawan Joseon Dynasty
Located in Atlanta, GA
A Korean Hori-Mishima Chawan (tea bowl) circa 16th-17th century (Joseon Dynasty). The tea bowl is of an upright conical form supported by a high foot ring. It was decorated with incised brushwood fence patterns filled with white slip on both the interior and exterior surface. These dominant motifs were spaced by three encircling double lines. Seven chrysanthemum flowers (inka) were stamped on the lower interior surrounding a swirling tea well on the bottom. There are six spur marks known as Meato in Japanese on the interior bottom and a pointy spot in the center of the foot ring known as Tokin. Two crack lines were historically repaired by superb Kintsugi, adding a mysterious wabi-sabi appeal to the piece.
The Hori-Mishima bowl was also known as Gohon Mishima. It was made in Bushan Kilns of the Southern Gyeongsang Province specifically for the Japanese market in the 16th-17th century, when the tea ceremonies in Japan demanded such ware. The bowl comes with a purple fabric pouch...
Category
Antique 17th Century Korean Other Ceramics
Materials
Ceramic
Japanese Satsuma Vase Yabu Meizan Meiji
By Yabu Meizan
Located in Atlanta, GA
A Satsuma baluster form vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsuma artists from Meiji Peri...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Japanese Miniature Satsuma Vase Yabu Meizan Meiji
By Yabu Meizan
Located in Atlanta, GA
A small Satsuma vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsu...
Category
Antique Early 1900s Japanese Meiji Ceramics
Materials
Ceramic
Fine and Rare Miniature Satsuma Vase by Taizan Yohei
Located in Atlanta, GA
A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s of late Meiji period. The vase with a broad flat should...
Category
Antique 1880s Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Ceramic Vase with Delicate Carvings by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A delicate and rare Japanese ceramic vase by the important Meiji imperial potter Makuzu Kozan (1842-1916) circa 1887-1910. Dated to his underglaze phase post 1887 after he successful...
Category
Antique 1890s Japanese Japonisme Ceramics
Materials
Ceramic
Contemporary Japanese Bamboo Sculptural Ikebana Kawano Shoko
By Kawano Shoko
Located in Atlanta, GA
A large woven bamboo basket form ikebana called "Richness" beautiful bamboo by contemporary Japanese bamboo artist Kawano Shoko (born 1957-) circa 2002 and purchased from Tai Modern...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo, Rattan
Contemporary Japanese Bamboo Sculpture Kawano Shoko
By Kawano Shoko
Located in Atlanta, GA
A beautiful bamboo sculpture in a double-walled basket form by contemporary Japanese bamboo artist Kawano Shoko (born 1957-). The piece entitled "Birth" was made in 2002 and purchased from Tai Modern...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo, Rattan
Japanese Oribe Glazed Stoneware Dish by Kitaoji Rosanjin
By Rosanjin Kitaoji
Located in Atlanta, GA
An oribe stoneware square dish with four notched corners and up-turned edges made by Kitaoji Rosanjin (1883-1959) circa 1950s. The Mingei style dish h...
Category
20th Century Japanese Modern Ceramics
Materials
Ceramic
Japanese Indigo Kasuri Ikat Traveling Cape
Located in Atlanta, GA
Known in Japanese as Bozugappa (priest's raincoat), this cape-like garment was worn by the travelers in Japan circa late 19th century to early 20th century (end of Meiji period). Derived from the cape worn by the Portuguese missionary, who first arrived in Japan in mid-16th century, this type of cape was originally reserved for the Japanese military...
Category
Antique 1890s Japanese Meiji Textiles
Materials
Cotton, Linen
Exquisite Japanese Lacquer Maki-e Suzuribako by Koma Kyūhaku Edo Period
Located in Atlanta, GA
One of the finest Japanese Maki-e Suzuribakos (ink box) we have on offer, the roiro color box showcases an ambient nocturnal scene in which two shakudo inlaid crows perched on the handrails of a bridge (possible the Uji Bridge...
Category
Antique Early 19th Century Japanese Japonisme Lacquer
Materials
Stone, Metal
Massive Ceramic Jar Tsubo by Japanese Potter Tsujimura Yui
By Tsujimura Yui
Located in Atlanta, GA
A massive and magnificent ceramic Tsubo jar by Japanese potter Tsujimura Yui (1975-). Inspired by the techniques and aesthetics of the early medieval Sue ware, the artist hand builds an impressive voluminous oviform, irregular by intention, from a combination clay from both Shigaraki and Iga, coarse by nature and rich in feldspar. Fired on their sides horizontally, the surface of the thick wall tsubo is covered with streaks and drips of natural ash glazes in shades of green and blue, forming an abstract and mesmerizing pattern that resembles geothermal earth activity. Additional ashes are blown during the firing to accentuate the textures. Most recognizably, there are many circular marks scattered on the surface of his archaic looking vessels. That is resulted from using stacked tea bowls to prevent the conjoining of the vessels. After the firing, the stacked vessels are chipped away, leaving behind those circular impression, as well as deep pools of glaze which gather where they were placed.
Born in 1975, Tsujimura Yui is the first son of the contemporary ceramic artist Tsujimura Shiro...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Large Contemporary Ceramic Tsubo Jar by Kai Tsujimura
Located in Atlanta, GA
A massive stoneware tsubo floor jar created by Japanese contemporary ceramic artist Kai Tsujimura (1976-). The heavy jar with its impressive volume was made in the tradition of Iga ware with local coarse sandy clay that turned reddish after the firing. It took its shape from heavy medieval storage jars with a wide-open mouth. For a nearly identical form, see an Echizen jar from Heian period (794–1185) in the collection of MET (Accession Number: 1977.261). The surface showcases scattered white crystalized feldspars and a green vitrified ash glaze cascade down the body (known as biidoro in Japanese - after the Portuguese word for glass vidoro). These is a globular shape impressed on the jar. It is a signature practice of the Tsujimura potter family by stacking bowls between the pieces in the kiln during the firing, resulting in an accidental but iconic aethetic (Kai and Yui Tsujimura...
Category
2010s Japanese Organic Modern Ceramics
Materials
Stoneware
Early Chinese Export Silver Tea Service by Cutshing
By Cutshing
Located in Atlanta, GA
An early set of Chinese export sterling silver tea service circa 1840-70s. The service consists of a lidded tea pot, a creamer and a sugar bowl. The surface was beautifully decorated with chased high-relief dragons with tightly chased scales, slithering with open claws...
Category
Antique Late 19th Century Chinese Chinese Export Metalwork
Materials
Sterling Silver
Japanese Meiji Han Koto with Maki-e Lacquer Decoration
Located in Atlanta, GA
A rare Japanese Koto made from carved Paulownia wood and lavishly decorated with lacquer Maki-e circa late 19th century of Meiji Period (1868-1912). The ...
Category
Antique Late 19th Century Japanese Japonisme Lacquer
Materials
Wood
Japanese Ceramic Centerpiece Bowl Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Ceramic
Large Contemporary Japanese Woven Bamboo Sculpture Mimura Chikuho
By Mimura Chikuho
Located in Atlanta, GA
A contemporary hand-woven bamboo sculpture in an organic form by Japanese bamboo artist Mimura Chikuho (1973-). Named "Cloud on the Peak", the piece was made as one of his series in 2004. Entirely hand-woven in irregular plaiting, the artist challenged the traditional bamboo basket making and elevated it into modern abstract sculpture. The minimalist donut form resembles the hat-shaped cloud formed around the peak of the mountain (often seen on Fujisan in Japanese art). It displays a wonderful subtle undulation and irregularity in its organic shape, achieved by a mastery of the traditional technique. The irregular plaiting appears chaotic in its busy crossing patterns yet as a whole, the piece strangely quiet and introverted, demanding contemplation from the viewer. Signed "Chikuho" underneath in Kanji. The piece comes with its original storage paper box and a silk bag.
Provenance: Purchased from Tai Gallery/Textile Arts now (Tai Modern) in Santa Fe.
Mimura Chikuho was born in 1973 in Tokyo. He studied under Yufu Shohaku...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo
Rare Pair of Early Period Makuzu Kozan Takauki High-Relief Vases
By Makuzu Kozan
Located in Atlanta, GA
A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes.
Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique.
Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below.
For similarly Takauki vases, see Miyagawa Kozan Makuzu...
Category
Antique 1870s Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Maki-e Lacquer Portable Sagejubako Theme of Three Winter Friends
Located in Atlanta, GA
Sagejubako is a portable lunch or picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a han...
Category
Antique 19th Century Japanese Japonisme Lacquer
Materials
Lacquer
Japanese Antique Gilt Wood Amitabha Buddha on Loctus Throne Statue
Located in Atlanta, GA
A Japanese carved wood Amitabha (Amida) Buddha statue with residual gold leafed surface circa 19th century (late Edo period). The buddha is seated in the padmasana position on an elevated double lotus throne, under a small lotus halo canopy. His right hand is held in abhaya mudra which means fearlessness in Sanskrit. The mudra symbolizes protection, peace, and fearless. His left hand gently resting on his thigh. Dressed in a flowing robe with open chest, the statue showcases a classic iconography found prominently in Japanese Buddhism art during Edo to Meiji period, characterized by the double lotus throne and a particularly serene meditative facial expression, highlighted by inset gemstones...
Category
Antique 19th Century Japanese Edo Sculptures and Carvings
Materials
Gold Leaf
Massive Japanese Embroidery Tapestry Display Box Meiji Period
Located in Atlanta, GA
A massive Japanese embordered tapestry professionally displayed in a custom acrylic shadow box. The fine work of textile art is dated to 1890-1920s, late Meiji (1868-1912) or possibl...
Category
Early 20th Century Japanese Japonisme Textiles
Materials
Brocade, Silk, Acrylic
Japanese Studio Ceramic Vase by Ken Matsuzaki with Original Tomobako
By Ken Matsuzaki
Located in Atlanta, GA
An impressive stoneware bottle form vase by contemporary Japanese studio potter Ken Matsuzaki (1950-) circa 2010s. The solid form takes its cue from Chinese traditional plum vase (Meiping) with raised and swelled shoulder and a small opening, yet it rises from a non-conventional pentagonal faceted base. The extraordinary surface was covered with Yohen Shino glaze in a deep iron hue. Thick white slips were applied in bold strokes to the lower portion of the vase. The abstract pattern calls to mind of the imagery of the iconic ocean waves found in traditional Japanese art. The presence of the vase is strong and none-compromising, reaching back to the past yet appearing utterly modern. It is marked by the artist underneath and comes with the original tomobako with title and author inscriptions and a wrapping cloth with the artist's seal.
"Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
21st Century and Contemporary Japanese Modern Ceramics
Materials
Ceramic
Korean Ceramic Moon Jar with Dragon Joseon Dynasty
Located in Atlanta, GA
On offer is a large Korean ceramic storage jar (hangari) with white glaze and iron red underglaze dragon design. The globular shaped jar derived its form from the Moon Jar of the ear...
Category
Antique 18th Century Korean Archaistic Ceramics
Materials
Ceramic
Rare Antique Japanese Folding Screen by Kano Tanshin
By Kano Tanshin
Located in Atlanta, GA
An exquisite Japanese folding screen painted and signed by Kano Tanshin (Morimasa) (1658-1719), circa early Edo Period. An important member of the Kano painter family, the son of Kano Tanyu...
Category
Antique 17th Century Japanese Japonisme Paintings and Screens
Materials
Brass
Japanese Woven Ikebana Hanging Basket by Suemura Shobun
By Suemura Shobun
Located in Atlanta, GA
A Japanese woken bamboo Hanakago, a wall hanging Ikebana basket by Suemura Shobun (1917-2000). The basket is entitled Purple Bamboo Mt. Fuji and was woven with Susudake (smoked bamboo) using irregular plaiting technique to achieve a voluminous form that resembles the iconic Mount Fuji and with the textural appearance of a bird's nest. The base was detailed with mushi-maki knotting and the mouth rim is equipped with a small loop for hanging. The surface has a lustrous lacquer coating that shows off the natural pattern of the bamboo marking. It houses a removable lacquered container made from bamboo culm. The piece is not singed, but it comes with an original fabric stroage pouch, and an original storage box (Tomobako), which is signed with the title on the esterior Mt. Fuji Purple Bamboo” and signed Suemura Shobun on the inside with two red seals.
Suemura Shobun was from Kansai region and active in Osaka. He studies under Yamamoto Chikuryosai I. Shobun is known for making unconventional baskets that are modern and sculptural.
For reference, see page 94 Master of Bamboo" Rinne.
For a recently sold basket...
Category
20th Century Japanese Modern Sculptures and Carvings
Materials
Bamboo
Pair of Rare Porcelain Commemorative Vases by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period.
The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...
Category
Vintage 1910s Japanese Japonisme Ceramics
Materials
Ceramic
Large Japanese Contemporary Ceramic Jar from Onda Yaki Kiln
By Onda Yaki
Located in Atlanta, GA
A large Japanese lidded ceramic jar from the kiln of Onda Yaki, circa 2010. The stoneware jar impresses the viewer with a robust bulbous form. Its black body is nearly unglazed but exuberantly splashed with strokes of slip glazes of white, yellow and blue. The visual effect is wonderful that it appears traditional and contemporary at the same time. The tri-color glaze calls to mind the San-Cai from Chinese Tang dynasty, yet the application is akin to abstract painting on canvas.
Onda Yaki also spelled as Onta Yaki also spelled Onta, is a type of Japanese pottery produced in and around the village of Onta in Oita Prefecture in Kyushu Island. It was founded in 1705. Closely associated with Mingei folk art, Onda ware was inscribed by the national government in 1995 as an Intangible Cultural Property
Background from Pucker Gallery where the jar was exibited and purchased.
"In his search for true folk pottery, the Japanese philosopher Soetsu Yanagi...
Category
2010s Japanese Organic Modern Ceramics
Materials
Ceramic
Contemporary Japanese Bamboo Sculpture by Kawano Shoko
By Kawano Shoko
Located in Atlanta, GA
A contemporary Japanese bamboo sculpture entitled Light at Dawn (Gyoko) made in 2004 by Kawano Shoko (B. 1957). This airy piece is unconventi...
Category
Early 2000s Japanese Modern Sculptures and Carvings
Materials
Bamboo, Rattan
