Inji Efflatoun

"Profile of Girl" Oil on Canvas 18" x 16" inch by Inji Efflatoun

circa 1950

"Villageoise II" Pastel on Paper 12" x 20" inch (1987) by Inji Efflatoun Signed and dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibi...

"Nurturing" Pastel on Paper Painting 13" x 19" inch (1964) by Ragheb Ayad signed & dated Ragheb Ayad was born in Cairo on the 10th of March 1892 and insc...

"Metamorphosis" Painting 31.5" x 31.5" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic known fo...

"Self Portrait II" Portrait Oil Painting 14" x 13" inch by Ashraf Zamzami ARTIST BIO: Zamzami was a graduate of the Academy of Fine Arts in Minya, having garnered acclaim in his native Egypt and abroad for his art’s refreshing purity and strikingly innocent yet substantive nature. Zamzami has since produced arguably some of the best work of his career, in a class of its own amongst contemporary Egyptian...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

Acrylic on Masonite board, signed and dated (lower middle), 70cm x 70cm (91cm x 91cm framed). Price on request This work depicts Alan and his dog, Bella, on Michael Leonard’s balcon...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...