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Bronze Sculpture of an Elephant

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19th Century, A Pair of Antique Japanese Bronze Animal Elephants
Located in Sampantawong, TH
A pair of antique Japanese bronze elephants with artist sign. Artist signature is on the last photo. Age: Japan, 19th Century Size: L...
Category

Antique 19th Century Japanese Antiquities

Materials

Bronze

A Pair of Chinese Ming Period Patinated Bronze Enameled Elephant Vases/Censors
Located in New York, NY
A Pair of Chinese Ming Period Patinated Bronze Enameled Elephant Vases/Censors. The elephant has a Buddhistic caparisoned dress with pearl harness, tassels, and high-relief dragon p...
Category

Antique 1640s Chinese Ming Antiquities

Materials

Bronze

Early 20th Century, Burmese Bronze Standing Elephant
Located in Sampantawong, TH
Burmese bronze standing elephant with stand. Age: Burma, Early 20th Century Size: Height 15.5 C.M. / Width 11.5 C.M. / Length 18 C.M. (size excluding stand) Condition: Nice cond...
Category

Early 20th Century Burmese Antiquities

Materials

Bronze

An Exceptional Gilt-Bronze Dragon, Presumably Six Dynasties
Located in seoul, KR
An art piece presumably from the Six Dynasties period in China, spanning from the 3rd to the 6th centuries. This era is known for its political fragmentation but also significant cul...
Category

Antique 15th Century and Earlier Hong Kong Antiquities

Materials

Bronze

19th Century, Antique Burmese Bronze Elephant Bell with Stand
Located in Sampantawong, TH
Burmese bronze elephant bell with stand. Age: Burma, 19th Century Size: Height 12.5 C.M. / Width 9 C.M. Size including stand: Height 23.5 C.M. Condition: Nice condition overall...
Category

Antique 19th Century Burmese Antiquities

Materials

Bronze

Bronze Sculpture by Emmanuel Villanis
By Emmanuel Villanis
Located in Pasadena, TX
Emmanuel Villanis comes from a family of Italian origin. From 1861, his parents returned to Italy to settle in Piedmont. He had fled Italy because the war of independence broke out, under the threat of Napoleon Bonaparte. In 1871, the artist enrolled at the Albertina Academy of Fine Arts in Turin; he follows the teaching of the sculptor Odoardo Tabacchi (1831-1905). As soon as he finished his studies, his master encouraged him to exhibit: his bust Alda, for example, was presented in Milan in 1881. In 1885, Villanis moved to Montmartre, a district of Paris that he never left. The artist's fame is built on his production of female figures. Aida, Judith, Delilah, Lucretia, Cinderella: her work brings together the great heroines of opera, literature, mythology and the Bible. Villanis also discusses certain types - the Bohemian, the Châtelaine, or the Parisienne - and several allegories, including Painting and Sculpture. Made mainly in bronze, sometimes chryselephantine, his sculptures subtly bear the mark of Art Nouveau, including the lettering of the title, which regularly adorns the base. His play on the patinas further adds to the finesse of the line, making Villanis one of the major sculptors of Art Nouveau. Regarding the casting of bronzes, he worked mainly with the Société des Bronzes de Paris and with Eugène...
Category

Antique Late 19th Century European Art Nouveau Antiquities

Materials

Bronze

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