Philip Standish Read Large Modern Art Abstract Oil Pianting

A museum quality painting. Signed 1897, Lionel walden… Oil on canvas, approximately 3 feet, 10“ x 60“… Four young children in the bow of a small boat, being guided by an old fisherma...

Karl Springer design… Rare polyhedron tables covered in natural goat skin… 14 sides consisting of triangles and squares… Included in the photos is the original Maquet and mock up...

Larry Mohr abstract sculpture bronze bars bolt together to form an abstract figurative sculpture. A well know artist who's works are included in museum collections.

John Gill studio art pottery ewer abstract hand thrown raised glazed decoration. Signed and dated 1984 on the bottom. Gill was born in 1949. His work is part of many museums permanen...

Italian sculptural base relief terracotta plaques. This neoclassical plaque which hung in the Otto Dommerich mansion in New York city. Italy circa ...

Pair of Maitland Smith bronze figures holding baskets of flowers. Very nice patina… Proximately 42 inches tall and 12 inches wide at the base.

A very well done abstract Expressionist painting in oil on canvas. Done in a vibrant Mid-Century Modern color palette. Signed on back as pictured.

Oil painting on cotton canvas, title "Read," year 2018, signed by the artist. The painting, included in the motorcycle series, depicts British racer Phil Read on his 1967 Yamaha in a...

Beautiful colorful large Mid-Century Modern abstract Geometric artwork painting on Canvas frame. No signature. Good Vintage condition a few minor marks/stains from age. Wired to hang...

Abstract Blue City Landscape Modern Art Oil Painting on Wood Signed unable to read 48.5 x 28.5 x .63 D Preowned vintage unrestored condition. Review images provided.

Peter Keil is a German artist that focuses primarily on abstract expressionism. Keil painted with some of the greats including Joan Miró, Andy Warhol and Pablo Picasso, to name a few...

This is an Original Mark Dickson painting and can be described as nothing short of a revelation in the realm of contemporary art. As one navigates through his vibrant interplay of colors—pinks, purples, blues, and greens—it becomes evident that his works are a bridge between abstract expression and a deep-seated Coloradan sensibility. From afar, the paintings resonate with the raw energy and abstract impulsiveness reminiscent of Adolph Gottlieb or Mark Rothko. However, upon closer introspection, Dickson's canvas unfolds a symphony, harmoniously blending his intuitive understanding of the Colorado landscapes with an almost Rothkoesque play of color and form. His artistry is a culmination of his academic sojourns, from the bustling art scene of Brooklyn's Pratt Institute to the scholarly corridors of the University of Denver. Yet, what stands out is his capability to transcend these teachings and manifest a unique narrative—one that reflects both the external world and the myriad landscapes of the human psyche. The choice of medium, notably pastel mixed with watercolors, oil washes, and graphite pencil, demonstrates a tactile indulgence in his craft. It's as if he's chiseling his memories, experiences, and observations of the Coloradan terrains and skies into each canvas. For the discerning eye, his works might also evoke the expansive color fields of Milton Avery. Yet, Dickson’s approach, particularly his relationship with color, is refreshingly instinctual, almost challenging the viewer to feel rather than dissect. In Mark Dickson's work, we're treated to an exhilarating dance of abstract brilliance juxtaposed with the tangible and intangible memories of Colorado's landscapes. In a sense, each painting becomes an invitation—to wander, to wonder, and to immerse in the art of profound introspection. The majority medium is pastel and a mixed media of watercolors, oil washes, and graphite pencil. Color is of primary importance to his work. His work shows the influence of artists Milton Avery(who used large areas of color) and Mark Rothko and Adolph Gottlieb (known for their work in the variations of color). Mark is fascinated with color and explores every aspect of its relationships. He feels his use of color is more intuitive versus analytical. Mark Dickson’s paintings, prints and monotypes are represented in private, corporate and public art collections nationally. Pratt Institute, Graduate School of Fine Arts, Brooklyn, New York, 1970 University of Denver, Graduate School of Art, MFA, Denver, Brooklyn, New York, 1973 Denver Art Museum, Colorado Annual, 1967 National Academy of Design, National Audubon Exhibition, New York Joslin Art Museum Exhibition of Colorado artists, Omaha, Nebraska Included in Outstanding and Noteworthy Americans, Bicentennial Edition, New York Chicago Botanical Garden, solo exhibition, North Brook Illinois Colorado Symphony Orchestra Association, limited-edition lithograph commission Broadway South West department store Commission; shopping bag and print. Award of Merit from American Institute of graphic arts, and Award of Distinction: "Creativity 86" Art Direction Magazine, New York Stables Art Center, Taos New Mexico, Artist of Taos Who's Who in American Art, 1990, New York Arts Student's League of Denver, Board of Directors O'Sullivan Art Center, Regis University solo exhibition, Denver Britto Central Gallery, solo exhibition, São Paulo Brazil, 2003 Amarillo Art Museum, permanent collection Amoco Oil Company, Chicago Federal Reserve Bank, Denver University of Colorado, permanent collection, Boulder, Colorado Garnett Corporation headquarters, Arlington Virginia IBM Corporation Miami Florida Las Vegas Federal Medical Center Kirkland Art Museum, permanent collection, Denver Northern Trust Bank, Naples, Florida Planes Art...