Paule Champenois Art

Tammy Liu-Haller's "Things are Looking Up" is an original, handmade charcoal and graphite drawing that depicts a fox in profile looking upwards towards the s...

Art Sz: 8 3/8"H x 13"W Frame Sz: 16 1/4"H x 20 1/4"W

Sunil Das - Early Horses X - 34 x 20.75 inches (unframed size) Charcoal on paper ( Framed & Delivered ) Sunil Das was one of India's most important postmodernist painters and rose t...

Charcoal and pastel on paper 49.5 x 63.5 cm (19 ⅜ x 25 inches) Signed lower left, Manzana Executed circa 1920 This work is accompanied by a certificate of authenticity issued by L...

Rosanna Gaddoni 'Fairy' 66 x 48 cm Charcoal and graphite on Rives Arches Paper 175 gm2 crème white Framed the size is 80 x 60 cm ( Frame is included...

Piccillo is a skilled draftsman, and his nuanced use of shadow and scale highlight this ability. Joseph Piccillo’s signature graphite and charcoal drawings...

Sunil Das - Early Horses VII - 18.5 x 29 inches (unframed size) Charcoal on Paper ( Framed & Delivered ) Sunil Das was one of India's most important postmodernist painters and rose ...

Piccillo is a skilled draftsman, and his nuanced use of shadow and scale highlight this ability. Joseph Piccillo’s signature graphite and charcoal drawings...

He grew up with a menagerie of animals including a number of rabbits, which often emerge in his paintings. He began drawing at the early age of three and was inspired by various car...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

Joseph Piccillo’s signature graphite and charcoal drawings and paintings feature horses in motion. These dynamic works are intricate stu...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Rider by Béla Kádár (1877-1956) Charcoal on paper 16.9 x 24.2 cm (6 ⁵/₈ x 9 ¹/₂ inches) Executed circa 1920s Provenance Mr and Mrs Imre Deák, after 1928 Artist biography The Hungarian artist Béla Kádár was born in Budapest in 1877 to a working-class Jewish family. Following his father’s death, he was forced to start working from an early age after only six years to primary schooling and was apprenticed as an iron-turner. In 1902, Kádár attended the Academy of Fine Arts in Budapest. After leaving the Academy, he worked at a mural painting company. Only when he visited Berlin and Paris and being exposed to the avant-garde art of the time, did Kádár direct his attention to painting once again. In 1910, the artist won the Kohner prize, and the same year he was awarded his first solo exhibition at the Hungarian National Gallery. By 1918, Kádár moved to Western Europe. Today he is one of the most famous members of the early twentieth-century Hungarian avant-garde. Over the course of his time living in Berlin, Kádár’s style changed. His expressionistic, graphic works were gradually replaced by paintings that were more romantic and delicate in nature. Incorporating and often synthesising stylistic elements of Cubism, Futurism, Constructivism, Neo-Primitivism and German Expressionism, Kádár’s decorative and metaphysical subject matter was often based upon traditional Hungarian folklore, and his subject-matter became increasingly narrative. His paintings in this period often feature surrealistic dream-like imagery, reminiscent of compositions by Marc Chagall. Despite his variety of subjects, ranging from abstracted figures and landscapes to interiors and objects, his paintings are typically rendered in a bright, jewel-toned palette and feature a fractured approach to rendering space. In 1923 in Berlin, Kádár was invited by Herwath Walden to exhibit at the highly influential Galerie Der Sturm...