Sławomir Kuszczak

Aesthetics - XXI century, Acrylic Painting, Abstract, Colorful, Vibrant Colors

2018

Contemporary acrylic on canvas painting by Polish artist Franciszek Ledochowski. Artist used strong colors on pastel background. The painting is very dynamic. Composition is rather m...

Painting on the exhibition, please contact us for availability SARA JAC (JAŚKIEWICZ) (born in 1968) She graduated from the European Academy of Arts at the Faculty of Graphic Design...

Painting on the exhibition, please contact us for availability SARA JAC (JAŚKIEWICZ) (born in 1968) She graduated from the European Academy of Arts at the Faculty of Graphic Design...

Painting on the exhibition, please contact us for availability SARA JAC (JAŚKIEWICZ) (born in 1968) She graduated from the European Academy of Arts at the Faculty of Graphic Design...

This contemporary minimal abstract painting puts emphasis on simplified composition. Tone on tone greys builds up a subtle texture with a single, thick white brush stroke commanding ...

The painting "Prine" is apart of a series of work featured at an exhibition titled "Inside the Prism" where Evan's explores fractured light. A master of texture and mediums, Evans ef...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...