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David Hockney
The Boy hidden in a Fish (Six Fairy Tales from the Brothers Grimm)

1969

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  • Figure Looking through Legs Claes Oldenburg nude etching of woman in skirt
    By Claes Oldenburg
    Located in New York, NY
    Image 12.5 x 9.3 in. / 31.7 x 23 cm Paper 25.3 x 19.75 in./ 65 x 50 cm Soft-ground etching and aquatint in two colors “à la poupée” on cream, thick, moderately textured Velin Arches...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Etching, Aquatint

  • Two Profiles Claes Oldenburg playful erotic etching in rainbow of color
    By Claes Oldenburg
    Located in New York, NY
    Image 19.75 x 26.3 in. / 50 x 67 cm Paper 27.25 x 36 in./ 69.2 x 91.4 cm Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with artist’s...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Etching, Aquatint

  • Figure in Skirt Claes Oldenburg playful erotic nude etching in rainbow of color
    By Claes Oldenburg
    Located in New York, NY
    A woman in slip-on heels leans languidly on a cloud-like phallus defined with loose, sketched lines. Gazing dreamily past the viewer, the topless woman dons a diaphanous tutu, and at...
    Category

    1970s Pop Art Figurative Prints

    Materials

    Etching, Aquatint

  • The Universe Mender I by David Salle orange blue and red watercolor stye etching
    By David Salle
    Located in New York, NY
    A delicate, translucent iteration of David Salle's kaleidescopic layers which are usually painted in large scale. Eyes etched in a liquid ocean of blue and orange aquatint form the ground for a nude woman...
    Category

    1990s Neo-Expressionist Figurative Prints

    Materials

    Etching, Aquatint

  • Three studies of Bloom Richard Hamilton James Joyce Ulysses illustration print
    By Richard Hamilton
    Located in New York, NY
    Richard Hamilton began studying James Joyce's novel Ulysses (1922) during his national service in 1947. Hamilton was inspired by the idea of illustrating Joyce’s complex, experimental novel in and began making sketches the following year, only to put the project to one side in 1950, with no publisher willing to front the exorbitant cost of resetting the novel for illustrations. It was not until 1981 that he made the decision to create one illustration for each of the novel’s eighteen chapters, and a nineteenth image – a portrait of one of the novel’s main protagonists, Leopold Bloom – destined as a frontispiece. He conceived these images as large intaglio...
    Category

    1940s Modern Portrait Prints

    Materials

    Engraving, Etching

  • Dorian Gray at Opium Den from "The Picture of Dorian Gray" surreal portrait
    By Jim Dine
    Located in New York, NY
    This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of which seem to grow from the sleeves, pant legs, and from beneath the jacket. Dine's notes are written on the image: at his feet reading "WHITE BOOTS" and "White Vinyl Suit" alongside the jacket. On the left edge of the image handwritten text reads "DORIAN GRAY AT OPIUM DEN". In Oscar Wilde's novel Dorian Gray keeps opium in an ornate box in his home, and frequents sites of consumption on the East side of London: “There were opium dens where one could buy oblivion, dens of horror where the memory of old sins could be destroyed by the madness of sins that were new”. An opium den is where Sybil's brother James discovers Dorian. The brother attempts to capture the man he believes is responsible for the death of his sister. Dorian flees to his home, ultimately slashing the portrait that has kept him young for so long. Etching by Jim Dine from one of his most important artist’s books – completely designed and illustrated by Dine. Study for the Rings on Dorian Gray’s Hand from “The Picture of Dorian Gray...
    Category

    1960s Modern Figurative Prints

    Materials

    Etching

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    New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
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  • Patitcha
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  • Electronic Man, Aquatint Etching by Max Papart
    By Max Papart
    Located in Long Island City, NY
    Electronic Man by Max Papart French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of HC Image Size: 22 x 29.5 inches ...
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  • Chromatic Composition, Aquatint Etching by Max Papart
    By Max Papart
    Located in Long Island City, NY
    Chromatic Composition by Max Papart, French (1911–1994) Date: circa 1980 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of 2/60 Image Size: 24.5 x ...
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  • L’Homme au Chapeau, Aquatint Etching by Max Papart
    By Max Papart
    Located in Long Island City, NY
    L’Homme au Chapeau by Max Papart, French (1911–1994) Date: circa 1970 Aquatint Etching and Carborundum, signed and numbered in pencil Edition of 17/75 Image Size: 23 x 16.5 inches Si...
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    1970s Modern Figurative Prints

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  • Le Matin - Etching by James Tissot - 1886
    By James Tissot
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    Wonderful mezzotint and etching on China paper applied. The inscription reads: "Le matin/ J. J. Tissot Sc. et ex. 1886". Titled, signed and dated on plate on the lower margin, below ...
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