Weinberg Modern Furniture

First edition of Mira Nakashima’s tribute to her father, George, whose standing as one of America’s foremost designer/craftsmen is reflected in his blue-chip status in the vintage de...

Exhibition catalog for an auction of graffiti art held at Guernsey’s on June 14-15, 2000. Square 8vo (8.75” x 8.75”), printed wrappers, 144 pages, fully illustrated, primarily in co...

Catalog of an exhibition held at the Palazzo Reale, Milan, September 24-October 16, 2011. Published in 2011 by Electa. Square 4to (9.75” x 9.75”), hardcover with pictorial boards, 14...

Tall Brutalist sculpture of blackened and collaged steel, perched on attached columnar steel base, executed in 2016. Titled "Passage," it is p...

Catalog of a sale held at Sotheby’s, New York, on December 15, 2006, showcasing the Arthur and Evelyn Krosnick collection of George Nakashima furniture and lighting, or actually the second collection, as the first—112 pieces-- was completely destroyed by fire in 1989. George Nakashima essentially stopped what he was doing and focused on rebuilding the collection replacing the lost items with what he deemed better examples, owing to his own technical and artistic maturation, though many were completed under the guidance of his daughter, Mira, after George passed away in 1990. Highlights include an important “Arlyn” table, lot 313, that fetched $822,000 (a record for the artist) on a pre-sale estimate of $300,000-$500,000; a superb “Minguren II” table that brought $180,000; a magnificent “Arlyn II” coffee table that sold for $204,000; and a set of eight Conoid chairs that sold for $96,000. The catalog of the Krosnick sale remains a touchstone for collectors interested in the work of George Nakashima. 103 pages with 85 lots, mostly with full color illustrations, printed wrappers. Price results...

First edition of this scholarly study of the influential Florentine avant-garde architectural collective Superstudio, a driving force in the Radical architecture and design movement ...

Catalog of a Christie’s London sale held on Wednesday, May 10, 2000 dispersing an important collection of French 20th century decorative arts, featuring al...

A typology of metal tubular chairs, with 2100 entries from Europe and the United States, covering the period from the mid-1920s to the late 1930s. Written and edited by Otakar Marcel in collaboration with the Vitra and Embru archives, and published in 2006 by Van Hezik-Fonds 90 Publishers. Includes work by (among many others) Gabriele Mucchi, Rene Herbst, Gilbert Rhode, Jean Royere, Josef Frank, Jacques Adnet, Alfred Altherr, Andre Arbus, Erik Gunner Asplund, BBPR, Oswaldo Borsani, Djo Bourgeois, Hin Bredendick, Marcel Breuer, Fritz August Brehaus, Jean Burkhalter, Pierre Chareau, Serge Chermayeff, Wells Coates, Hans Coray, Donald Deskey, Erich Dieckmann, Michel Dufet, Rene Gabriel, Paul Frankl, Norman Bel Geddes, Sigfried Giedion, W.H. Gispen, Jindrich Halabala, Poul Henningsen, Axel Einer Hjorth, Wolgang Hoffmann, Arne Jacobsen, Frederich Kiesler, Lajos Kozma, Paul Laszlo, Mogens Lassen, William Lescaze, Anton Lorenz, Hans Luckhardt, Robert Mallet-Stevens, Sven MNarkelius, Erich Mendelsohn, Werner Max Moser, Carlo Mollino, Bruno Munari, Eckart Muthesius, Walter von Nessen, Richard Neutra, Maxime Old, JJP Oud...

Catalog of a traveling exhibition opening at the America’s Society in New York in 2015. Published by Santillana. 4to, hardcover, 280 pages, with both full color and b/w illustrations, including a section of plates dedicated to the exhibit. With incisive essays by Gabriela Rangel, Jorge Rivas Perez, Lourdes Blanco, Ana Elena Mallet, Christina L. De Leon, Maria Cecilia Loschiavo Dos Santos, and Luis Canstaneda, along with historical texts by Clara Porset, Lina Bo Bardi and others, plus designer biographies. An important contribution to the understanding of Latin American postwar modernism...

Group of three small abstract sculptures, titled Module Trio, of blackened steel, fused and dyed bronze, and glass enamel. Made in 2019 by Am...

Oil on board titled "Sky" by outsider artist extraordinaire Robert Loughlin, painted in 2011. Set into an aluminum jet engine turbine fan. The only work of numerous I've handled that...

'Illuminated Dwelling' lamp by American artist James Bearden, from his Cathedral series. Hand-forged of blackened and polished steel in 2015.. A one-of-a-kind design that is essentia...

"Pod Box on Stand," a sculptural work in patinated steel and fused bronze by Des Moines, Iowa artist James Bearden. The hinged and abstractly naturalistic...

"Segment jewelry box on pedestal," a new work in patinated steel with 24-karat gold leaf and fused bronze, copper, and glass enamel. By Des Moines, Iowa, ar...

Abstract sculpture of torch-cut steel and bronze by American artist James Bearden. From his “Woven” series, 2019. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Sculptural, Brutalist jewelry box in patinated steel, 24-karat gold leaf, bronze, copper, and glass enamel. A new work by Des Moines, Iowa artist J...

Abstract sculpture of bent wire with a painted wooden sphere suspended by fish line atop a wooden base, created circa 2010. Essentially a maquette, as Hunter always thinks about scal...

"Segment Cabinet (square)” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with a birch top. By American artist James Bearden. The square cabinet, with its dramatic composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four long legs; it has an asymmetrically set hinged front door. Signed and with a Certificate of Authenticity from the artist. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Iconic low rocking stool with a maple top and base and chrome-plated steel rods, a 1954 Isamu Noguchi design for Knoll re-issued by Vitra in 2001. Intended ...

Sculptural "Containment" box, a vessel in blackened steel, dyed bronze, and red glass enamel by American artist James Bearden. Number 2 in a series. Top lifts off revealing an abstra...

Sonic sculpture of torch-cut and polychromed steel, fused bronze, solvent dyes, and glass enamel. An elongated version of "Meteor Storm" that can serve as a screen or divider. A 2019...

Candelabra of blackened and 24-karat gold gilded steel, with the aspect of an extra-terrestrial or futuristic cityscape. By American artist James Bearden. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

"Spore Table" by American artist James Bearden. A chic, Brutalist design of blackened and polychromed steel with fused bronze. Can be used as a side table or stool, indoors or outdoo...

"Dwelling Box" in steel with an ash metallic gel coat. A 2015 work from his Cathedral series by Des Moines, Iowa artist James Bearden. Bearden's work was recently featured in a solo exhibition at the NY Design Center titled "James Bearden: Life in Steel;" in an article in the January Interior Design...

First edition (stated) photographic essay documenting the surfing subculture on the eastern end of Long Island. Published by Harry N. Abrams, New York, in 2004. Tall 4to, unpaginated...

Sonic sculpture of torch-cut steel fused with glass enamel titled “Meteor Storm” by American artist James Bearden. The array of iridescent, molten-looking celestial shapes surmountin...

“Mystical Galaxy Chimes,” a kinetic sounding sculpture in patinated and gold gilded steel, and glass enamel, with a reference to Gustav Klimt. From the Cathedral series by American artist James Bearden, 2017. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

"Pod" sculpture in patinated steel with fused bronze. A new work by Des Moines, Iowa, artist James Bearden. Bearden's work was recently featured in a solo exhibition at the NY Design...

"Multi-Level Dwelling," a sculpture of blackened, textured steel, by Des Moines artist James Anthony Bearden (1964). Part of his cathedral series. With a certificate of authenticity ...

Sculptural box of blackened and polished steel, raised atop a slender column. From the Dwelling series, 2015, by Des Moines artist James Anthony Bearden.