Rare Antique Engraving of Life Near The Sestro River, Liberia in Africa, 1744

Antique print, titled: 'The Dutch Fort Croevecoeur (…).' A four panel plate showing forts on the West African Gold Coast, Ghana; a) The Dutch Fort Croevecoeur at Accra, b) The Danish Fort Christiaenburgh at Accra, c) Cape Ruygehoeck or Duyvelsbergh, d) The Prospect of the Village and Coast of Lay, the mount Redonda being at NNE. Ussher Fort is a fort in Accra, Ghana. It was built by the Dutch in 1649 as Fort Crevecoeur. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

The title 'Quadrupede Nomme Kanguroo, Trouve sur la Cote de la N'le Hollande' refers to an uncolored engraving depicting a Kangaroo, originally found and described during Captain Cook's first voyage, later rendered by George Stubbs in the English account. This French version offers a portrayal of the Kangaroo encountered on the coast of New Holland (Australia) during that expedition. The Kangaroo illustration, an integral part of the narrative from Cook's exploration, became renowned due to its significance in the documentation of newly discovered fauna. George Stubbs, a celebrated artist, interpreted and immortalized this image in the English account of Cook's voyage. This uncolored engraving presents a historical representation of the Kangaroo, an iconic symbol of Australia's unique wildlife, as observed and documented during a pivotal period of exploration. The illustration stands as a testament to the scientific curiosity and documentation prevalent during early voyages of discovery, contributing to the understanding and documentation of the natural world in the 18th century. The print is in good condition, considering its age, but does have a few slightly visible vertical creases and some soiling. Nevertheless a very representable print of a few hunderd years old (1744). Description: This engraving is based on the first illustration of a “Kangaroo” an Australian species, drawn by George Stubbs from a specimen collected at Endeavour River in 1770 by James Cook’s crew while the Endeavour was being careened and issued in the official accounts of the voyage of the Endeavour. This iconic image captured the public’s imagination for over sixty years and was the first depiction of any Australian animal in western art. Confusion exists as to the original species described, based on the specimens brought back by Cook and the subsequent painting by Stubbs. This situation arose in the comparisons of drawings and photographs which are the only records of the lost original specimens, with Parkinson’s sketch made on 23rd June 1770 at Endeavour River and the later Stubbs painting...

Antique print, titled: 'A Bougis of Bokjes' - This plate shows Buginese people near Batavia, East Indies, Indonesia. The Buginese people are an ethnic group - the most numerous o...

Antique print, titled: 'A Javanese Man and Wooman.' - This plate shows a man and woman from Java, Indonesia. It originally accompanied J. Nieuhof's account of his 'Voyages and Travel...

Antique print, titled: 'The Fort Fredricksburg formerly to ye Danes and now Fort Royal (…).' - A three panel copperplate engraving showing three forts on the West African Gold Coast, Ghana; a) The Fort Fredricksburgh formerly to ye Danes and now Fort Royal. English at Manfroe, b) The Fort Amsterdam at Cormentyn belonging to ye Hollanders, c) The Fort James, English at Accra. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

Antique map titled 'A New & Accurate Map of the Western Parts of Barbary' and 'A New & Accurate Map of the Eastern Parts of Barbary'. Decorative maps of North Africa and the Southern...

This dramatic Revolutionary War engraving of the Battle of Bunker Hill is after the famous 1785 oil-on-canvas by John Trumbull. Capturing the intensity of the battle, the engraving centers on Major John Small restraining a “lobster-back” from bayoneting Major General Joseph Warren. Warren lies mortally wounded in the midst of chaos around him. In the background, British forces are seen cresting the last defenses of the brave, yet green army of Colonial soldiers. The Battle of Bunker Hill was fought on June 17, 1775, in the early stages of the American Revolutionary War. The battle is named after Bunker Hill in Charlestown, Massachusetts. Although it was the original objective of both the Colonial and British troops, the area was only peripherally involved in the battle. Rather, the majority of the combat took place on the adjacent Breed’s Hill. The battle pitted a more organized British force against a young and inexperienced American militia. Although considered a tactical victory for the British, it came at the cost of considerable casualties, including a large number of officers. The battle demonstrated that the inexperienced American militia was able to stand up to the British army troops in battle. The battle results discouraged the British from any further frontal attacks against well-defended front lines. American casualties were comparatively fewer, although their losses included Gen. Joseph Warren. During the battle, the patriot-turned-painter John Trumbull (1756-1843) was stationed in Roxbury on the far side of Boston, where he could hear the sounds of fighting. In late 1785, Trumbull decided to devote himself to the depiction of Revolutionary War scenes, a series of eight epic pictures. From the beginning, Trumbull intended for the paintings to be later engraved for sale. Trumbull began the oil-on-canvas of The Death of General Warren at the Battle of Bunker’s Hill and The Death of General Montgomery in the Attack of Quebec, in the studio of Benjamin West in London. Bunker’s Hill was completed in March 1786; Trumbull started Attack of Quebec in February 1785 and finished it before he brought it to Paris in 1786. He then started The Declaration of Independence at Thomas Jefferson's house in Paris. As soon as Bunker’s Hill was completed, Trumbull searched for a suitable engraver in London. He was unsuccessful, as many British engravers were nervous about engraving an American battle...

Bethune. A Strong Town in the Earldom of Artois in the Low Countries, Subject to the French. J. Basire Sculp. Lower Center: Plan of Bethune. For Mr. Tindal's Continuation of Mr. Rapi...

Antique 19th century circa 1842 colored engraving of a Rhinoceros - Plate VII from "A History of the Earth and Animated Nature" by Oliver Goldsmith (originally published 1774). From ...

An antique hand colored engraving showing the port of Rotterdam. Inscribed in Latin and Italian “Prospectus portæ veteris roterodamensis / vista de la puerta vieja a roterdam” which translates to ‘View of the old gate...

This beautiful antique colored engraving is titled "THE ORDER OF THE BATH" by the original artist C. Burton Barber and beautifully, circa 19...

English Engraving Devonport, Dockyard, and the River Tamar, From Mount Edgcumbe Circa 1829 Title: Devonport, Dock-Yard, and the River Tamar, from Mount Edgcumbe. Artist: Thomas Al...