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Attributed to John Riley, 17th century English portrait of a girl on a terrace

c. 1685

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An English 18th century portrait of James Stanley, standing in a landscape
By John Hamilton Mortimer
Located in Bath, Somerset
Portrait of James Stanley (1750 - 1810), circa 1775-1778, full-length, wearing a red coat and breeches and a gold embroidered waistcoat, hold...
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1770s English School Portrait Paintings

Materials

Canvas, Oil, ABS

18th century portrait of sisters Lady Catherine and lady Jane Brydges
By James Maubert
Located in Bath, Somerset
This large double portrait depicts the sisters Lady Catherine and Lady Jane Brydges, the daughters of John Brydges, the Marquess of Carnarvon (1703-1727). They are seated on a stone...
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Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th century painting of the Dalbiac family in the gardens of a country house
By Charles Philips
Located in Bath, Somerset
The painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate. The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Louise Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country. The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates. A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations. Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...
Category

Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

17th century English portrait of a lady
By Sir Peter Lely
Located in Bath, Somerset
Miss Ada Gossett, circa 1673, half-length in a landscape at dusk, wearing an amber silk gown adorned with a gold trimmed gauze shawl and fine jewels, wearing a pearl necklace, her fa...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th century Dutch portrait of a family group in an interior
Located in Bath, Somerset
An 18th century painting of a family group (otherwise known as a ‘conversation piece’) gathered around a table, an open door to the garden beyond. The father seated, with his son standing by his side, the mother seated, playing with a child on her lap, with another lady, possibly a maid standing behind, a Culpeper microscope...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th century portrait of the artist’s daughter, Catharina, playing the cello
By Balthasar Denner
Located in Bath, Somerset
The sitter, seated in a yellow silk gown trimmed with a pink bow playing the cello, is believed to be the artist Balthazar Denner's eldest daughter Catharina (1715-1744), after his marriage to Esther Winter in Hamburg in 1712. She is also recognisable in another portrait of the Denner family in the Hamburg Kunsthalle, painted circa 1740 by the artist's son, Jacob Denner (1722-1765). Oil on canvas in a period giltwood frame. Provenance: Private collection, Northern Germany Professor Helmut Borsch-Supan, Berlin, confirmed the authenticity of the painting after examining it in 2013. The painting will also be included in the forthcoming catalogue raisonnée of the artist, by Ute Mannhardt. Balthasar Denner...
Category

Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

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Rare Large and Important Mexican Modernist Framed Landscape Signed Oil Painting
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