Japanese Two-Panel Screen Chrysanthemums Over a Woven Reed Fence

Beautiful white chrysanthemums are emphasized by heavy gold on a soft floral landscape, while gold clouds create a striking and dream-like floral scene. Gold leaf and gofun with min...

Mineral pigments on gold leaf. Not signed, by: Baikei Hitsu.

Japanese two panel screen: Chrysanthemums Through the Mist Obara Paper Art Screen. Surreal and masterful rendering of chrysanthemums cloaked in mist that varies in opacity made entirely of carefully arranged mulberry paper fibers in a Japanese art practice called Obara. Accented with gold leaf. Unique in terms of both execution and dreamlike mood. Made by Yamauchi Issei (b. 1929), stamped in the corner. Issei is well known throughout Japan as the leading artist in Obara Paper Art. Starting in 1948, he apprenticed with Fuji Tatsukichi, a leading proponent of the arts and crafts movement in Japan who worked to revive many cultural traditions on the brink of extinction. Issei started exhibiting in the Nitten in 1953, won the gold medal in 1963, and eventually became a juror. His artwork was given as a gift to the Showa Emperor of Japan, as well as dignitaries such as General Douglas MacArthur...

with applied gold and silver roof, light color and pigment on paper with gold flake and red frame.

Japanese two-panel screen: Peony and Cherry, Edo period (circa 1800) painting, formerly fusuma (Japanese sliding doors), executed in the Kano school style, featuring a cherry tree in...

Mineral pigments on silk, mounted on a gold panel, in silk border. Signature and seal read: Yoho.

Remarkable pair of early 19th century Japanese late Edo period screens depicting summer chrysanthemums growing along a brushwood fence. Ink and...

Impressive early 19th century Japanese Edo period two-panel screen featuring flowering plants and grasses of autumn. Painted in the Tosa School style Bunka Bunsei period or Ogosho pe...

The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...

Whimsical Japanese late Edo period two-panel screen circa 1800 by Yokoyama Kazan (Japanese 1784-1837). The screen depicts four of the seven Gods or deities ...

Serene Japanese Showa period two-panel folding byobu screen depicting a large spring blossoming prunus tree or plum tree. Beautifully painted with ink and natural color pigments on m...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...