Debbie Harry Vintage Collection Commes Des Garons Shirt Dress
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Debbie Harry Vintage Collection Commes Des Garons Shirt Dress
About the Item
Debbie Harry began her musical career in the late 1960s with folk rock group The Wind in the Willows and later joined The Stilettos in 1974. She then formed the group Blondie with Chris Stein in 1975. Harry became a pop music and fashion icon. Her cool and sexy style paved the way for future female artists. Blondie has sold over 40 million records worldwide and continues today with a new album titled "Panic of Girls".
Harry’s fashion choices early on in her career were usually based on what she could afford at the time. Luckily, Blondie emerged on the scene during the time in music history when glam rock was giving way to punk and new wave, a time when everything from music to art was about deconstruction and handiness. The big change in Harry’s fashion choices came in 1975 when she met fashion designer Stephen Sprouse, who took her out of 30’s and 40’s day dresses paired with cowboy boots styled her in designer wear.
A portion of all the proceeds from sales will go to the artist’s charity, Riverkeeper.org
Pink hang tag signed by Deborah Harry included.
- Designer:
- Place of Origin:
- Period:
- Material Notes:cotton
- Condition:excellent.
- Seller Location:Topanga, CA
- Reference Number:1stDibs: AU11091351740
Comme des Garçons
Comme des Garçons is one of the world’s most innovative and trailblazing fashion brands, helmed by its inimitable founder, Japanese designer Rei Kawakubo (b. 1942), who has a penchant for breaking fashion and cultural norms. The only living designer apart from Yves Saint Laurent to have a retrospective at the Metropolitan Museum of Art’s Costume Institute, Kawakubo has permanently changed fashion with designs that challenge traditional ideas of beauty with a creative and transgressive exuberance.
After studying art and literature at Keio University in Tokyo, Kawakubo worked as a freelance stylist before establishing her own label in 1973, opening her first store in Tokyo in 1975. Kawakubo has since been instrumental in pioneering many concepts now familiar in contemporary fashion. One of her most iconic moves was her introduction of androgynous styles (Comme des Garçons means “like the boys” in French) with asymmetrical, twisted silhouettes that envelope the body. While she told the New York Times that the “basics of clothing lie in men’s fashion,” Kawakubo believes in the concept of humanness in clothes, such as titling her spring 1995 show “Transcending Gender.” In the 1970s, when color-blocking was the norm, Kawakubo stuck to her monochromatic color palette dominated by shades of black with uncompromising dedication, although with evocative and powerful use of red and white.
Comme des Garçons is also known for an often shocking take on fashion. Deconstructed tailoring, violently slashed fabric and sculptural shapes are some themes that run through the brand’s collections, but Kawakubo never explains the meaning of her conceptual pieces, which fall somewhere between art and fashion. Even though the brand has more commercial offshoots like PLAY, known by the iconic heart motif with eyes, the premier men’s line Homme Plus and the multilabel Dover Street Market that opened in 2004, the essence of Comme des Garçons remains Kawakubo’s otherworldly and undefinable creations, which are impossible to ignore.
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