Massimo Vignelli Arteluce Mod. 526 Metal and Perspex Table Lamp, 1965
View Similar Items
Massimo Vignelli Arteluce Mod. 526 Metal and Perspex Table Lamp, 1965
About the Item
- Creator:Arteluce (Manufacturer),Massimo Vignelli (Designer)
- Dimensions:Height: 24.02 in (61 cm)Diameter: 16.15 in (41 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1965
- Condition:Excellent vintage patina.
- Seller Location:Catania, IT
- Reference Number:Seller: Ref. Number: 23201stDibs: LU5708223572962
Massimo Vignelli
Massimo Vignelli and Lella Vignelli are legendary names in branding and were prolific creators of home furnishings, products and interiors. The duo’s modernist furniture collaborations, which span 50 years, have also left a profound mark on design and wider visual culture. Furniture created by the couple is often labeled as Massimo Vignelli’s alone, though he fought to have Lella recognized for her work, even throwing away magazines that neglected to give her due credit.
As Massimo wrote of their lifelong collaboration in his book Designed By: Lella Vignelli: “It is not holding a pencil with four hands that makes a partnership; it is sharing the creative act and exercising creative criticism which is reflected in the end result.”
After meeting in Italy, Lella (1934–2016) and Massimo began working together in 1961 and a decade later formed Vignelli Associates in New York. A self-described “information architect,” Massimo was committed to streamlining complex ideas into clear, visually arresting forms. (Witness the graphic identity that he cocreated with Bob Noorda for the New York City Transit Authority as well as his influential 1972 subway map.) The Vignellis’ most recognizable piece, for example, may be the Handkerchief chair, a stackable office chair made of compression-molded plastic that has the look of a cloth floating in air. It was created for Knoll in 1983 after they designed the brand’s logo.
Evidence of the couple’s influence can also be found in their Saratoga line (1964), the first collection of lacquered furniture, which helped herald in the trendy “glossy” look of the decade (and beyond). When the Vignellis created the Poltrona Frau Interview chair in 1988 for an Italian television station, it became widely sought after, “which goes to show you the power of the TV media,” the couple once said. Much like their elemental graphic designs, the Kono (1984) and Pisa tables (1985) — both created for Casigliani — cull the form of the table down to geometric shapes.
Many of the Vignellis’ designs are considered modern masterpieces and are included in the collection of the Museum of Modern Art in New York and other important institutions.
Find vintage Massimo Vignelli furniture today on 1stDibs.
Arteluce
The lighting maker Arteluce was one of the companies at the heart of the creative explosion in postwar Italian design. The firm’s founder and guiding spirit, Gino Sarfatti (1912–85), was an incessant technical and stylistic innovator who almost single-handedly reinvented the chandelier as a modernist lighting form.
Sarfatti attended the University of Genoa to study aeronautical engineering but was forced to drop out when his father’s company went out of business. His mechanical instincts led him to turn his attention to lighting design — and he founded Arteluce as a small workshop in Milan in 1939. Sarfatti’s father was a Jew, so the family fled to Switzerland in 1943, but after the war — largely thanks to Sarfatti’s insistence on efficiency of design and manufacture — Arteluce quickly established itself as a top firm. Though Sarfatti continued as chief designer through the 1950s and ’60s, he also enlisted other designers such as Franco Albini and Massimo Vignelli to contribute work. Sarfatti sold Arteluce to FLOS — a rival Italian lighting maker — in 1973 and retired to pursue a more traditional avocation: collecting and dealing rare postage stamps.
Sarfatti is regarded by many collectors as a pioneer of minimalist design. He pared down his lighting works to their essentials, focusing on practical aspects such as flexibility of use. His most famous light, the 2097 chandelier, is a brilliant example of reductive modernist design, featuring a central cylinder from which branches numerous supporting fixtures extending like spokes on a wheel. Similarly, his 566 table lamp is a simple canister, able to be raised or lowered on a stem, holding a half-chrome bulb. Despite the marked functionality of his designs, Sarfatti did have a sprightly side: His 534 table lamp, with its cluster of rounded enameled shades, resembles a vase full of flowers, the Sputnik chandelier (model 2003) was inspired by fireworks and the brightly colored plastic disks of the 2072 chandelier look like lollipops. No matter the style, Sarfatti concentrated first and foremost on the character of light created — and any Arteluce lamp is a modernist masterpiece.
- Gino Sarfatti Arteluce Mod. 238/2 Wall Lights Lacquered Metal Glass, Italy, 1960By Gino Sarfatti, ArteluceLocated in Catania, ITPair of wall lamps model 238/2 designed by Gino Sarfatti and manufactured by Arteluce, Italy, 1960s. The frames are black metal lacquered and have two transparent glass globes that...Category
Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsMetal
- Gino Sarfatti Arteluce Mod 1055 Floor Lamp Black Iron Chrome Aluminum Italy 1955By Gino Sarfatti, ArteluceLocated in Catania, ITMod. 1055 floor lamp designed by Gino Sarfatti for Arteluce in Italy, 1955. Circular shaped base of floor lamp is in black lacquered iron. Chrome-plated tubular metal stem and cyli...Category
Vintage 1950s Italian Mid-Century Modern Floor Lamps
MaterialsIron, Aluminum, Chrome
- Oscar Torlasco Lumi Mod. 143 Brass Table Lamp Glass, Italy, 1960sBy Oscar Torlasco, LumiLocated in Catania, ITMod. 143 table lamp designed by Oscar Torlasco, manufactured by Lumi Italy, 1960s. Brass, frosted glass with triple light bulbs. Excellent vintage patina. References: Giuliana G...Category
Vintage 1960s Italian Mid-Century Modern Table Lamps
MaterialsBrass
- Stilnovo Adjustable Floor Lamp Mod. 4060 Nickel Plated Brass Glass, 1962, ItalyBy StilnovoLocated in Catania, ITYou are looking at a wonderful lamp produced by the Stilnovo company in 1962. Particular in design, the extendable arm and the adjustable gray cup (diameter 40 cm) will allow you va...Category
Vintage 1960s Italian Mid-Century Modern Table Lamps
MaterialsMetal, Brass
- Angelo Lelii Arredoluce Mod. 12780 Brass Ceiling Lamp 1959 Excellent PatinaBy Arredoluce, Angelo LeliiLocated in Catania, ITChandelier mod. 12780 of Angelo Lelii for Arredoluce, Italy, 1959. Structure in polished brass, diffusers in duplex white opal glass. Excellent vintage patina. References: Anty ...Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Stilnovo Floor Lamp White and Red Metal Lampshades Brass Marble, Italy, 1955By StilnovoLocated in Catania, ITFloor lamp manufactured by Stilnovo in Italy, 1955. The floor lamp has a circular white marble base, black lacquered metal steam. The floor lamp has two brass arms and one white an...Category
Vintage 1950s Italian Mid-Century Modern Floor Lamps
MaterialsMarble, Brass, Metal
- Table Lamp Model No. 526 by Massimo Vignelli for Arteluce, 1965By Massimo Vignelli, ArteluceLocated in Rotterdam, NLThis elegant lamp model 526 was designed in 1965 by Massimo Vignelli for Italian lighting manufacturer Arteluce. Model 526 is a table lamp with a base that consists of three concave...Category
Vintage 1960s Italian Mid-Century Modern Table Lamps
MaterialsMetal
- Massimo Vignelli Model 526g Table lamp for ArteluceBy Massimo Vignelli, ArteluceLocated in Milan, ITMassimo Vignelli model 526g table lamp for Arteluce.Category
Vintage 1960s Italian Modern Table Lamps
MaterialsMetal
- Table lamp 526, designed by Massimo Vignelli. Italy, Arteluce, 1965.By Massimo VignelliLocated in Berlin, BerlinTable lamp 526, designed by Massimo Vignelli. Italy, Arteluce, 1965. Chromed metal base with opaque perspex diffuser, divided into three sections. Includes 3 E14 light sockets. Ple...Category
Vintage 1960s Italian Modern Table Lamps
MaterialsMetal
- Arteluce, Model 526G Table Lamp by Massimo Vignelli from 60sBy Massimo Vignelli, ArteluceLocated in Catania, CTLarge table lamp model 526G (grande) for Arteluce by Massimo Vignelli. Very good and working condition consistent with age and use. Made in Italy during the 60s.Rare 1st edition with the chromed brass base and the old original "Ticino" switch. Full working with EU standard, adaptable on demand for USA standard. Documentation: *Gramigna, G. Repertorio del Design Italiano, 2 vols. p 121, illustrated. *Italian Light 1960...Category
Mid-20th Century Italian Mid-Century Modern Table Lamps
MaterialsBrass, Chrome
- 1960s Massimo Vignelli Model 526/g Table or Floor Lamp for ArteluceBy Massimo Vignelli, ArteluceLocated in Glendale, CA1960s Massimo Vignelli Model 526/g table or floor lamp for Arteluce. Executed in chromed metal and acrylic. The simplicity of Vignelli's design and the sculptural shaping of the materials make for an incredibly refined example of his highly influential conceptual approach. Retains the original Arteluce...Category
Vintage 1960s Italian Mid-Century Modern Table Lamps
MaterialsMetal, Chrome
- 1965 Arteluce Large Chrome & Acrylic Table Lamp by Massimo Vignelli ItalyBy Massimo Vignelli, ArteluceLocated in Miami, FLMid-Century Modern 1965 Arteluce Model 526/G large Chrome & Acrylic table lamp by Massimo Vignelli Italy. Concave chrome base holds 3 Light socket and topped with large white Lucite...Category
Mid-20th Century Italian Space Age Table Lamps
MaterialsChrome