Antique Japanese Kinkozan Awata Satsuma Charger Japan Figure Relief Early 20th C

Description A Japanese Satsuma photograph frame, Kinkozan, Meiji/Taisho period Of gourd outline and painted with the 'three abundances' of peaches, pomegranate and finger citron wi...

Lovely detailed piecse. Marked on base. Condition: Overall condition almost perfect, with loss of gilding. Size: 295mm Period: Meiji periode (1867-1912).

Large and very detailed piece. Marked at base. Condition: Overall condition perfect. Size: 390 mm Period: Meiji Periode (1867-1912) Showa Periode (1926-1989) Taisho Periode (19...

Lovely detailed pieces. Marked on base. Condition: Overall condition almost perfect, with loss of gilding. Size: 170 mm Period: Meiji Periode (1867-1912).

Fabulous Japanese Satsuma ware tripod lidded box. The lid has a Landscape scene with pagode. Please check the details, in the house you can see figures and 1 waiting at the door. At...

Fabulous Satsuma vase with a circular mountainious landscape scene with a bridge and ladies in a pagode garden. Condition Overall condition some spots of enamel loss on the body,...

Cobalt Blue Natsume From our Japanese collection, we are delighted to offer this Japanese Satsuma Natsume by Kinkozan. The Natsume of elongated rectangular form with four recessed panels each bordered by a gilt foliage decoration. The Natsume raised upon a square base with a scalloped centre. The top of the Satsuma finished with the original lid with matching gilt foliage decoration. The panels of the Satsuma decorated with multiple figures in various pursuits framed within a shaped recesses. The base of the Satsuma is signed with the Kinkozan mark. The Natsume dates to the Meiji Period (1868-1912) circa 1890. Natsume is a Chaki 茶器 (tea implement) used in a Japanese Tea Ceremony and is a term for a Japanese Tea Caddy...

A beautiful Japanese Satsuma vase, circa early-20th century, late 1930s-1940s, Japan. Colors include red, black, gold, yellow, white, burgundy, green, and flesh tones. Dimensions: 5"...

As part of our Japanese works of art collection we are delighted to offer this finely decorated Meiji Period (1868-1912), Satsuma vase stemming from the highly regarded Kinkozan stud...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

From our Japanese collection, we are delighted to offer this Japanese Meiji period Satsuma Bowl by Kinkozan. The earthenware bowl with pinched rim extensively decorated on both the exterior and interior. The bowl with a cobalt blue base glaze decorated to the borders with gilt shippo-tsunagi (linked-cash) with scattered medallion roundells. Around the exterior two elongated scenes are featured, one with boys playing games in a courtyard with the other featuring seated scholars in full dress both with raised enamel decoration. The interior features a central scene with Samurai warriors in training fully armoured with swords in a courtyard with landscapes scenes to the background. The central scene bordered by further stylised shippo-tsunagi type decoration with a greek key rim border. The bowl signed to the base Kinkozan dating to the Meiji Period (1868-1912) circa 1900. Shippo-Tsunagi (linked-cash) or seven treasures, is a traditional Japanese geometric pattern that combines four ellipses in a circle. These ellipses repeat outward to then create more circles, symbolising eternal peace and happiness. Kinkozan the Kinkozan family have been associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed. By the 1850s Kobayashi Sobei (1824-84), Kinkozan Sobei...

Kinkozan, Japanese Satsuma vase, Meiji Period (1868-1912) Of baluster form with an elongated neck decorated in polychrome enamels and gilt on a clear crackle glaze in an Art-Nouvea...