Neoclassical Photography

Vintage style ski photography, framed Alpine ski photograph, Matterhorn & Skiers. 'MATTERHORN & SKIERS', a modern framed and mounted bla...

Weathered set of four 19th century French framed prints of labeled prunus. The colored prints are matted and framed in distressed gilt frames behind plates of glass. Various apricots...

Plaster relief after Bertel Thorvaldsen (1770-1844), signed "Thorvaldsen Museum" Measures: H 67, W 91 cm. H 26.3, W 35.8 in.

Bruce Weber by Bruce Weber. Published by Twelvetrees Press, Los Angeles, 1983. Stated 1st Limited Edition (1/5000) hardcover with dust jacket. Beautifully illustrated with over 50 full-page photogravure plates of male models and actors, a few tinted with halftone colors. Contains subjects: Brothers, Matt...

Sepia photogravure titled "Atsina War-Party" depicting Native Americans on their horses over-looking the grasslands in the distance. The photogravure is titled in plate lower left "A...

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style. Signed black-and-white pigment print on Canson Platine paper, 16 x 20 in.; hardcover volume in a slipcase, 9.8 x 13.4 in., 6.29 lb., 388 pages. Whether it’s diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches, or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “ice” has become a proclamation of identity and self-expression. Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B...

A pair of silver gelatin prints of Bertel Thorvaldsen reliefs in bleached mahogany roundel frames with gilt liner, circa 1890. 24 ¼ by 2 ¼ inches

Sepia photogravure titled "Kalispel Camp" depicting native figures in the foreground with kayak and teepee and rolling hills in the distance. The photogravure is titled lower left "K...

Sepia photogravure titled "Spotted Elk - Brule" depicting a portrait of Spotted Elk from the Brule tribe. The photogravure is titled lower left "Spotted Elk - Brule". Printed under t...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

Stephen Wilkes’s extraordinary panoramas depict our most famous landmarks from dawn to dusk. He captures thousands of single exposures, carefully editing and blending them into one s...

A lovely set of four 18th century style portrait engravings with allegorical scenes presented in giltwood frames under glass with very fine hand-colored matting. The engravings were ...