Emile Albert Gruppe 'Mass 1896-1978' “Covered Bridge” Snow Painting

Gallé Cameo glass wheel carved and acid etched hydrangeas covered box, circa 1910. Art Nouveau. Marks: (star) Gallé (1904-1907) Height: 3 Inches, diameter 5.75 inches (7.4 x 14.6 cm) Condition: very good with no damage or repairs. Could use a good cleaning. This is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items...

A large enamel on a convened copper plaque. The scene is of a seated elderly woman looming cotton or wool yarn, Circa 1900. Hand painted then baked on in a oven by Limoges. Signed “...

A large Limoges enamel painting on a convexed copper plaque. The scene is of a mother and daughter sitting in front of a fireplace drying yarn while the...

A KPM painted porcelain portrait plaque of Rembrandt’s father originally painted by Rembrandt himself. Germany, late 19th century Marks: (scepter), K.P.M., Condition: Excellent. M...

Tibetan Buddhist thangka from the late 18th early 19th century. Distemper on cloth (either silk or cotton) Depicting a Buddhist deity with multi arms and Buddhist religious relics ...

A THANGKA DEPICTING AMITAYUS, 18TH CENTURY Tibet. Distemper on cloth, with a silk brocade frame, mounted as a hanging scroll with wood handles. Finely painted with Amitayus seated i...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Midcentury framed oil painting on board by Joseph Tilleux of Antwerp (1896-1978) Born in the Belgium city of Antwerp, Tilleux worked briefly, after his formal schooling as a draftsman but chose to pursue a more artistic career. After his studies and apprenticeship at the Academy of Antwerp, he settled in the picturesque Flemish artists' village of Lier, Belgium. There he found an abundance of inspiration in the historic town and neiboring countryside, rivers and countless charming villages. He was fortunate to study under of Franz Courtens, Frans Hens...

1971 Huaqing Kim (Liu Quan) watercolor painting showing a winter mountain landscape of the Dongkya Range of the Himalayas between China's Yadong County in Tibe. Features a pair of figures crossing a stone bridge, walking their dog, in a snowstorm with a cottage in the distance. 1 ?? huà tí title of the art 2 ?? ben jia original family’s house/eldest brother’s home (patriarchal system) 3 ?? liu quán Liu Quan ?: willow ?: fountain/spring (pseudonym/esteemed name for artist Huaqing Kim) 4 ?????? jin huá qìng huà bó zuò Artist Huaqing Kim’s work 5 ?????? huà zhan zhao dài zuò jia hosting author(s) of the art exhibition 6 ???? shen chá wei yuán member of the review (committee) 7 ??? pu shì huàn Shihuan Park 8 ?? tuo sòng consign 9 1971?9??? ? yi jiu qi jiu nián iu yuè dù zuò pin Work...

The painting "Snow-covered road", Scandinavia, early 20th century. Dimensions with frame: 49 x 35 cm Dimensions without frame: 41 x 28 cm.

Albert Gottschalk - 1866-1906. Sketch / preliminary drawing. Landscape, 'Bro over å' (Bridge over river). Oil on canvas. Unsigned. Registered in "Troels Andersen", no. 39. Measure...

PAINTING "Autumn landscape" Author - Danish painter Finn Wennerwald (1896-1969) Oil on a wooden board. dimensions: Frame: height 61 cm; width 80.5 cm depth 5 cm Image: height 46...