Albert Charpin Art

Nude 3, 30x20cm, oil, canvas on cardboard

English painter (19th century) - Bulls at the stream. 35 x 54 cm without frame, 44.5 x 62.5 cm with frame. Oil on panel, in a gilded wooden frame. Con...

Cesare Gheduzzi (Crespellano 1894 - Turin 1957) - Port scene. 20.5 x 25 cm without frame, 29.5 x 34 cm with frame. Oil on panel, in giltwood frame. - Work signed on the lower righ...

Charles Thomas Bale (British, 1845 - 1925) - Still life of fish and shrimp. 30.5 x 60.5 cm without frame, 50 x 80 cm with frame. Antique oil painting on canvas, in wooden frame. -...

Nude 1, 40x20cm, oil, canvas on cardboard

In German, there is a word called "Sommefrische" , meaning summer freshness, which describes this painting perfectly. Looking at this Swiss mountain and lake is like a perfect, restf...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm without frame, 38.5 x 48 cm with frame. Oil on paper applied on canvas, in a contemporary 19th century frame. - Work ...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm without frame, 38.5 x 48 cm with frame. Oil on paper applied on canvas, in a contemporary 19th century frame. - Work ...

Oil on canvas 50x60 cm

This painting, created by the Swedish artist Georg Stoopendaal (1866–1953), captures a cherished Nordic tradition: a "julkärve" or Christmas sheaf. The sheaf, made of grain and hung ...

Oil on canvas 60x60 cm

Modern naturalistic portrait painting by well-known Houston-based artist Herb Mears. The work features a detailed rendering of a jockey wearing a yellow and blue outfit standing next to his wife and a young lion. Signed by the artist in the front lower right corner. Retains the original DuBose Gallery label on the reverse. Currently hung in a complementary frame. Dimensions Without Frame: H 48 in. x W 54 in. Artist Biography: Born in New York City in 1923, Herb Mears was interested in art from a young age. He studied under Fernand Leger in Paris and went on to paint and study in various studios in France and Italy before his arrival in Houston in 1951. With colleague David Adickes, whom he had met in Paris, Mears decided to open an art school. Their Studio of Contemporary Arts finally settled in an old building on Main Street with Mears and Adickes hoping to give classes to potential students. However money was tight and Mears found himself as a draftsman for Houston Lighting and Power Company, a job he excelled at and enjoyed. Later, Mears was involved in the Contemporary Arts Association, frequently making trips to ensure security in addition to enjoying the art scene the Association provided. From the CAA to the Art League of Houston and the Museum of Fine Arts, Mears began to gain recognition. An abstract, or non-objective piece as he called it, won a prize at a competition held by the Museum of Fine Arts, earning him a teaching position at the Museum School. Mears also taught at the Contemporary Arts Museum, University of Houston...