Guanyin pair, ceramic statues, China, 19th century

Potiche in ceramic, 19th century Elegant vase in ceramic with a triangular base, faceted, richly decorated with floral motifs, and depicting Bacchus crowned by grapes at the three c...

Serpentine jade group, China, late 19th century Ancient Chinese statue made of serpentine jade, high quality finishes and details, no deficiencies can be seen. Excellent condition, a...

Elegant boulle sideboard, made in the 19th century, well preserved, as shown in the photo. The sideboard is decorated with inlays in fine woods and me...

Desk with seven drawers veneered in walnut, Lombard Baroque, 19th century, moved on the front, on the sides and finished on the back. Some restorations have been carried out Excel...

Imposing Japanese censer, 19th century, patinated bronze. Japanese censer dating back to the end of the 19th century, patinated bronze, worked with friezes, animal, bird and floral t...

Pair of ceramic bookend dogs, Cacciapuoti, 20th century Collectibles, pair of ceramic dogs, made and signed by Cacciapuoti, signature visible on t...

Pair of 19th century Chinese ceramic harnesses. Many chips (see photos). Height 55 cm for a diameter of 38 cm. Additional information: Material: earthenware & ceramics.  

Porcelain statue of Guanyin. A few chips, notably to two fingers of the right hand, do not detract from the aesthetics of the whole. China, 19th century.

Chinese Blanc-de-Chine Seated Guanyin Altar Piece , 19th/20th Century A large and impressive work, in two parts bearing seal/reign mark on the back o...

Remarkable pair of Chinese glazed ceramic celestial Buddhist Guanyin deities. Featuring two beauties depicted standing in draped robes with casc...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

Ceramic teapot or liquor jug with beautiful green crackle glaze. This type of carafe was traditionally used to serve Huangjiu, an alcohol made from cereals...