Art Nouveau Patinated Plaster of Paris Sculpture by Joseph Zomers Belgium

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Nice ...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects Beau...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Iconic and particular statuette in cast bronze...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and elegant statue in spelter with marble base; the sculpture represents a young woman in a beautiful plastic and slender pose that holds in the left hand a laurel wreath and in the right hand a sheet of paper with an inscription, probably of scientific formula, in fact, the statue is the interpretation of "Science". The crown "triumphalis", precisely called "laurel crown", in Greek mythology symbolized wisdom and glory, it was the highest honor for a poet who had just graduated. Laurel was considered a sacred plant also by ancient Romans: it was venerated in particular by Apollo, god of the sun, music, poetry, sculpture, and painting. Precisely because of his countless knowledge, in fact, Apollo represented wisdom and intelligence. On the pedestal has been applied a scroll with the name of the sculpture itself and that of its author: Jean Charles Ruchot. It was made in spelter, with the technique of "lost wax", by the artist himself in his workshop in Romainville, a French commune located in the department of Seine-Saint-Denis, between 1900 and 1905. Jean Charles Ruchot, the refined and prolific artist, was active from 1890 until 1925, he produced classical works inspired by antiquity, then he was influenced by Art Nouveau, then by Art Deco, styles in which he expressed his greatest talent; he created many statues both in bronze and in spelter, he is also the author of many objects of decorative arts: lamps, sculptural groups for clocks and advertising objects. Spelter is a zinc-lead alloy that is aged to resemble bronze, but it is softer and can be easily melted and worked unlike bronze, composed of copper and tin, which melts between 850° and 1020°. Spelter has been used since 1860 to make objects that could compete with bronze, because of its great convenience and ease of use, this material had very strong dissemination and use when many sculptors and bronze Art Nouveau and Art Deco used...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Spec...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beautiful Art Deco sculpture in white craquelé ceramic depicting a pair of panthers; the noble animals are depicted walking, with their plush stride, in the tall grass in a calm and relaxed attitude; the powerful muscles of the beasts are relaxed, but the representation is always charged with strength and pride, a classic example of the Art Deco style that exalted in its artistic expressions the forms, strength, and power of both humans and animals. The object features very distinctive workmanship: the piece of raw ceramic was first molded into its final soft and elegant form, then fired at about 1000° C, then an ancient technique was used by applying "crystalline" (a transparent vitreous coating) with an ox brush; then distributed, again with a brush, white glaze over the entire body of the panthers; the glazing stage requires a lot of skill, as the glaze must be evenly deposited on the surface of the object, at which point, very quickly, to fix the glaze, the piece was put into the kiln between 920 and 940 degrees for the final firing. By looking at the underside we can better understand this technique. The panther pair...

Handmade plaster figure with patinated bronze on a wooden base. The sculpture is by the German artist TADÄUS from the series formless body shapes from 2002. A very decorative individ...

Pair of French Art Nouveau patinated spelter sculptures French, early 20th century Measures: Figure with lyre: Height 92cm, width 48cm, depth 38cm Other figure: Height 90cm, width 52cm, depth 33cm The spelter works in this pair are after two of the leading Art Nouveau period sculptors: George Maxim and Auguste Moreau. The sculptures portray young women in animated, dance-like postures, wearing flowing dress that recalls Greek wet drapery. One figure holds a musical instrument, while the other spreads her arms as if to music. The figures stand on integral rocky bases above matching marble plinths. Each piece is affixed with a plaque, one reading ‘Libellule par Geo Maxim...

A French Art Nouveau patinated bronze figural sculpture, depicting a dancer with scarves and cymbals by Victor Ségoffin (1867-1925). Born in Toulouse, educated at Ecole nationale su...

Rebecca bust in patinated plaster, Art Nouveau period, signed Pirolli.

Plaster Sculpture by Jean Canneel (1889-1963), Belgium.

From an sculptor studio, fine plaster sculpture of Medusa. Belgium, circa 1960.