Jonathan BeckerElaine's Kitchen - Andy Warhol and Elaine, New York, 19762020
2020
About the Item
- Creator:Jonathan Becker (1954, American)
- Creation Year:2020
- Dimensions:Height: 49.125 in (124.78 cm)Width: 48.875 in (124.15 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:
Jonathan Becker
With a style at once impactful, reflective and irreverent, photographer Jonathan Becker belongs more to the artistic than the documentarian realm, masterfully capturing a theatrical sense of the unexpected as he offers glimpses into rarefied worlds.
Bea Feitler — the late, legendary artistic director responsible for vamping up Harper’s Bazaar and Rolling Stone in the 1960s and ’70s — gave Becker his first big break, in 1981, when she asked him to submit images for the relaunch of Vanity Fair.
Becker, who was 26 at the time, had already been the first Paris-based photographer for W magazine and had forged a close friendship with French-Hungarian Surrealist photographer Brassaï, who was then in his 70s. By this age, too, Becker had also developed an enviable reputation as a portrait photographer working on Andy Warhol’s Interview magazine and alongside Slim Aarons and Norman Parkinson at Town & Country, although he knew not to step on his famous colleagues’ toes. “I was a young little interloper,” he says. “I learned more by listening and watching those giants than by trying to engage in any direct interactions with them.”
The young photographer, who was moonlighting at the time as a New York City cab driver, hadn’t dreamed that the project would put his pictures on an equal footing with those of legends of the medium: Also contributing to this debut edition were some of photography’s most revered names, including Richard Avedon, Irving Penn and Helmut Newton, as well as rising star Annie Leibovitz, whose popularity had recently skyrocketed, thanks to her Rolling Stone cover picture of a naked John Lennon curled up alongside a fully clothed Yoko Ono.
That issue was a game changer in modern magazine publishing, with Vanity Fair setting the bar for engaging editorial and daring design for decades to come. It also signaled the making of a man: Becker’s talent for visual storytelling shone through in his avant-gardist tribute, and the magazine’s creative team kept him on, marking the start of his long career there.
As a regular Vanity Fair contributor, Becker operated in the highest echelons of society, traveling the world and immortalizing countless A-list movers, shakers and thinkers from the fields of fashion, culture and politics, not to mention royalty.
Becker's unconventional way of directing his eye is clearly instinctual, resulting in an unusual aesthetic that mixes perception, myth and reality in equal measure. This balance is most apparent in his famous black-and-white picture of Robert Mapplethorpe, taken in 1988 at the opening of Mapplethorpe’s retrospective exhibition at the Whitney, when the famed photographer was dying of AIDS. It is a group shot, showing various figures at different angles, in which Mapplethorpe, caught in profile and listening intently to a woman kneeling beside him, seems to stop time. The moment is heavy with emotion and also dreamlike. It is ineffably surreal.
Becker has given us Stephen King as a cross-eyed zombie (1980); Dustin Hoffman as a mischief maker, lounging on a stack of sun loungers at the Beverly Hills Hotel (2004); and Diana Vreeland as an aging Raphaelesque Madonna dressed in a voluminous black gown and sitting cross-legged in her famous red-clad living room at 550 Park Avenue (1979). The photographer, a lover of spontaneity who deftly plays with perspectives, keeps us intrigued with his open-ended narratives.
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- David Bowie, Damien Hirst, & Julian Schnabel, New York, 3 May 1996By Jonathan BeckerLocated in New York, NYDavid Bowie, Damien Hirst, and Julian Schnabel at Hirst's Opening, Gagosian Gallery, New York, 3 May 1996 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigmen...Category
1990s Contemporary Portrait Photography
MaterialsArchival Pigment
- Diana Vreeland at home, 550 Park Avenue, New York, 21 July 1979By Jonathan BeckerLocated in New York, NYDiana Vreeland at home, 550 Park Avenue, New York, 21 July 1979 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Orig...Category
1970s Contemporary Portrait Photography
MaterialsArchival Pigment
- Saturday Night Live in Elaine's Kitchen, 1976By Jonathan BeckerLocated in New York, NYElaine's Kitchen - Saturday Night Live • Chevy Chase, Dan Aykroyd, John Belushi & Lorne Michaels, New York, January 1976 Photographed by Jonathan ...Category
1970s Contemporary Portrait Photography
MaterialsArchival Pigment
- Ai Weiwei in his studio, Beijing, 12 May 2007By Jonathan BeckerLocated in New York, NYAi Weiwei in his studio, Beijing, 12 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed and ...Category
Early 2000s Contemporary Portrait Photography
MaterialsArchival Pigment
- Martha Graham with Madonna & Calvin Klein at New York City Center, October 1990By Jonathan BeckerLocated in New York, NYMartha Graham at New York City Center after her final onstage bow - backstage with Madonna and Calvin Klein, October 1990 "Martha was my godmother, and she was posing." - JB Photog...Category
1990s Contemporary Portrait Photography
MaterialsPlatinum
- Julian Schnabel at his Outdoor Studio, Montauk, New York, 13 August 2001By Jonathan BeckerLocated in New York, NYJulian Schnabel at his Outdoor Studio, Montauk, New York, 13 August 2001 Schnabel's magnificent open-air studio benefits fully from the special light of Long Island's East End as oi...Category
Early 2000s Contemporary Portrait Photography
MaterialsPlatinum
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