Zebregs&Röell Furniture

An important Japanese lacquer Maki-É Panel Depicting St. Petersburg on the River Neva, with the winter palace on the left and the academy of science on the right, 18th century. Nagasaki, 1780-1800 In black lacquer on copper, the front decorated in maki-é, the back inscribed, Vue Perspective des Bords de la Neva en descendant la Rivière entre le Palais d'hyver de sa Majesté Impériale et les batiments de l'Académie des Sciences à St Petersburg in gold and inlaid with flowers in mother of pearl. Measures: H 23 x W 39 cm The present plaque is identical to one in the Museum of Japanese History in Sakura and another one in the Museum of Peter the Great in St. Petersburg. (see: Oliver Impey & Christiaan Jörg, Japanese Export Lacquer, 1580-1850, p. 52-53) This last one was given to Catherine the Great in 1794 by the Swedish medical doctor Johan Arnold Stutzer who had served with the VOC in Deshima in 1787-1788. Apparently, such plaques were not unique and may have been made in several copies. This was certainly the case with the smaller lacquer oval portrait medallions (see for instance Uit Verre Streken, June 2017, no. 62) The scene of St. Petersburg was copied from an optical print taken by Stutzer to Japan, as shown by Yasumasa Oka of the Kobe City Museum. Stutzer in his diary writes: “I am the first to bring them (i.e. the Japanese) original pictures such as a view of St Petersburg and of Rudolf XV on horseback and try to have them made (in lacquer). According to the Japanese, it is the first time that these two pictures will be copied. Other products that I also ordered, for example, pictures of sea battles, are also appreciated as absolute masterpieces”. For two lacquered plaques depicting the sea battle of Dogger Bank in 1781 between the Dutch and the English navies, see Uit Verre Streken, December 2013, nr. 39 and March 2015, nr 56. Johan Strutzer at the same time also presented six beautiful Japanese glass telescopes to Catherine the Great of Russia, like the two Japanese glass telescopes illustrated in Uit Verre Streken, March 2015, item 59 and 60 and the one in the Kobe City Museum (illustrated in: Japan Envisions the West, 16th-19th Century Japanese Art...

A Chinese made tonkin ware gilt- and lacquer cup and saucer China or Japan, Chinese artisans, early 18th century The black-lacquered cup with gilt handles in the shape of sculptured chrysanthemums and a lobbed edge decorated with gilt engraved border, with a gilt foot-ring that fits into the saucer ring, with two cartouches showing partly undercut gilt relief trees and birds on a gilt granulated background, black lacquered bracket-lobed edge, depicting gilt engraved peony scrolls and three cartouches decorated with high relief gilt trees and birds on a gilt granulated background, the centre with engraved chrysanthemum, enclosed by a raised ring upon which the cup fits, around which a circular panel decorated with high gilt relief trees, flowers, birds and a butterfly on a gilt granulated background. Measures: Cup: H. 5.7 x W. 8.5 cm Saucer: Diameter 13 cm Provenance: Collection Felix Schäfer Note: The decoration of the cup and saucer is identical to the slightly smaller cup and saucer...

A fine small Indonesian, possibly Ambonese, Djati wood bench First half of the 18th century The back splat elaborately carved in scrolling foliate and floral motif, the plain, ...

A pair of hardwood, possibly Intsia Bijuga, side chairs, first half of the 18th century. Indonesia, Jakarta (Batavia) or India, first half ...

Artur Kaan (Austrian, 1867-1940) 'Marbruk' Signed and dated A. Kaan '95 and Verwielfältigung vorbehalten (reproduction reserved) Bronze on marble base, H 28.5 cm? Note: ...

A set of six French Directoire chairs with figural back splats depicting African animals France, early 19th century Each in elm and pea...

A Papua wood figure of a Korwar North West Irian Jaya, Vogelkop area, coastal Geelvink Bay, present-day Cenderawasih Bay, early 20th century The seated Korwar is holding an ope...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...

A Collection of Thirteen Ink and Chalk Drawings by Johan Gerard Sinia (1875-1948) All framed in gilt-metal or giltwood frames Sinia started his professional career as an army off...

A pair of Indonesian lacquered and gilt teak torchères or candle stands Probably Jakarta (Batavia), 18th century Each on three spreading feat with human hand-shaped foot, knobb...

Tortoiseshell and silver H. 5 x W. 22 x D. 12 cm Tortoiseshell and silver H. 4.3 x W. 17 x D. 9.5 cm The function of bible boxes in the Dutch East Indies was just as much a status symbol, to show off one's wealth on the way to church, as it was to hold a small bible or hymnbook. Bible boxes existed in gold, silver, ivory, sometimes inlaid with precious stones, and in Coromandel or ebony wood. In the Dutch East Indies on the way to church, the women tried to display their fortune by the costliness of her bible box. The highest-ranking women had gold bible boxes, inlaid with precious stones, carried by a slave. The lower-ranking women had wooden bible boxes as the present ones. In 1754 Governor-General Jacob Mossel decreed that only the wives and widows of a Governor-General, Director General, Councillor of India or President of the Justice Council, were allowed to carry golden boxes...

A pair of very fine silver filigree rosewater sprinklers Possibly India, Karimnagar, early 18th century Measures: Height 31.6 cm and 31.7 cm,...

A rare complete Indian Sadeli inlaid work and writing box British India, Bombay (present-day Mumbai), early 19th century Micromosaic inlaid wood, with fitted bone interior and tools, and silver fittings. H. 12.6 x W. 43.2 x D. 28.5 cm Note: Workboxes, portable writing desks...

Two fine Japanese Arita Amsterdam decorated or 'clobbered' bottles Edo period late 17th-early 18th century The smaller one is decorated with a lambrequin and under it, one perched, one flying pheasant and a fly among prunus, peony and bamboo, the larger one with on the belly also one flying, one perched pheasant and a fly and in addition a butterfly amongst tree peony and chrysanthemums under a frieze on the shoulder of cartouches with floral decoration. ? H. 21 cm, content: 1.4 liter H. 27.5 cm, content: 2.2 liter Note: These bottles arrived undecorated in the Netherlands where they were decorated in the Chinoiserie and Kakiemon style with red, green, blue, black, yellow and aubergine enamels and sometimes with gold. “Dutch” decorated white Arita bottles are often called “Amsterdam’s bont...

A Taxidermy Blackbuck (Antilope Cervicapra) 20th century Mounted free-standing with the head turned. Measure: H 107 cm.    

An extremely rare Australian Victorian display cabinet with birds of paradise by Jane Catherine Ward (1817-1889) Sydney, circa 1880 Wi...

A taxidermy grey peacock-pheasant (POLYPLECTRON BICALCARATUM) 20th century Naturalistically mounted on a wood branch, in courting position, showing its peacock-eyed plumage, ...

A very large Edwardian taxidermy case with European sea-birds Early 20th century The birds perched on a rocky sea ledge with droppings and plants, naturalistically mounted...

A Victorian display case with taxidermy turaco birds, labelled for and by George F. Butt for Rowland Ward Late 19th-early 20th century The...

A Very Impressive Taxidermy Great Argus Pheasant (Argusianus Argus) 21st century, mounted by Zoologisk konservator Mikkel Carlsen (Denmark) Mounte...

A Chinese red silk, embroidered bed cover Guangdong or Macao, mid-18th century The red silk cover, one one side elaborately embroided in co...

A large Japanese Namban lacquer arqueta coffer for the Portuguese market Kyoto, Momoyama-period, late 16th century In Hinoki cypress lacquered in ...

An Indian ebony low chair formerly owned by the Duke of Westminster Coromandel coast, possibly Madras, 1680-1700 Overall densely carved with an array of mermaids, birds, fish, mythological figures and floral and vine motifs, the back-rails are centered by a parrot (the attribute of Kama, the Hindu god of love) below a scallop shell (an attribute of Aphrodite/Venus) with a fleur-de-lis (a symbol of the Virgin Mary), the shell supported by two small human figures and a pair of mermaids, another Western element, but also a representation of the Hindu snake goddess...

Willem Imandt (1882-1967) The Merapi and Meraboe vulcanos, central Java as seen from Willem Imandt’s villa at Moentilan, circa 1922 Signed Imandt lower right Measures: Oil on c...

A pair of extremely rare Victorian display cabinets with taxidermy resplendent quetzal (PHAROMACHRUS MOCINNO), cotinga and hummingbirds, attribute...

A pair of desk globes by J. Cary “Cary’s New Terrestrial Globe delineated from the best Authorities extant; exhibiting the late discoveries toward the North Pole and every improve...

Hendrik Samuel Schouten (1785-1840) A unique diorama depicting Carib Indigenous at the river side Wood, paint on paper, twigs and dried moss Measures: H. 51 x W. 69.5 x D. 20 cm Note: This is the only known diorama by Hendrik Schouten. He became a planter and inherited the Jagtlust plantation from his grandfather Samuel Loske. His older brother Gerrit Schouten...

A silver 'V.O.C. AMSTERDAM' ingot circa 1738, with monogram and the assay mark of the Amsterdam Grill family With V.O.C. monogram and the A for Amsterdam. L. approx. 15.5 cm Weight approx. 2000 grams Note: The ingots were salvaged in 2004 from the wreck of the VOC indiaman Rooswijk, equipped by the Amsterdam VOC Chamber. The Rooswijk sank on its second voyage to the Dutch East Indies off the English coast on the Goodwin Sands...

A carved and painted wood 'TURKOMANIA' sculpture of an ottoman soldier French or Dutch Turkomania, early 19th century Depicted in standing position, with a sword in one hand and a club in the raised other, with a fur hat, long moustache and long coat, on a square base. Measures: H. 58 cm Note: During the Dutch War of Independence from 1568 till 1648, the Dutch and Turks were allies against Roman Catholic Spain and the slogan of the Dutch was “liever Turks dan Paaps” (rather Muslim than Roman Catholic). In 1612 the first Dutch ambassador arrived in Istanbul. Nevertheless, in Holland, there was also the image of the cruel and heretic Turk stemming from the frequent violent clashes between Dutch ships and the pirates from Algiers, usually called the “Turkish pirates”. When the Ottoman armies advanced against Vienna, in the eyes of many Europeans the Islam bent on destroying Christianity. Later in the early 19th century, although the Turkish threat to Europe was long gone, the image of the Turks deteriorated again because of the Greek uprising. The Sultan Mahmud II understood that Turkey had to modernize along West European lines and among other things in 1808 he replaced the “picturesque” oriental clothing...

A rare silver reliquary arm with relic bone, with the coat-of-arms of Cosme Roger (1671-1710), bishop of Lombez, France, with original bone relic Poss...

England, third quarter of the 19th century On two scrolling foliate feet with casters, above which a rectangular two-side glazed frame, with on top a two-sided shield with initial...