Annie Wildey

"Crystal Surf I" small scale oil painting of teal blue waves with white sea foam

2020

Water has been the backdrop to the significant events in my life. The reconstruction of radiant moments that exist in memory define the images I choose to paint, of swimming in the l...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

The rhythm of the waves marks time, like the breath. Moment to moment, its intensity fluctuates like emotion. Thoughts linger and pass, like a veil of fog. At the shore I am reminded to be present. It provides a place for contemplation and reflection. I identify with the strength and vulnerability of the ocean when a storm is brewing or passing, when the surf is up, when the fog looms or is lifting, when the horizon is obscured, or the sky begins to clear, I find beauty in these moments of transition. I bring this experience into the studio as I interpret the smells, sounds, feelings, and energy of the water or the quiet movement of fog. The process is fluid, moving between freedom and control, accident and intention, as I push and pull the paint to convey and realize my visual and emotional experiences. BIOGRAPHY Annie is a British painter and printmaker. She moved to New York City in 1989 and worked at the British Consulate. Art remained a part of her life during those years, but in 2006 she left and begin a new chapter, returning to a life with art at the very center and enrolled in an MFA program at the The New York Academy of Art. This provided the instruction, immersion and creative freedom to develop her skills and artistic voice and proved to be a fruitful time bringing with it several awards including a Post-graduate Fellowship, Prince of Wales Scholarships, and travel awards to Normandy, France and St Barts, in the French West Indies. After the fellowship Annie left New York for the East End of Long Island and spent two wonderful years in the quiet hamlet of Orient, as Artist-in-Residence at the William Steeple Davis House. It was here that Annie met and became a studio assistant to Master Printmaker Dan Welden and continues to assist him at workshops in the North East, including Haystack School of Crafts in Maine, Provincetown Fine Arts Work Center, and Montserrat College of Fine Arts. In 2011 Annie left the East End of LI and moved to Mystic Ct...

"Morning Breaker" Cresting Wave in Blues and Greens The rhythm of the waves marks time, like the breath. Moment to moment, its intensity fluctuates like emotion. Thoughts linger and pass, like a veil of fog. At the shore I am reminded to be present. It provides a place for contemplation and reflection. I identify with the strength and vulnerability of the ocean when a storm is brewing or passing, when the surf is up, when the fog looms or is lifting, when the horizon is obscured, or the sky begins to clear, I find beauty in these moments of transition. I bring this experience into the studio as I interpret the smells, sounds, feelings, and energy of the water or the quiet movement of fog. The process is fluid, moving between freedom and control, accident and intention, as I push and pull the paint to convey and realize my visual and emotional experiences. BIOGRAPHY Annie is a British painter and printmaker. She moved to New York City in 1989 and worked at the British Consulate. Art remained a part of her life during those years, but in 2006 she left and begin a new chapter, returning to a life with art at the very center and enrolled in an MFA program at the The New York Academy of Art. This provided the instruction, immersion and creative freedom to develop her skills and artistic voice and proved to be a fruitful time bringing with it several awards including a Post-graduate Fellowship, Prince of Wales Scholarships, and travel awards to Normandy, France and St Barts, in the French West Indies. After the fellowship Annie left New York for the East End of Long Island and spent two wonderful years in the quiet hamlet of Orient, as Artist-in-Residence at the William Steeple Davis House. It was here that Annie met and became a studio assistant to Master Printmaker Dan Welden and continues to assist him at workshops in the North East, including Haystack School of Crafts in Maine, Provincetown Fine Arts Work Center, and Montserrat College of Fine Arts. In 2011 Annie left the East End of LI and moved to Mystic Ct...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

Abraham Johannes Romswinckel (1810-1856) Self-portrait in Indonesian landscape Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...

Theo Meier (1908-1982) View of the Village of Iseh, painted from the house of Theo Signed and dated 48 Theo Meier lower left Oil on canvas, 68.5 x 50 cm In original frame carved by the artist. Note: Theo Meier arrived in Bali in 1936 with the intention of going on to Tahiti where he had been before. However Bali turned out to be the paradise he had been searching for in his dreams and he had no desire any more to move elsewhere. Bali at that time was still a very traditional place where society lived according to an acient religious system and in a luscious tropical setting the modern world was ignored. Here he met Walter Spies...

Charles Legrain, (19th century) Two Javanese landscapes Both signed Legrain Ch. and one dated 1857 Both oil on canvas, size: 95 x 114 cm In rich gilt-gesso frame. (2x).