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Kelly Frye
Skunk #2

2022

More From This SellerView All
  • Glass Antlers, green and purple
    By Ira Lujan
    Located in Albuquerque, NM
    Ira Lujan (Taos Pueblo), Purple and Green Glass Antlers, 2020
    Category

    2010s Abstract Figurative Sculptures

    Materials

    Blown Glass

  • Glass Antlers, white
    By Ira Lujan
    Located in Albuquerque, NM
    2023 Glass Antlers Approximately 5" x 12" x 7" Ira Lujan (Taos/Ohkay Owingeh Pueblo) learned glass blowing in Taos, New Mexico while apprenticing with glass artist Tony Jojola (Isleta Pueblo) in 2000. He also studied with noted glass artist Preston Singletary...
    Category

    2010s Abstract Figurative Sculptures

    Materials

    Blown Glass

  • Blown Glass Quail
    By Ira Lujan
    Located in Albuquerque, NM
    Ira Lujan, Violet and White on Black Quail Hand-Blown Glass 5.5” x 3.5” x 4” 2024
    Category

    2010s Figurative Sculptures

    Materials

    Blown Glass

  • Blown Glass Quail
    By Ira Lujan
    Located in Albuquerque, NM
    Ira Lujan, Violet and White on Black Quail Hand-Blown Glass 3.5” x 2.5” x 3” 2024
    Category

    2010s Figurative Sculptures

    Materials

    Blown Glass

  • Blown Glass Quail
    By Ira Lujan
    Located in Albuquerque, NM
    Ira Lujan, Yellow on Brown Quail Hand-Blown Glass 5.5” x 3.5” x 4” 2024
    Category

    2010s Figurative Sculptures

    Materials

    Blown Glass

  • Untitled I
    Located in Albuquerque, NM
    Cast bronze vessel 10” x 11” x 11”
    Category

    2010s Sculptures

    Materials

    Bronze

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    Artist: Branko Bahunek, Croatian (1935 - ) Title: Woman with Dog Year: circa 1990 Medium: Bronze Sculpture, Signature 'BB' inscribed Size: 12 x 6 x 5 in. (30.48 x 15.24 x 12.7 cm...
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  • Bronze Architectural Abstract Theater Model French Contemporary Sculpture
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    Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...
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  • Baby Condor
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