Tokoname Sutra Jar, Heian-Kamakura/Japanese Antique/8th-14th Century

During the Muromachi Period (1392–1573), the concept of wabi-sabi was formed from the tea ceremony culture. Shigaraki ware was greatly influenced by the aesthetic sense of tea masters in the flow of the times. This product is a small jar called "UZUKUMARU", which was used by farmers as a pot to store seeds. The higaki pattern drawn on the body is unique to Shigaraki. It is said that it is modeled after a shimenawa rope or the bamboo fence...

This cup is an example of the type of stoneware known as Sue ware, produced from the middle of the fifth until the fourteenth century in Japan. This produc...

This is a Celadon three-legged incense burner with peony arabesque design. Since the 14th century, Dwarf sedge was planted in this pot to decorate the tea room, so in Japan it is ...

It's a wonderful moon jar. It is a rare size that is suitable for the alcove of a Japanese tea room. It is shaped at once without connecting the uppe...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

Japanese ceramic jar. Age: Japan, Meiji Period, 19th century Size: Height 33.6 C.M. / width 40 C.M. Condition: Nice condition overall. 100% satisfaction and authenticity guaranteed...

Japanese ceramic jar. Age: Japan, Meiji Period, 19th century Size: Height 34 C.M. / Width 46.2 C.M. Condition: Nice condition overall. 100% satisfaction and authenticity guarantee...

Japanese ceramic jar. Age: Japan, Meiji Period, 19th century Size: Height 33.4 C.M. / width 44.7 C.M. Condition: Nice condition overall. 100% satisfaction and authenticity guarante...

Antique Sukhothai stoneware Naga. Age: Thailand, Sukhothai Period, 14th - 16th Century Size of Naga only: Height 38.5 cm. / width 16.3 cm. / length 19 cm. Size including stand: Heig...

An evocative large pottery pouring vessel, kendi, pre-Khmer, 6th-8th century, Cambodia. The large kendi of typical form, with a bulbous body set on a...

A large and attractive pre-Khmer red pottery kendi, pouring vessel, 6th - 8th century, Cambodia. The large vessel crafted of a red pottery, with a wid...