Hermes Chinese Zodiac Ashtray, Year of the Ox

Round chandelier of metal and glass Measures: 26.5" Round x 20" H Chain length 36".

Signed Photography of Nude Women Limited Edition 1/10 With Black Matte and Gold Frame.

Set of 8 Knoll Studio chairs, handkerchief design By Vifnelli 1995. 2 Arm chairs 26"W x 29" H x 18"D Seat H 16". 6 Armless chairs 20.5" W x 29"H...

This depiction of a reclining female with paper umbrella is designed by Jacques Grange. Painted acrylic on canvas, mounted on wood.

Set of 4 Carl Hansen & Son Wishbone Chairs in White Lacquered Finish w/Loke Leather Seat Cushions Some scratching on arm where table meets, see photos 21.5"W x 19.5"D x 29.5"H Seat...

Pair of Cesca arm chairs by Marcel Breuer 1928 for Knoll. Upholstered with Sabrina Leather on seat and back.

An Exquisite Pair of Chinese Monochrome Ox Blood Porcelain Double Handled Vases. The deep, rich hue of ox blood gradually transitions to a more translucent tone towards the upper por...

Antique Chinese green glazed ceramic votive chair. Ming Dynasty 1368 A.D.–1644 A.D. Originally purchsed from Gracie Gallery, New York City; original label on base. Provenance: A P...

A Fantastic 19th Century Chinese Blanc De Chine Model of a Water Buffalo. Beautifully hand-carved and enameled with a bright white body and black enamel eyes. This piece is really superb and in fabulous condition for its age. In Chinese culture, the water buffalo symbolizes the coming of spring. Throughout China the spring season began with a ceremonial plowing by the imperial capital through the use of a water buffalo, symbolizing its importance to the imperial heritage. Water buffalo were created in China for centuries, with terracotta pieces found in Han dynasty tombs...

19th Century Chinese Famille Rose Zodiac Figure 'Snake' China, 19th Century A rare 19th Century Chinese famille rose zodiac figure of the 'Snake,' representing a significant symbol...

Discover the rich artistry embodied in this Sang de Boeuf flambe glaze globular lidded jar, a piece that resonates with the grandeur of Chinese ceramic craftsmanship. The jar is distinguished by its vibrant ox-blood red glaze, a characteristic feature of the Sang de Boeuf or "Ox Blood" style, which is celebrated for its deep, flowing red hues that evoke a sense of luxury and historical depth. Resting on a crackle glaze ground base, the jar presents a harmonious silhouette, with its bulbous body offering a pleasing contrast to the flat lid that adorns it. The lid, which features a central finial for ease of handling, adds a balanced aesthetic to the piece, marrying form and function in a seamless display of craftsmanship. A significant highlight of this jar is the presence of the four-character mark "QIAN LONG NIAN ZHI", rendered in underglaze blue to the center of the base. This apocryphal mark, a nod to the revered Qianlong Emperor's reign, adds a layer of historical and cultural significance to the piece, connecting it to a period of flourishing artistry and innovation. Whether showcased as a focal point in a room or as a prized possession in a collection, this Sang de Boeuf jar...

Description A top quality dish of Bleu de Hue porcelain. The interior painted with a scene from with a boy and ox in landscape. Two other figures are also painted, 1 crossing a bridge and 1 in a small house. China, 19th century. For the Vietnamese market Marked on the base Chinese blue and white export porcelain for the Vietnamese market. The best "Bleu de Hue" was ordered by the Vietnamese court by way of diplomatic missions to China. Most of them were produced in Jingdezhen with special designs and marks. Hue is the name of the old city where the Vietnamese King resided at the time. The designs are special, characteristic and have a slight character of being Japanese instead. Some have poem on them. One common two character mark reads Nei Fu, and can be translated as "Inner Court". Blue de...