Doug Bloodworth Paintings

Original oil painting by famed photorealist Doug Bloodworth. This was a part of a set of eight that were displayed this year at Art Basel. Six of them sold -- for prices in the fiv...

This is an original oil painting on wood by Doug Bloodworth. It comes framed in a black wood floater frame. One of a set of four -- they may be purchased separately or as a s...

I assume if you have gotten to this page, you are a fan of lollipops. Quote from Doug: “For me, it is a challenge. Can I do this? Can I paint in oil paint to look like a Crayola m...

Limited Edition Giclee on Canvas Framed in a Museum-Grade Floater Frame -- Arrives to you framed and ready to hang. Signed and Numbered Includes Certificate of Authenticity. Unconditional money-back guarantee. A bit about Doug -- Courtesy of Maria Ricapito Photorealist artist Doug Bloodworth was inspired by the beyond-lifelike sculptures of Duane Hanson—most notably, a “security guard” on display at New York’s Russeck Gallery. “Thousands of people, myself included, went up to him and asked him where the restrooms were. It was truly uncanny,” says Bloodworth. Similarly, he enjoys overhearing visitors to his shows—in galleries from Zurich to Key West to South Beach to, yes, Disney World—saying that they “love the photos.” When corrected, told that these are oil paintings, he says, “Their look of incredulity is such a pleasure to watch. Many people stare at the paintings for a very long time.” One reason they are enthralled is that Bloodworth delights in depicting such beloved and familiar touchstones of Americana as Keebler fudge stripe cookies, M&Ms candies, Coke bottles, Monopoly games, Batman comics, and The New York Times crossword—in mid-attempt—all blown up to giant 4-foot-by-5-foot size. The hyper-real depictions of the pop culture flotsam and jetsam of our lives is a major part of the artist’s appeal, according to David Muller, president and curator of Photorealism, a Boca Raton–based dealer in solely photorealistic art. “It’s a combination of, number one, the actual technical skill involved in the works,” Muller says. “I’ve been in his studio and sat there for three hours watching him complete three square inches of a candy wrapper. Watching it appear from a white canvas is totally amazing. Then you have the addition of nostalgia. When one sees the actual works, it takes you back to another time.” This is a voyage that many have been interested in undertaking. Bloodworth feels lucky to be shown by Ron Hoy in his Hoypoloi Gallery (and its sister, Pop Gallery) located smack in the middle of Downtown Disney in Orlando, Florida. “Over a half million people walk by the door every week,” says Bloodworth. “They are introducing my artwork to a myriad of collectors, and I am so grateful for it. Over Labor Day weekend, I painted live at the Pop Gallery and there was a line up around the corner [to get postcards signed and remarques done]. What a great scene it was.” He’s equally happy (and humbled) to be on the walls of the Russeck Gallery on Palm Beach’s Worth Avenue and in Soho, New York City—where the other works hanging are by Picasso, Miro, Calder, Kandinsky, and the like. Not bad for someone with a degree in Commercial Art, who then apprenticed with Marv Gunderson, a renowned billboard painter. “I worked under Marv for several years, painting outdoor billboards half the size of an Olympic pool,” Bloodworth says. “Most of the billboards were for Marlboro brand of cigarettes, although we painted other billboards as well for McDonalds, Budweiser and others. Each billboard took a whole team of us about two weeks to complete. However, after three months or so of being in view, the billboards were whitewashed to make space for a new ad for a new client.” He moved on to painting murals and developing his signature style. His first five fine-art paintings were shown (and sold out) at Art Basel in Miami in 2011. The city is therefore close to his heart, and he shows at Effusion Gallery, next door to the Versace Mansion...

This is a set of three pieces. The other two are portrayed elsewhere on our 1stdibs page. The original oil paintings have now been sold. Offered are signed and numbered limited ed...

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactl...

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactl...

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactl...

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactl...

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactl...

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactly like a photograph. Only when one gets just a few inches from the painting does one realize that in fact it is an oil painting and not a photo. One really cannot get the effect of this work on a small computer screen; in real life, it is truly incredible. NOTE: The original painting has now been sold. Limited editions can be purchased by searching the artist’s name on Amazon. A bit about Doug -- Courtesy of Maria Ricapito Photorealist artist Doug Bloodworth was inspired by the beyond-lifelike sculptures of Duane Hanson—most notably, a “security guard” on display at New York’s Van De Weghe Gallery. “Thousands of people, myself included, went up to him and asked him where the restrooms were. It was truly uncanny,” says Bloodworth. Similarly, he enjoys overhearing visitors to his shows—in galleries from Zurich to Key West to South Beach to, yes, Disney World—saying that they “love the photos.” When corrected, told that these are oil paintings, he says, “Their look of incredulity is such a pleasure to watch. Many people stare at the paintings for a very long time.” One reason they are enthralled is that Bloodworth delights in depicting such beloved and familiar touchstones of Americana as Keebler fudge stripe cookies, M&Ms candies, Coke bottles, Monopoly games, Batman comics, and The New York Times crossword—in mid-attempt—all blown up to giant 4-foot-by-5-foot size. The hyper-real depictions of the pop culture flotsam and jetsam of our lives is a major part of the artist’s appeal, according to David Muller, president and curator of Photorealism, a Boca Raton–based dealer in solely photorealistic art. “It’s a combination of, number one, the actual technical skill involved in the works,” Muller says. “I’ve been in his studio and sat there for three hours watching him complete three square inches of a candy wrapper. Watching it appear from a white canvas is totally amazing. Then you have the addition of nostalgia. When one sees the actual works, it takes you back to another time.” This is a voyage that many have been interested in undertaking. Bloodworth feels lucky to be shown by Ron Hoy in his Hoypoloi Gallery (and its sister, Pop Gallery) located smack in the middle of Downtown Disney in Orlando, Florida. “Over a half million people walk by the door every week,” says Bloodworth. “They are introducing my artwork to a myriad of collectors, and I am so grateful for it. Over Labor Day weekend, I painted live at the Pop Gallery and there was a line up around the corner [to get postcards signed and remarques done]. What a great scene it was.” He’s equally happy (and humbled) to be on the walls of the Russeck Gallery on Palm Beach’s Worth Avenue and in Soho, New York City—where the other works hanging are by Picasso, Miro, Calder, Kandinsky, and the like. Not bad for someone with a degree in Commercial Art, who then apprenticed with Marv Gunderson, a renowned billboard painter. “I worked under Marv for several years, painting outdoor billboards half the size of an Olympic pool,” Bloodworth says. “Most of the billboards were for Marlboro brand of cigarettes, although we painted other billboards as well for McDonalds, Budweiser and others. Each billboard took a whole team of us about two weeks to complete. However, after three months or so of being in view, the billboards were whitewashed to make space for a new ad for a new client.” He moved on to painting murals and developing his signature style. His first five fine-art paintings were shown (and sold out) at Art Basel in Miami in 2011. The city is therefore close to his heart, and he shows at Effusion Gallery, next door to the Versace Mansion. “Recently, Lil Wayne came in [to Effusion Gallery] and bought my New York Times painting,” he says. “I was so honored.” Bloodworth’s time, however, is spent not hanging with hip rappers but instead holed up in his studio near Gainesville, Florida. “A photorealist painting in the size I create them – four feet by five feet – can take me over two months to complete,” he says. “But it is a labor of love.” Statement from the artist: My idol was Duane Hanson. He was a Florida sculptor who produced sculptures of people so life-like that they fooled the eye. When his security guard sculpture was on display at Van de Weghe Gallery in New York, thousands, myself included, went up to him and asked him where the rest rooms were. It was truly uncanny. Traditional photorealists who have impacted me include Richard Estes, Ralph Goings, Robert Bechtle, Charles Bell, Tom Blackwell, Chuck Close, Robert Cottingham, Don Eddy, Audrey Flack, Ron Kleeman, Richard McLean, John Salt and Ben Schonzeit. More recent photorealist influences include Pedro Campos, Roberto Bernardi, Simon Hennessey, Tom Martin...

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactl...