Roger Fenton Art

Beautiful nature painting by Nature artist William Muller-Lux (1911-2007). The work is nicely framed and titled “Mushrooms from the Moggollon Rim.” It is signed lower right “Muller-L...

"Climbers I" is a limited edition (TBD/75) sculpture created by Bill Starke depicting a figure climbing a rope. "Climbers I" has 1 in stock. Quantities over 1 will take 5-6 weeks t...

"Family” Oil Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the sub...

Lithograph on paper, 1925 by Alexander Kanoldt, Germany. Signed in pencil lower right with "Kanoldt". Framed. Sheet dimensions: 8.86 x 6.89 in ( 22,5 x 17,5 cm ) Alexander Kanoldt was born in 1881 as the son of the landscape artist Edmund Kanoldt. In 1909 he finished his studies at the Academy of Arts in Karlsruhe, Germany. In the same year he became one of the founding members of the ‘Die Neue Künstlervereinigung München’ (‘New Artist’s Association Munich’) that put forward the editorial team for the Blaue Reiter in 1911. Furthermore he was part of the artist’s group “Munich’s New Secession which was founded in 1913 and included Alexej Jawlensky...

Imogen Cunningham was an American photographer known for her botanical photography, nudes, and industrial landscapes. Cunningham was a member of the California-based Group f/64, know...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

Provenance: Ivan E. Phillips, Montreal and New York, until 2023. The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...

In this oil painting, I've captured the ethereal beauty and dynamism of a ballerina in mid-dance. Using a blend of realism and fine art, I aimed to convey the raw emotion and fluid grace of the dance. The dancer...

Colored serigraph on cardboard, about 1970. By Yves Laloy ( 1920-1999 ), French. Signed lower right: Y. Laloy Sheet dimensions: 16.54 x 23.74 in ( 42 x 60,3 cm ). Unframed

Color spit bite and sugarlift with soapground and drypoint

Black and White Fine Art Landscape Photography. Joshua Tree in National Park at sunset in California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbere...

1989/2002, pigmented inkjet print, 14 1/8 x 11 inches (image size: 11 x 8/5/8 inches), edition of 12, signed by Jean Conner, the artist's widow, on verso; accompanied by a photo-certificate from the Conner Family Trust BOMBHEAD was originally conceived as a newspaper and photocopy collage by Bruce Conner in 1989. This edition of BOMBHEAD was scanned using the original negatives of a portrait of Bruce Conner by Edmund Shea and a photo of an atomic bomb explosion taken from the National Archives, Library of Congress. A separate large format edition with hand-coloring was produced the same year. The image was digitally edited by Conner and Donald Farnsworth...