Spode Pottery Blue Greek Pattern Double Egg Cups
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Spode Pottery Blue Greek Pattern Double Egg Cups
About the Item
Spode
Spode is one of the oldest and most distinguished of the great pottery companies of Staffordshire, the time-honored home of English ceramics. The firm’s blue and white bone china transferware is a timeless classic. Spode dishes compose the sort of elegant dinner service that most of us envision on a traditional holiday table.
The company was established in 1770 in Stoke-on-Trent by Josiah Spode, a friend and neighbor of another estimable English ceramist, Josiah Wedgwood. The Wedgwood firm first came to prominence for its tableware, which quickly gained favor in aristocratic households throughout Britain and Europe.
Spode was particularly known for two technical achievements in the firm’s early decades. The first was to develop a standard formula for the making of bone china — a type of porcelain (made with a mixture of bone ash, minerals and clay) that is dazzlingly white and so strong it can be used to create very thin translucent plates and vessels.
The other advancement was to perfect the making of transferware. That process involves the transfer of pictorial images inked on tissue paper — such as the garden scenery in the famous Willow dish patterns — onto ceramics that are then sealed with a glaze.
From the 1820s onward, Spode enjoyed tremendous success both in Britain and elsewhere owing to the beauty and vitality of its decorative imagery. By some counts, Spode created more than 40,000 patterns in the 19th century.
In 1833, following the sudden death of Josiah Spode III, business partner W. T. Copeland took over the company and changed its name to Copeland Spode (it later changed again, this time to W. T. Copeland and Sons). Collectors regard Copeland-marked pieces as Spode china. The Spode brand was revived in 1970.
Many favorite Spode patterns — among them Blue Italian, Indian Tree, Greek and Woodland — date to the company’s early years. Spode’s most popular pattern, Christmas Tree, was introduced in 1938.
Prices for antique and vintage Spode china vary widely, based on the size of the service, its condition and the pattern. An antique dinner service for 12 people or more, in good repair and complete with cups and serving dishes, will generally cost between $10,000 and $20,000. Such Spode services become heirlooms — a proud and timeless addition to a family’s table. And as you will see on these pages, Spode’s rich and varied wares offer a visual feast in and of themselves.
Find Spode serveware, ceramics and decorative objects on 1stDibs.
- Regency Spode Pottery Neo-Classical Greek Pattern Blue DishBy SpodeLocated in Downingtown, PARegency Spode Pottery Neo-Classical Greek Pattern Blue Dish, Bellerophon's Victory Over Chimera, Early-19th century The Spode Greek pattern pottery, sh...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Spode Pottery Neo-Classical Greek Pattern Blue Deep DishBy SpodeLocated in Downingtown, PASpode pottery neo-classical Greek pattern blue deep dish, Bacchus Mounted on a Panther, Early-19th Century The Spode Greek pattern pottery shaped rectangular dish with cantered...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Spode Pottery Large Neoclassical Greek Pattern Blue Pair of DishesBy SpodeLocated in Downingtown, PASpode pottery neoclassical Greek pattern blue pair of dishes, Bacchus Mounted on a Panther, Early-19th century The Spode Greek pattern pottery sha...Category
Antique Early 19th Century English Neoclassical Platters and Serveware
MaterialsPearlware, Pottery
- Regency Spode Neo-Classical Greek Pattern Blue TazzaBy SpodeLocated in Downingtown, PASpode Neo-Classical Greek Pattern Tazza Early-19th century The Spode pottery underglaze blue Greek pattern has an oval shaped top with a central des...Category
Antique Early 19th Century English Regency Pottery
MaterialsPearlware, Pottery
- Spode Pottery Neo-Classical Greek Pattern Blue Set of Dinner Plates-33 PlatesBy SpodeLocated in Downingtown, PASpode Pottery neo-Classical Greek Pattern blue set of dinner plates-33 plates Zeus in His Chariot, Early-19th Century The Spode pottery undergla...Category
Antique Early 19th Century English Neoclassical Dinner Plates
MaterialsPearlware, Pottery
- Spode Neo-classical Greek Pattern Blue Rectangular Dessert DishesBy SpodeLocated in Downingtown, PASpode neo-Classical Greek pattern blue rectangular dessert dishes, Four figures in battle, Early 19th century The Spode Greek pattern pottery ...Category
Antique Early 18th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Early Spode Red Greek Pattern TileBy Josiah Spode, SpodeLocated in Fort Lauderdale, FLA Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsEarthenware, Creamware
- Early 19th Century Spode Red Greek Pattern TileBy Josiah Spode, SpodeLocated in Fort Lauderdale, FLA Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsEarthenware, Creamware
- 19th Century Late Georgian Blue Spode Hot Chocolate Cup with Cover and SaucerBy SpodeLocated in Dublin 8, IE19th century late Georgian blue spode hot chocolate cup with cover and saucer, decorated with gilt highlights, and embossed white floral motif on a ...Category
Antique Early 19th Century English Georgian Porcelain
MaterialsPorcelain
- Mid Century Studio Pottery Egg Cups Set of 4Located in Tilburg, NLMid Century Studio Pottery Egg Cups Set of 4. Mid 20th century. Great set of 4 mid-century studio pottery egg cups. Hand made and wonderful in color, desi...Category
Mid-20th Century Pottery
MaterialsPottery
- Georgian Spode Coffee Can Ironstone Kackiemon Pattern 2117, circa 1820By SpodeLocated in Lincoln, LincolnshireThis is a good stone China (Ironstone) coffee can made by the SPODE factory in the early 19th Century, circa 1820. The coffee can is well potted with cylindrical shape and a loop handle with the distinctive Spode kink to it. The piece is beautifully decorated with hand painted enamels in the chinoiserie Kakiemon style, pattern number 2117. It has the Spode Stone China blue printed...Category
Antique Early 19th Century English Georgian Ceramics
MaterialsIronstone
- Antique Owens Art Pottery Standard Glaze Floral Decorated Mug Circa 1890By J. B. Owens PotteryLocated in Big Flats, NYAn antique mug by Owens offers art pottery construction with hand painted floral decoration and standard glaze, c1890 Measures- 5''H x 4.75''W x 3.5''D C...Category
Antique Late 19th Century Pottery
MaterialsPottery
$280 Sale Price20% Off
