TRIBA Furniture

apanese Oribe style ceramic Abura-zara, an oil plate used to catch the drippings from a suspended oil dish in a lantern, simple flat circular form with slightly raised beaded edge an...

Japanese Bizen ware bunrin chaire by Toho Kimura. A ceramic powdered tea container for the Japanese tea ceremony. The globular body delicately potted and mottled with ash adhesions,...

Antique Thai Ceramic White War Elephant. A hand sculpted stoneware figure of elephant and rider. The solid elephant stands firmly four square on a rec...

19th Century Stoneware Cat Pillow, China A charming antique stoneware cat pillow from China, cream background with classic brown spots. In great conditi...

A Spinach Jade Snuff Bottle, Qing Dynasty. The flattened ovoid form symmetrically rendered from a waxy spinach green speckled nephrite stone having a high shoulder and short stout round neck, with the countersunk mouth having a narrow aperture. The flat narrow base concave bearing a carved 3 character studio mark. The stopper of coral and vinyl collar attached to a cork with evidence of a previous ivory spoon...

Mid-20th century Tribal Zulu women's woven red cotton hat, Isicholo, from South Africa This woman's cotton Isicholo hat is a beautiful example of the hats worn during special ceremo...

Antique Japanese Recycled Saki-Ori Farmer’s Jacket This early 20th C farmer’s jacket from the northern Japan sea coast region was strip woven from repurposed cotton scraps in a tech...

Antique Thai Vessantara Jataka Scene Painting on Cloth, Rattanakosin School, 19th Century. A classical scene from chapter 12 in the next-to-last life of the Buddha wherein Vessantara...

Vintage Chinese Rosewood and Glass Display Case. A wall mounted or table top display case with hinged glass door, frame of light colored rosewood, interior with 18 individual shelve...

Vintage Pernakan Kain Panjang Batik Tulis, Cirebon, Java 1950. A fine hand drawn wax resist painting by canting on cotton of a traditional Java north coast Pernakan zig-zag pattern w...

Vintage Indonesian Kemben Batik Tulis (Breast cloth), Jogja (Yogyakarta), Java 1970. This kemben batik has a hand-drawn design on cotton by wax resist canting. The traditional ceremo...

Vintage Burmese Kammavaca Manuscript Chest. A rectangular wooden hinged lid box painted red with gold leaf shwe zawa gold leaf decorations of foliate...

Tribal Early 20th Century Ceremonial Pipe, Bamoun People, Cameroon A ceremonial tobacco pipe fashioned of hardened clay depicting three bearded men, the center figure with arms on c...

Early 20th C. Brick/Cream Wool Stepped Polygon and Cross Ceremonial Carpet, Tibet A wool carpet from Tibet with a talismanic stepped-polygon and cross motif in a rich brick red on a...

Mid-20th century Tribal Offering bowl lid in the form of a bird, Yoruba people This wonderful carved wood offering bowl lid is shaped like a bird, traditionally considered messenger...

Pair of Large Japanese Ceramic Shi-Shi Dogs roof tiles, Bizen kiln, 20th c. Bizen kiln is one of the oldest and well known kilns in Japan. This is a very unusual pose of Shi-Shi Do...

A Hanging or Curtain for a Wedding Alcove or Reception Room Tetouan, Morocco 19th century Silk strip weave with double weave patterning 129 x 24 ins (61 x 328 cm) This luxurious, sh...

Antique Japanese Recycled Zanshiori Jacket Zanshi-ori cloth is woven from leftover cotton and silk threads, either from commercial kimono production or from home-produced recycled y...

Two Section Mizuya (Kichen) tansu, Meiji period. Handmade with Japanese hinoki (cypress), sugi (cedar) and zelkova (keyaki) wood with handforged metal handles. Top section has four ...

Cooking Vat Cover Japan Early 20th century Cryptomeria (Japanese Cedar) ...

Antique Traditional Japanese Batik (Wasarasa) Western inspired Japanese batik (wasarasa) designs became increasingly popular during the latter part of the Meiji (1868~1911) and Tais...

Tobacco Water Pipe with Set of Complete Accessories China Late 19th/early 20th century White metal (baiting), copper decoration, silk cording and tassel H: 22 in :: 56 cm Water pipe...

Large Red Offering Tray, Burma Late 19th/early 20th century Bamboo, lacquer ...

The Inro is comprised of three stacked compartments and features a deer motif with mother of pearl accents, an ojime and a wooden frog netsuke. Inros were used to store items like m...

Large Red Offering Bowl Burma Late 19th/early 20th century Bamboo, lacquer D: 31 in x H: 7.5 in :: 78.7 cm x 19 cm Traditionally used to bring offerings to an altar, and to present ...

Insika (Screen or Wall Panel) Rwanda-Burundi, Tutsi people Circa 1900 or earlier Natural fibers and dyes H 23 ins (58.5 cm) W 16 ins (40.5 cm) Depth 3 1/2 ins (9 cm) This superb ...

Vintage Indonesian Kain Panjang and Matching Selendang Batik Tulis, Cirebon, Java 1960. A fine hand drawn wax resist painting by canting on cotton of a traditional flora and fauna pa...

Cast with a globular top with a central aperture on both sides, pierced with radiating petals to one side, supported on a tall spreading foot of rectangular section cast with raised ...

Late 19th/Early 20th Century White Tribal Wood Figure for Protection, Nepal A guardian figure with a round flat face and minimally carved features in the typical crouching posture w...

A ruyi (Chinese: 如意; pinyin: Rúyì; lit. 'as desired', 'as [you] wish') is a Chinese curved decorative object that serves as either a ceremonial scepter in Chinese Buddhism or a talis...

Large 8 inch Split Ammonite Mounted Fossil Set Jurassic - Cretaceous Period, 200 - 145 million years old The cutting and polishing of this large pair revealed pale yellow-brown, cal...

Large Seated Maitreya, lacquered wood, 20thcentury Maitreya Bodhisatva, seated in a pedestal, with one leg on top of the other, draped robes and a large halo. One hand is almost tou...

Vintage Savunese Ikat Sarong (Ei), a tubular warp ikat cotton ankle length garment with two large wide decorative bands with five large abstract (Hubi Ae) floral motifs in reserve on...

Vintage Sumba Slendang Shoulder Cloth/Scarf with Animal Design. Indigo and morinda root dyed cotton warp handwoven in a mirror image design depicting an ark of animal pairs including...

Antique Chinese Felt for the Japanese Market This unique Chinese felt was imported into Japan in the early 1900s. Little in known about their specific use, or who or might have owne...

Antique Tribal Kachin Woman’s Jacket with Shells, Myanmar (Burma) A small, intricately woven woman’s jacket from the Kachin (Maru) tribal group located in the far northeast of Myanm...

Antique Indian Embroidered Kantha Cloth Indian kantha cloths originally developed as a way in which old sari cloth could be recycled and put to use. They’re usually composed of 3-4 ...

The Encounter, 1944 Maurits Cornelis Escher (Dutch, 1898-1972) Print size: 13.5 by 18.5 inches (34.2 by 47 cm) Frame size: 23.25 x 27.5 inches (59 by 70 cm) From the catalogue raison...

Late 19th-early 20th century iron currency, kurr, Sara-Madjingaye peoples, Southern Chad. These rare currencies have a wonderfully minimalist anthropomorphic form, but were inspired...

Antique Japanese Indigo-Dyed Double Ikat Futon Cover This early 20th century indigo-dyed futon cover displays a large, graphically compelling lattice design created by warp and weft...

Early 20th Century Conus Shell Ornaments, Solomon Islands Three spiral conus shells from the Solomon Islands. These were laboriously sliced with sand and bamboo, which contributed t...

Chinese ink rubbing printing depicting Panthaka Arhat, no.4 of the 16 arhat images immortalized in stone at the former stupa at Shengyin Temple. Depicted here sitting on a rock with a book in his left hand and snapping his fingers in his right hand, symbolic of the speed at which he obtained enlightenment, accompanied by a beggar’s bowl and an incense burner, complete with colophons and silk scroll mounting. The Emperor Qianlong ordered the stone stele to be carved in 1764 after the arhat designs painted by the famed artist Guanxiu (832-912). Even though the temple was destroyed in the Taiping rebellion, the steles remain and have been reinstalled at the Hangzhou Stele Forest. Condition: Creases from rolling, otherwise fine condition. Mounting: 58” x 22”. 19th Century. Ex Collection: Frank “Till” & Peggy Durdin, San Diego. For other rubbings of this stele see: Penn Museum, object number 2010-26-4 The Metropolitan Museum of Art AN#: 59.195.15 Fine Arts Library of Harvard University, record id: W280021_urn-3:FHCL:478850 For another example of this image rendered in jade and lacquer see: “Screen Paintings of Guanxiu’s Sixteen Arhats in the Collection of the Palace Museum” Luo Wehhua translated by Bruce Doar, Orientations, September 2010, p. 104. In this article the image is identified as the sixteenth arhat Abheda, It is explained in this article that Qianlong re-identified the arhats, thus the 16th Arhat attribution for this image. Also in this article the identical colophon by Qianlong above the image is translated as: “These accurate portraits of the Sixteen Arhats were created by the Tang Dynasty painter Guanxiu, as recorded in Xuanhe Huapu (Record of paintings in the Xuanhe Reign), and during the millennium from the Guangming reign period to the present day, the original works were to be found in Zhejiang, where they were housed in the collection of Shengyin Temple in Qiantang (Huangzhou). In spring of the dingchou year (1757) of his reign, the Qianlong emperor undertook a southern tour of inspection and stayed at an imperial lodge on the West Lake. He went to the temple to pay his respects and there he saw the arhats on display and wrote a description of these marvels. The sequence of the arhats and their names had been passed down since ancient times, but they did not correspond to their Sanskrit titles; the sequence of the arhat names conformed instead to the interpretation of the Sanskrit classics by the Zhangjia State Preceptor. The emperor penned the original names and positions in the sequence below each of the figures in accordance with the readings supplied in Tongwen Yuntong (Unified Rhymes), and below each he penned an encomium, which he signed. Then the images were returned to the collection, to be passed down as a perpetual treasure. Now, the fourth great arhat had long gone missing and we did not know where his painting was. But it was merely a trifling matter of matching the images with the names, and now surely we have found him! This I, the emperor, believe.” All 16 of these rubbings can be found in the Rubel Chinese Rubbings Collection at the Fine Arts Library of Harvard University with the following descriptive historical note: “Rubbing from stele depicting No. 4 of 16 arhats (Lohans, Buddhist saints) -- Nan ti mi duo luo qing you, Panthaka Arhat. Original painting attributed to Guanxiu, 832-912. Inscriptions written by Hongli, Emperor Qianlong (Gaozong, 1711-1799) of Qing Dynasty. 7 seals of Qianlong follow the inscriptions. Script style: in xing shu. Shi liu zun zhe -- "The 16 noble ones" are 16 lohans. Lohans are also called "a-lo-han" based on the transliteration of the Sanskrit term "arhat." (Japanese: Rakan; Chinese: Lohan; Tibetan: Gnas-brtan). Arhats or Arahants are saints or sages said to have renounced nirvana (freedom from the cycle of suffering and rebirth), vowed to remain in the world to protect the Dharma and propagate the Law of the Buddha in order to devote themselves more effectively to the relief of human misery, like the Bodhisattvas. These 16 Arhats, personal disciples distinguished by the Buddha, formed part of the 500 claimed by tradition to have attended the First Council in Rajagrha. The names and abodes of these 16 arhats are given in a work entitled "Record on the Duration of the Law, spoken by the Great arhat Nadimitra," which was translated into Chinese by the famous pilgrim Xuanzang (596-664) in 654. 16 lohans are quite often represented, especially in China and Japan, in sculpture and painting, in poses and with attributes. Every lohan can be easily with special icongraphic characteristics. Guanxiu (Jiang Deyin or Deyuan, a Buddhist monk also named Master Chan Yue, 832-912) -- painter during late Tang to Five Dynasties, specialized in painting lohan figures. Legend has it that the first portraits of the 18 Lohans...

Traditional Silk Shaman’s Shoulder Cloth, Tai Daeng, Houaphanh Province, Laos. This is a man/woman healing cloth or shaman’s shawl, so named as the center se...

Chinese Sinkiang Geometric Rug, Khotan Xinjiang Province (East Turkestan). A carpet of dyed wool pile on a cotton foundation, a mixed berry palette in hues of purple, salmon, red, an...

These pieces are a part of smoking set tabako-ire. It consists of a kiseruzutsu (pipe case), a kiseru (pipe), and a tonkotsu (tobacco pouch). The pouch is made of lacquered crocodile...

Rare Antique Formal Japanese Silk Tsutsugaki Futon Cover An exceptional example of tsutsugaki from the late Meiji period. The abstract rendering of the auspicious phoenix and paulo...

Erich Heckel (German, 1883 - 1970) Woodcut Print. Title: Junges mädchen / Young Woman (Dube 264 IIIB, Davis-Riffkind 1038, Brücke 14). Original woodcut carved & printed in 1913, woo...

Korean inlaid celadon oil bottle, squat globular shape with narrow neck and mouth having an impressed rope pattern revealed in white slip , on the shoul...

Group of four Toraja wood offering bowls, from Sulawesi, Indonesia with dark deep patina from use. Created from native hardwood and with horn rings in the center portion (except on t...

Antique Japanese Lacquered Wood Temple Stand. An open panel style rectangular table with black lacquered top, lacquered and gold leafed base having chased gilt metal side fittings, ...

20th Century Hollow Abstract Iron Sculpture, Japan This heavy hollow iron sculpture by an unknown Japanese metalsmith is a knockout from every angle. It measure 9 inches high by 9 i...

Antique Chinese Civil Service Examination Basket (kao lan), a traditional rectangular bamboo basket with hinged lid and a pinned overhead handle for carrying, The flat panel lid has ...

Vintage Hand Dyed Cotton Batik Slendang (Selendang), Java. A length of cotton fabric used as a shoulder cloth, hand dyed in three colors of rust brown, indigo and a dark blue painted...

Vintage Hand Dyed Cotton Batik Slendang (Selendang), Java. A length of cotton fabric used as a shoulder cloth, hand dyed in two colors: red and blue painted over a wax resist design,...

Vintage Japanese Obi. Gold kinran abstract wave pattern on a diagonal white on white brocade ground, continuous on one side, center section lined on the reverse side. Minor signs of...

Antique Japanese Recycled Zanshi-Ori Futon Cover Zanshi-ori cloth is woven from leftover or repurposed threads, either from commercial kimono production or home produced recycled co...

Balinese Traditional Painting, acrylics on canvas by W. Erawati. The scene depicts a dense composition of village life just outside of a temple on a festival day with the numerous fi...

Antique Japanese Indigo-Dyed Double Ikat Kimono This deeply saturated indigo-dyed kimono is made of heavy-weight hand-spun cotton and precisely patter...

Iban Lidded Rattan Basket Box, West Kalimantan, Mid-20th Century. A soft sculpture of plaited and stained rattan skin woven in a brown and black plaid pattern set on the diagonal. A ...

A fine bronze tribute drum (Heger Type III), Pazi (Burmese), pam klo’ (Karen). This unique lost wax casting of a drum is ornamented with 8 frogs with bulging eyes placed in stacks o...