Original Still Life 'From the Terrace' (GMD#7004DM)
View Similar Items
1 of 8
Original Still Life 'From the Terrace' (GMD#7004DM)
About the Item
- Dimensions:Height: 25.5 in (64.77 cm)Width: 27.5 in (69.85 cm)Depth: 1.75 in (4.45 cm)
- Place of Origin:
- Period:
- Date of Manufacture:Recent/Original
- Condition:Wear consistent with age and use. Great. All patina and distressing part of the art process. Frame in Antiqued 23K Distressed Yellow Gold.
- Seller Location:Los Angeles, CA
- Reference Number:Seller: 7004DM1stDibs: U08080881851078
You May Also Like
- Original Midcentury Still Life Oil PaintingLocated in West Palm Beach, FLHeavy palette floral still life done in primarily blues and greens. Painted by midcentury artist Etta Cien.Category
20th Century American Mid-Century Modern Paintings
- Tuscan Floral Still LifeBy RussoLocated in Middletown, MDFeaturing a bouquet of roses and peonies in a rich color palette to complement various styles of décor. Incorporates nicely with Tuscan, shabby chic, or French country themes, accent...Category
Early 20th Century Italian Paintings
MaterialsCanvas, Wood
$1,295 - Impressionist Still life PaintingLocated in Denton, TXAbstract still life painting on canvas the signature is not readable dated 1974Category
20th Century North American Paintings
MaterialsCanvas, Paint
$600 Sale Price20% Off - Cubist Still-Life PaintingLocated in Denton, TXCubist still-life painting of flowers on a nightstand in a very sturdy rustic wooden frame. This piece is unsigned.Category
20th Century Mid-Century Modern Paintings
MaterialsWood, Paint
- Tad Cheyenne Schutt "Flowers and Shells" Original Still Life WatercolorLocated in San Francisco, CATad Cheyenne Schutt "Flowers and Shells" original still life watercolor 20th century A remarkable original still life watercolor by noted Arizona artist Tad Cheyenne Schutt. Su...Category
Late 20th Century American Paintings
MaterialsPaper
- Sumptuous Large Original William Foster Still Life Painting of a Banquet TableBy William Frederick FosterLocated in Tustin, CASumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...Category
Early 20th Century American American Classical Decorative Art
MaterialsMasonite