Bert & May - Frias Reclaimed Tiles 6.2m2 Lot (66sqft)

Reclaimed from Southern Spain, our Hierro Reclaimed Tile has a deep ebony colour that has weathered and aged beautifully in the sun. Create a dark and striking backdrop to your space...

A timeless classic, our chequerboard tile features a deep red and off-white pattern, adding a touch of versatility to any space. As with all our reclaimed tiles it has a beautifully ...

Our Bodegas tile is a reclaimed tile, found in Southern Spain. As with all of our reclaimed finds, these tiles have had a life before and have weathered and worn. The colours have a ...

All our reclaimed tiles are genuine antiques. We believe in investing in your interiors, and choosing reclaimed and repurposed tiles means breathing new life into tiles that have alr...

Originally reclaimed from Southern Spain, we fell in love the twist on a classic design in the Manarola tile. Our specialist makers have recreated the antique colours and aged patina...

Our Bornos tile is a remade reclaimed tiles. Our maker Juanma and his team specialise in remaking tiles using traditional manufacturing techniques and materials to ensure the patina ...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

Six large 20th century hand painted Persian tiles. Siliceous paste painted in polychromy under transparent colorless glaze. Each tile is 8 by...

A collection of three 17th century Turkish Ottoman Iznik pottery wall tiles having underglaze-polychrome decoration of stylized tulips and 'saz leaf' des...

A pair of Chinese pottery brick tile with figures. Age: China, Song Dynasty, 10th - 12th century Size: Height 26.5 C.M. / Width 26.5 - 26.8 C.M. Size i...

Chinese pottery brick tile with musician flute player. Age: China, Song Dynasty, 10th - 12th Century Size of brick tile only: Height 31.6 C.M. / Width 18.8...