American Abstract Sculptures

An incredible vintage Boho steel sculpture. A chic Abstract Expressionist piece with a playful geometric design. Freshly powder coated an Hermes orange. Acquired from a Palm Beach es...

The Midnight Magic Mushrooms come as a set of four. Each mushroom is handmade and unique. You will receive a set similar to what you see pictured, but the stems will vary in size and...

Michael Gitter Aluminum and Epoxy Resin Interlocking Hearts Sculpture Offered for sale is a polished aluminum and epoxy resin interlocking hearts sculpture from the artist Michael...

MAGNIFICENT! DIRECT METAL SCULPTURE "PHOENIX RISING" MID CENTURY ABSTRACT ART! ATTRIBUTED TO SEYMOUR LIPTON Signed & Titled "Phoenix Rising" Lipton 1958 DIMENSIONS: 23" HIGH x 7...

This item is in stock and ready to ship. Three panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton and cotton/linen fringe. Hanging wire is incl...

Pair of American Studio craft movement free standing half round pilaster columns w/ ancient burnished terracotta appearance and cryptic symbol decoration. Columns were constructed fr...

Hivo Van Teal Mid-Century Modern Lucite perfume bottle sculpture.

Each stunning piece is hand carved to the limits of the wood's capacity by combining technical knowledge with artistic talent. Carving several layers deep, Nairi Safaryan...

Vintage Boho hand carved marble sculpture. A beautiful chain link in a matte white finish. Acquired from a Palm Beach estate.

Decorative Cast Aluminum Powder-Coated Chess Piece Horse Head Statue Stylish and aesthetically pleasing, this large figure has been freshly powder-coated in a shade we call classic ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This mid-20th century Brutalist bronze bonsai tree sculpture, a masterful creation by the renowned American artist Belva Ball, stands as a testament...

Each stunning piece is hand carved to the limits of the wood's capacity by combining technical knowledge with artistic talent. Carving several layers deep, Nairi Safaryan...

Each stunning piece is hand carved to the limits of the wood's capacity by combining technical knowledge with artistic talent. Carving several layers deep, Nairi Safaryan...

c. 2010, signed and in excellent condition

Two signed 1980s modern abstract sculptures by Paul LaMontagne, composed of stacked laminated and inlaid exotic woods. Priced and sold individually. Tw...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

D'lisa Creagar's work has been featured in numerous publications and is owned by numerous collectors. This particular sculpture is one of her larger ones at 91" H x 15"D. D'lisa lea...

This authentic twisted intertwined polished aluminum intertwined ring sculpture is vintage from the 70's. It is NOT a reissue nor is it cont...

Very unique Brutalist iron / metal sculpture by American artist, Frank Cota, circa 1970s. Free-form piece with various hexagon, square and triangle pieces; signed by Coat on the bas...

Beautiful incredible craftsmanship geometric sculpture all hand made an put together, circa 1970's excellent condition in the style of artist Ai Weiwei.

USA, 1970s Artist-made driftwood bas relief on board. Various pieces of found driftwood form an interesting composition. Purchased from the estate of the artist...

Curtis Jere Starburst wall sculpture / Signed & dated.

This stunning Curtis Jere sculpture was made in 1987, and features a superb and iconic design. Made of 40 long brass rods welded to each other across a center line, it forms an exagg...

WEARABLE ART AN IMPORTANT DESIGN FOR A NECKLACE The necklace is unique and extraordinary. Because of its specific design elements it lays beautifully and comfortably on any body structure. This piece comes from a private collection. Provenance will accompany the piece. It has been authenticated by Val Bertoia and is listed in the Harry Bertoia Foundation Catalogue Raisonne # D.JE.49 having been authenticated as a Harry Bertoia piece. REPLY FROM CHRISTIE'S: "Dear Charles, thank you for contacting Christie's. I am absolutely stunned to see the necklace by Harry Bertoia you have submitted for feedback from us, and I would love to speak with you about the work at your earliest convenience. I am a great fan and a known expert in the work of Harry Bertoia, and I have handled over 600 of his sculptures, jewelry and art over the last 22 years. I have never seen a better piece of his jewelry, and it stands as one of the greatest objects in any category that he made. Michael Jefferson Senior Vice President International Senior Specialist Design" The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless. Bertoia had the instincts of an engineer, as the intricacy of the present lot's clasp and the overall construction of this piece demonstrate. Closed, the necklace sits on a table in a surprisingly conical shape, but it is so flexible that it conforms to its wearer from her neck nearly to her shoulders. Each handmade section is riveted to its neighbors, allowing it to adjust to the body while the pendants curve in many directions: one fits the left clavicle so precisely that Bertoia likely tried it on Brigitta Valentiner, who became his wife in 1943. Other pendants face toward or away from each other, bending up or down. Each element has been hammered into multiple curves and worked in Bertoia’s hands. Large jewelry by Bertoia is very rare. A delight to the eye, this necklace no doubt caused a sensation in its day as it might at the 2022 Met Ball in ours, for like all of Harry Bertoia’s work, it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d...

Bruce Niemi Bronze Sculpture Signed, 2003. Base is made out of brushed steel.

Great mid-century Organic Studio Pottery Weed pot vessel. This piece has a great design with an opening in the center, weed Pot is unmarked, unsigned but believed to be early 1970s p...

Model for Americas Tower by the American Postwar & Contemporary artist Peter Lobello. Titled "3 Monoliths". Signed and Dated on base top and bottom. Made out of painted steel. This s...

One of Michele Oka Doner chairs from her Terrible Chair Series. Unique bonze wiuth gold leaf sculpture from 1990. Sculpture inpired in nature's thorned branches. The artist is known ...

This stunning Brutalist Steel Sculpture in Oil and Waxed Finish is by the artist Jan Van Deckter and originates from the United States, Circa 1970. Features a towering composition in...

Contemporary mouth blown glass orb sculpture with internal Violet threads. Signed Peter Bramhall.

One of a kind Atomic Age large Mid-Century Modern style wall sculpture made of round black painted bent iron rod, in zig-zag form or atom rings with assorted metallic colored orbs (a...

Pair of Tony Evans handcrafted Foss Creek Pottery "Raku" Bear Sculptures. Figurines. Statues. Featuring a seated Grizzly Bear with Arms Together (7.5H x 7.75W x 7D) showing Green to...

Unique sculpture in plaster by the American artist Stephen Antonson. Titled "Cathedral 4" made in 2021. The artist process of layering plaster with a brush...

Clyde Ball Mid Century Bronze Signed 1970's Sculpture with Pedestal The pedestal measures: 12.25 wide x 12.25 deep x 42.25 inches high The sculpture measures: 13.5 wide x 11 deep x ...

A wonderful abstract sculpture by the noted Palm Springs artist Anwar Fonseca. Mr Fonseca’s art has been featured regionally and this evocative work is titled “Desert Owl.” It is la...

A large ceramic Totem sculpture. Variegated surface of Black with areas of Tan/Brown showing. Primitive yet Modern.See photo with the sculpture next to a soda can to give you a sens...

This aluminum locomotive sculpture was originally a playground spring ride located throughout parks. Spring is not included. It's more sculptural and part of Americana history. We had this locomotive sand blasted and powder coated black. Locomotive measures 29" wide, 14" deep with handles and 15" high. Stamped J.E. Burke Co, Fond Du Lac...

Entitled 'Matriarch', this original ceramic sculpture by Simone Bodmer-Turner weaves a mesmerizing narrative, where each curve and crevice leads to unexp...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various washers, nuts, ...

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

This aluminum locomotive sculpture was originally a playground spring ride located throughout parks. Spring is not included. It's more sculptural and part of Americana history. We had this locomotive sand blasted and powder coated red. Locomotive measures 29" wide, 14" deep with handles and 15" high. Stamped J.E. Burke Co, Fond Du Lac...

An extremely rare Harry Bertoia sterling silver brooch "Ginko Leaves." The brooch has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.77. This piece comes from a private collection. Provenance will accompany the piece. The Brooch measures: 2.94 " long x 1.5 " wide x .30 " deep. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The brooch and closure are all handcrafted and the clasp is his unique design. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise...

Bending and twisting this form contains the energy of the universe in an unending tangle of form that can exist on a shelf, plinth or most any surface. The Copper Knot is a decor...

Nicely crafted pair of cuff links by and signed Rebaje . Hammered copper face with brass button on backside . Francisco Torres arrived in NY from Dominican Republic in 1922. Sleeping on couches and in basements of friends trying to make his fortune . . Gradually transformed himself into Frank Rebajes...

The Magic Mushrooms come as a set of four. Each mushroom is handmade and unique. You will receive a set similar to what you see pictured, but the stems will vary in size and shape ...

Free-form copper sculpture mounted to a live edge wood base.

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Part of an ongoing exploration into the sculptural family of Modern Totemic Forms and Objects, all hand built in ceramic stoneware. They are "modern" in the Mid-Century Modern vein....

Dynamic and abstract sculpture of a wagon jack constructed out of wood and metal by Janet Sullivan Turner (1935–2008). The work was acquired from the estate of the artist...

A rare form and color sculpture by Vasa Mihich. This features beautiful colors of pink, yellow and orange. Signed, numbered and dated by the artist.

Michael Gitter Mirror Polished Brass Interlocking Hearts Sculpture Offered for sale is a mirror-polished brass interlocking hearts sculpture from the artist Michael Gitter. This p...

Seth Gravette Redwood and Sumi Ink Sculpture US 2023 Finished in oil and wax. Seth Gravette is a Los Angeles based artist who started with a fervor to design and build rigidly modern custom furniture...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here, a beautifully rusted tobacco box, a steel egg...

Beautiful vintage modern, abstract freeform round statue. This has been newly lacquered in a vibrant blue, black base. Dimensions: 23 H x 19 W x 8 D.

Timeless pineapple motife cast cement finials or acorns having marvelous aged and verdigris patina. The imperfections where some of the cement has chipp...

Large marble sculpture signed by Kelly Wearstler. The sculpture with stand is 24"H. Without stand it is 21"H. Satin finish. This is very heavy and not recommended for parcel shipment.

Alexander Liberman Sculpture A large Unique Example. Signature Red Surface Signed with artists' initials and Date Original Mica Sculpture Stand Available