Bert & May - Bodegas Reclaimed Tile - 48m2 Lot ( 516sqft )

A timeless classic, our chequerboard tile features a deep red and off-white pattern, adding a touch of versatility to any space. As with all our reclaimed tiles it has a beautifully ...

All our reclaimed tiles are genuine antiques. We believe in investing in your interiors, and choosing reclaimed and repurposed tiles means breathing new life into tiles that have alr...

The soft colours in the Frias make it a perfect backdrop for your interior. Pair it with mid-century furniture or pops of colour. The Frias has w...

Reclaimed from Southern Spain, our Hierro Reclaimed Tile has a deep ebony colour that has weathered and aged beautifully in the sun. Create a dark and striking backdrop to your space...

Based on a reclaimed version, we have recreated this wonderfully joyful, intricate tile. With its scrolling floral pattern, it would work well for those who are looking to create a s...

An interior designer favourite, the Bilbao tile creates a statement on both floors and walls. Our specialist makers have recreated the aged patina and muted colours of the original B...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

Six large 20th century hand painted Persian tiles. Siliceous paste painted in polychromy under transparent colorless glaze. Each tile is 8 by...

A pair of Chinese pottery brick tile with figures. Age: China, Song Dynasty, 10th - 12th century Size: Height 26.5 C.M. / Width 26.5 - 26.8 C.M. Size i...

Chinese pottery brick tile with musician flute player. Age: China, Song Dynasty, 10th - 12th Century Size of brick tile only: Height 31.6 C.M. / Width 18.8...

A pair of Chinese pottery brick tile with musician. Age: China, Song Dynasty, 10th - 12th Century Size: Height 30.2 - 30.8 C.M. / Width 18.3 - 19.2 C.M. Si...