Monumental Pendule, Orpheus and Eurydice, France, circa 1815

Portal clock on rectangular stepped base in mahogany veneer with small squeeze feet and fire-gilded applications in the form of rose festoons. The stepped...

French mantel clock made of burnished and fire-gilded bronze with an enamelled dial, there inscribed "'a Paris". The pendulum stands on a rectangular base with turned moulding, above...

Portal clock on a rectangular, stepped base in mahogany veneered with small bun feet. The stepped architrave is supported by four smooth columns, the capi...

French pendule clock, the base, pedestal and columns are out of white marble. The silvered clockface with Roman numerals is inscribed Jeannest à Paris.

The large pendulum on a Sienese marble base with patinated bronze frieze as well as large fully sculpted depiction of a bearded man with the index finger at his temple. The other han...

Lyre-shaped mantel clock on marble base with crowning head of sun god Apollo and swan heads holding a flower festoon in their beaks. The dial is decorated with round enamel numerals....

19th century French pendule, mantel clock - Mercury the messenger of the gods France Bronze gilded Empire around 1815 Dimensions: H x W x D: 37 x 30 x 10 cm Description: French Empire...

A brilliant French portico clock with ormolu mounts and pendulum mounted with 2 swans with 'blackened' necks and wings. The timber is gleaming with its...

Antique portal clock France marble, bronze, enamel Directoire around 1800 Dimensions: H x W x D: 46 x 28 x 14 cm Description: Antique portal c...

Case: The well-cast and finished ormolu case depicts a large male figure, Orpheus, standing on rockwork while leaning on the clock and playing the flute. He is surrounded by severa...

EMPIRE ORMOLU BRONZE FIGURAL MANTEL CLOCK OF CERES, GODDESS OF AGRICULTURE Movement by Etienne Tavernier; France, circa 1815 Item # 104HWG22Z A fine Empire period mantel clock with bun feet raising a rectangular base with a central portrait of Bacchus flanked by exquisitely chiseled motif of swirling foliage surmounted by a figure of the goddess Ceres grasping in her lowered hand a wreath woven with foliage and berries while in her garment she collects a bountiful harvest; she rests beside the clock tower with a framed lens opening to access the white enamel dial with black Roman numerals inscribed Etn. Tavernier set with Breguet style hands, raising an urn filled with fruits of the soil; against the tower rest the implements of labor, a shovel and flat rake. The movement is engraved "B". A significant clock movement maker, Etienne Tavernier (French, 1756-1839) is listed in Tardy's horology reference as working closely with the house of Abraham-Louis Breguet as well as providing clock movements...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...