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Period: 1970s
Blue/Red-Orange/Green
By Ellsworth Kelly
Located in Santa Fe, NM
Blue/Red-Orange/Green is a 1970 - 1971 color lithograph by Ellsworth Kelly. Blue/Red-Orange/Green is from an edition of 64 plus artist and printers proofs. The vibrant shapes of Blue...
Category
1970s Minimalist Prints and Multiples
Materials
Lithograph
Untitled - Mostly Mozart '77
By Robert Zakanitch
Located in Santa Fe, NM
The floral image of Mozart 77 appeared on the final Mostly Mozart poster—an offset lithograph in a large edition—this serigraph is considerably ra...
Category
1970s Prints and Multiples
Materials
Screen
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Poster of Brice Marden's studio (hand signed by Brice Marden) Nan Goldin photo
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Brice Marden's Studio
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A collectors item when hand signed!
About Brice Marden:
Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation.
—Brice Marden
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Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966.
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