Glazed Ceramic Head of Woman with Painted Veil, Attributed to Vally Wieselthiel

Beautifully hand carved sculpture of sleeping man with large "Sombrero", signed by "Olvera México". The sculpture was carved in two separate chunks of Mahogany, one for the hat and a...

Two sturdy side tables attributed to Arturo Pani (Mexico 1915-1981) of wrought iron lacquered in black and gilded with foil. At the top, a thick wooden base lacquered in mate black a...

Beautiful robust sculpture of a Goat carved from a solid mahogany block by an Israeli artist (the signature in Hebrew letters is illegible). The goat is st...

Very well-designed stylized decorative piece depicting King David playing the harp with the walls and buildings of Jerusalem suggested in the elements in the background. The work com...

Amazing plaster and mesh female mannequin from the 1950s. Originally full size with limbs. Unfortunately the arms and legs were damaged beyond repair, it has been restored and mounte...

Original 4-panel screen attributed to Edmond Spence in Mahogany and handwoven seaweed twisted rope. Edmond Spence, ( American 1911-1986) began his career in his family furniture busi...

This head and hand are all that remain of Vally Wieselthier’s masterpiece installed at the Wiener Werkstätte America's Manhattan NYC showroom. For an en situ photo see: Ronald S. Lauder Neue Galerie...

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

Italy 1955 head of woman in painted clay signed TZ55 attributed to Tono Zancanaro from Padua. About: Antonio Zancanaro (Padua, 8 April 1906 - Padua, 3 June 1985) was an important...

A ceramic ram with white glaze decoration of Art Deco period. Attributed to Primavera. No signed. Perfect original conditions, circa 1930.   

Ceramic figure of a woman with veil and newborn baby by Ronzan.

Trish DeMasi Veil, 2019 Glazed Ceramic 18 x 13 x 13 in