Collection of Antique Japanese Sake Bottles

A set of four Japanese Ceramic Tokkuri Sake storage bottles circa early 20th century (Meiji to Taisho period). The bottles were made in Tamba (Tanba) kil...

The long neck bottle of classic form was heavily potted with coarse clay with high iron content. The flask, circa 18th century Edo period, was purposed for sake storage but also substituted as a flower vase during tea ceremony. The surface is covered in glossy black glaze and contrasts strikingly with white ash glaze around the shoulder. The white, fired with straw, displays a splashing feather effect and fine crackles, blending in with the black artistically. This type of Karatsu ware...

A near pair Hizen pottery jars from Artia Japan, circa mid-19th century of the Meiji Era. Heavy stoneware construction with overglaze enamels that was inspired by Chinese WuCai from ...

On offer is a large Japanese Imari ceramic bottle vase with elaborate surface design circa 19th century (late Meiji Period). The distinct shape of the bottle is called tea-whisk form and the rare prototype was found in the early Ko-Imari production dated back to 16-17th century of Edo period. The shape was designed specifically to store liquor. This revived bottle was made in the 19th century and showcases decoration and colors typical of Imari ware. A lady in kimono holding a fan under a Sakura tree is showcased in the front and the back, with underglaze blue contrasting the rich overglaze enamel and gold. On the two sides, raised relief borders enclose scenes of combatant dragons and tigers under plum trees, both rendered in great relief details and of sculptural quality. The base was marked in underglaze blue the archaic Chinese characters "Da Ming Cheng Hua Year Made...

A milky white dish with slight scalloped rim and decorated with cobalt blue iron red and green enamel over glaze, this delicate piece in Kakiemon Style was dated at least to the earl...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A beautifully shaped and glazed hand painted Japanese sake bottle with gorgeous calligraphy. A wonderful shelf piece. Japan, circa 1960. CR1006a.

Japanese Edo period Nabashima porcelain blue plate with a motif of three sake bottles on a background of blue waves. The piece dates from the mid-19th century and is in great conditi...

A Japanese ceramic Sake Jar from the early 20th century. The jar features glazed ceramic and hand-painted characters. Dimensions: Height 27cm x Diameter 1...

A Japanese ceramic Sake Jar from the early 20th century. The jar features glazed ceramic and hand-painted characters. Dimensions: Height 26cm x diamet...

A Japanese ceramic Sake Jar from the early 20th century. The jar features glazed ceramic and hand-painted characters. Dimensions: Height 27cm x diameter 1...

A beautiful, perfectly shaped and balanced antique Bizen ware shibui sake bottle (tokkuri) vase by renowned Japanese master potter/artist Kaneshige Toyo (1896-1967) featuring a unique natural, wonderfully textured organic forming ash glaze. Kaneshige is universally considered to be the founder of modern Bizen pottery. In 1956, Kaneshige was certified as a Living National Treasure (Important Intangible Cultural Heritage) for his work in Bizen Ware pottery/ceramics. Bizen Ware is a type of Japanese pottery traditionally from the Bizen province, presently a part of the Okayama prefecture. It is considered one of the Six Ancient Japanese Kilns (along with Echizen ware, Seto ware, Shigaraki ware, Tamba ware, and Tokoname ware). The piece is signed/ sealed on the base with one of Kaneshige's traditional incised marks. A rather striking and engaging work. One of the best Kaneshige works we have come across. Scarce and hard to find in such an excellent condition. Would be a fantastic addition to any Japanese/Asian pottery or Bizen Ware collection or eye-catching stand-alone work in about any setting. Kaneshige's work can be found in numerous prominent collections and museums including: Aichi Prefectural Ceramic Museum, Seto, Japan Brooklyn Museum, NY Hagi Uragami Museum, Yamaguchi, Japan Honolulu Art Museum, HI Ibaraki Ceramic Art Museum, Kasama, Japan Indiana Art...