Burial Model of a Green glazed Watch-Tower, Han Dynasty

This Han Dynasty green-glazed Haitai sculpture, though worn over time, retains its dynamic form. Period : Han Dynasty (206 BC - 220 AD) Medium : Earthenware with Green glaze Provena...

This Han Dynasty green-glazed dish exhibits significant signs of wear, indicative of its age and the long passage of time it has witnessed. The glaze, once vibrant, now shows substan...

This piece is an elephant statue made of green-glazed pottery. During the Han Dynasty, artworks depicting elephants were quite rare. However, such representations did occasionally appear. For example, the bronze vessel from the Han Dynasty housed in the Shanghai Museum is one of the notable examples of this type of craftsmanship. The existence of elephants in ancient China is attested both by archaeological evidence and by depictions in Chinese artwork. Long thought to belong to an extinct subspecies of the Asian elephant named Elephas maximus...

Han Dynasty green-glazed tripods are comparatively rare, especially ones that have retained their structural integrity and glaze over millennia. Pieces in good condition are scarce b...

Monumental Pottery Watch Tower in Green Glaze; Han Dynasty (2016 BC -AD 220) Earthenware three-storied pavilion from the Eastern Han Dynasty. Each of the...

Antique Chinese green glazed pottery jar. Lead glaze with copper is the main colorant used in Han period to produce green glaze. Greenware b...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Huge hollow molded terracotta, standing male figure wearing a hip-length multi-layered robe with a collared neck. Implements suspended from his waist, holding a staff in his right ha...